The painting depicts a hand holding a transmitter-radio that appears to send or receive pictures from the mass media. A helicopter flying over symbols is also depicted in the left-hand corner. I'm guessing that the purpose of this picture is to raise awareness to a genocide or a conflict that occurred around this time.

Result #1

The helicopter hovers on the left-hand edge of the picture, which is what we see in the right-hand corner. The second painting, with its thick brushwork and too-high-key colors, is also an allegory of a media-induced desire for sympathy. The lower half of the painting is a field of brushstrokes, while the top half is a different color scheme, with a bit of blue and a bit of green. The painting is split into two parts: a section of the canvas has been painted over, and a portion of the image has been removed from the brushstrokes and painted over. This painting seems to be a somber, melancholic reflection on the conditions of the right to life. It seems that in the hands of a more serious painter, this painting might also have been more difficult to take, but it is nevertheless a compelling picture.

Result #2

The painting depicts a hand holding a transmitter-radio that appears to send or receive pictures from the mass media. A helicopter flying over symbols is also depicted in the left-hand corner. I'm guessing that the purpose of this picture is to raise awareness to a genocide or a conflict that occurred around this time. The picture, however, does not convey the gravity of the situation.The right-hand corner is filled with images of a hand holding a stick. It is a photograph of a hand holding a stick, but in this case the stick is a toy gun. The image is also of a child holding a stick in a playground, presumably to shoot and kill the imaginary perpetrator. The hand is a reflection of the childs playfulness, the image a reflection of the playfulness of the adults. The picture is an ironic reflection on the adults, who use the real tools to represent the real. The stick represents the adult who is afraid of the child, who uses the stick as a weapon, who is afraid of the stick, who uses the stick as a stick in a game of hide and seek. The picture is also a reflection on the game, an image of the game itself, a game that is now a game of avoidance. The stick is a stick of an alien, a stick of the Other. The image of the stick is a sign of the Other, of the Other as a tool of domination.The left-hand corner is dominated by the image of a boy holding a stick, which is a representation of the boy holding a stick. The image is also a reflection on the game, an image of the game itself, a game that is now a game of avoidance. The boy is a real stick figure, a stick man, and the image is a reflection on the real, on the real, as a stick figure is, and as a stick man is. The image is also a reflection on the game, an image of the game itself, a game that is now a game of avoidance. The stick is also a stick man, a stick man, and the image is a reflection on the real, on the real, as a stick man is, and as a stick man is.

Result #3

The painting depicts a hand holding a transmitter-radio that appears to send or receive pictures from the mass media. A helicopter flying over symbols is also depicted in the left-hand corner. I'm guessing that the purpose of this picture is to raise awareness to a genocide or a conflict that occurred around this time. The picture is cropped and the image is fragmented into a series of panels. A horizontal line of text runs across the left edge of each panel. It is an excerpt from a letter from a survivor of the genocide in Rwanda. The letter is reproduced in a text-based style that includes quotations from Ayatollah Khomeini and Vladimir Lenin. The letters are printed in a heavily textured wash that is very much reminiscent of a graphic-novel. The letters are accompanied by a photograph of a hand holding a gun. The hand is in front of a mirror. It is also in front of a radio. The viewer is shown standing before a screen showing a video of a helicopter in which the word MERCAT is written in black on a white background. The video is looped and the camera travels across the white surface until it reaches the black. The image is then erased and the words are displayed in the black-on-white, and the image of the hand holding a gun is replaced by a photograph of a hand holding a gun. The viewer is shown holding a hand with a gun and the word MERCAT written on it. The hand is shown to be a white hand and the hand is held by the hand. The hand is not a hand, it is a hand held by a hand. The hand is a hand, and the hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand. The hand is a hand.

Result #4

The painting depicts a hand holding a transmitter-radio that appears to send or receive pictures from the mass media. A helicopter flying over symbols is also depicted in the left-hand corner. I'm guessing that the purpose of this picture is to raise awareness to a genocide or a conflict that occurred around this time. It is a shame that the painting seems to be about a different sort of subject. The painting is about something else, and the other paintings are just about the same as the one that is represented by the hand.The gallery also has a photo-installation, Two Handed Sign, 1989. Here, the viewer is shown holding a sign that reads: The most peaceful day of the year is Friday the 4th. This work is a combination of art and propaganda. The artist has made an image of the hand, and the hand is a symbol of an absence, a symbol of the absence of the world. In this way, the hand is the hand that the artist is trying to disappear, to present as a symbol of the absence of the world. The hand is an absence, a sign of the absence of the world. The hand is the hand that is trying to make itself visible, but it is always already a sign of an absent hand.The artists work has always dealt with the disappearance of the world, with the disappearance of the world as it exists in and as the world. The hand is a sign of the disappearance of the world, a sign of the disappearance of the world as it exists in and as the world. This is the message of the hand: the hand that wants to make itself visible, and the hand that makes itself invisible. The hand is the hand that fails, that fails to make itself visible, because it is already a sign of an absent hand. It is the hand that attempts to make itself visible, but it is also the hand that cannot be seen, because it is already a sign of an absent hand. The hand is the hand that seeks to make itself visible, but it is a sign of an absent hand, and it is a sign that cannot be seen. This is what is meant by the hand that fails.

Result #5

The painting depicts a hand holding a transmitter-radio that appears to send or receive pictures from the mass media. A helicopter flying over symbols is also depicted in the left-hand corner. I'm guessing that the purpose of this picture is to raise awareness to a genocide or a conflict that occurred around this time. If so, the hands are probably of the Vietnamese people, who were killed during a military coup détat in 1968. The image, which has been cropped from the large scale that the artist has used to make it, is the most interesting part of the painting. It shows the hands as they appear in the media, and they are covered with bandannas and bandannas are painted on their forearms, the same bandannas used by the police when they search people for weapons. The bandannas have been cut and rearranged, and the image is covered with bandannas, and the bandannas are made of white paper. The image seems to be a medley of images from the media—the bandannas, the bandannas, the bandannas, the media images. The bandannas make the bandannas look like thin sheets of paper.The large-scale, highly detailed color photograph also shows hands and hands, but they are not bandannas. They are painted on the fingers. They are not painted on the fingers; they are painted on the fingers. They are covered with bandannas and bandannas, and they are covered with bandannas and bandannas. The bandannas look like gauze, but they are not gauze. They are not made of paper. They are not made of paper. They are not made of paper. They are not made of paper. They are not made of paper. They are not made of paper. They are not made of paper. They are not made of paper. They are not made of paper. They are not made of paper. They are not made of paper. They are not made of paper. They are not made of paper. They are not made of paper. They are not made of paper. They are not made of paper. They are not made of paper. They are not made of paper. They are not made of paper.

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