Riley Ragland is a contemporary artist that creates work with the central themes of femininity, sexuality, and self. Ragland works with diverse and unconventional mediums such as: flower petals, nail polish, sequin, money, coins and more. In her earlier work, she explores intersections between nature and vaginal imagery. In her later work, she explores beauty and perception of self through still life and different approaches to self portraiture. While her focus has changed, juxtaposition between realism and abstraction has always been a primary focus. She draws inspiration from artists such as: Georgia O'Keeffe, Hannah Wilke, Rene Magritte, and Cindy Sherman.

Result #1

Riley Ragland is a contemporary artist that creates work with the central themes of femininity, sexuality, and self. Ragland works with diverse and unconventional mediums such as: flower petals, nail polish, sequin, money, coins and more. In her earlier work, she explores intersections between nature and vaginal imagery. In her later work, she explores beauty and perception of self through still life and different approaches to self portraiture. While her focus has changed, juxtaposition between realism and abstraction has always been a primary focus. She draws inspiration from artists such as: Georgia O'Keeffe, Hannah Wilke, Rene Magritte, and Cindy Sherman. ______________________________________________________________________________________________________________________|END OF TEXT|<|startoftext|>A large number of works are shown in this show. A few are very large, and others are small. All are mostly black and white. They are all done in the round, with a few being hung on the wall. They are all very carefully and sensuously worked, and the works are all done in a very precise way. The artist is concerned with a certain balance of visual elements and the relation between the figure and the ground, between figure and ground. In a sense, she is concerned with the relation of figure to ground and ground to figure. Her work is concerned with the relationship of figure to ground, figure to ground to ground. Her work is concerned with the relationship of figure to ground, figure to ground to figure. Her work is concerned with the relationship of figure to ground, figure to ground to ground to figure. Her work is concerned with the relationship of figure to ground, figure to ground to figure. Her work is concerned with the relationship of figure to ground, figure to ground to ground to figure. Her work is concerned with the relationship of figure to ground, figure to ground to figure and figure to figure. Her work is concerned with the relationship of figure to ground and figure to ground. Her work is concerned with the relationship of figure to ground and figure to ground to figure and figure to figure. Her work is concerned with the relationship of figure to ground and figure to ground to figure and figure to figure. Her work is concerned with the relationship of figure to ground and figure to ground to figure and figure to figure. Her work is concerned with the relationship of figure to ground and figure to ground to figure and figure to figure. Her work is concerned with the relationship of figure to ground and figure to ground to figure and figure to figure. Her work is concerned with the relationship of figure to ground and figure to ground to figure and figure to figure.

Result #2

Riley Ragland is a contemporary artist that creates work with the central themes of femininity, sexuality, and self. Ragland works with diverse and unconventional mediums such as: flower petals, nail polish, sequin, money, coins and more. In her earlier work, she explores intersections between nature and vaginal imagery. In her later work, she explores beauty and perception of self through still life and different approaches to self portraiture. While her focus has changed, juxtaposition between realism and abstraction has always been a primary focus. She draws inspiration from artists such as: Georgia O'Keeffe, Hannah Wilke, Rene Magritte, and Cindy Sherman. In this show, Raglands work was presented as a collection of drawings, paintings, and objects, but also as a series of small paintings on paper. The drawings, paintings, and objects were all executed on paper, and all were accompanied by a series of text and a few pages of poetry. The drawings are landscapes of a variety of forms and themes. Ragland utilizes the imagery of flowers and flowers themselves as a source for her compositions. The drawings are almost like a post-Modernist diagram of flowers, with the exception of the fact that there is no flower. The drawings are a reflection on the world of flowers and flowers and their relationship to reality. In the paintings, Ragland has used the same images as in her earlier work, but she has used a more painterly touch. In the drawings, the flowers are made up of a white ground, and are painted in black and white. The flowers are arranged in a grid pattern. The grid is broken up into individual squares, and each individual square is painted in a different color. The paintings are divided into two groups of two or three. The paintings are divided into sections, each section with a different color, and each section is painted in a different color. The paintings are divided into two sections, each section with a different color. The sections are arranged in a grid. The grid is broken up into individual squares. The paintings are divided into two sections, each section with a different color. The grids are broken up into individual squares. The grid is broken up into individual squares. The paintings are divided into two sections, each section with a different color. The grid is broken up into individual squares. The paintings are divided into two sections, each section with a different color. The grid is broken up into individual squares. The paintings are divided into two sections, each section with a different color. The grids are broken up into individual squares. The grids are broken up into individual squares.

Result #3

Riley Ragland is a contemporary artist that creates work with the central themes of femininity, sexuality, and self. Ragland works with diverse and unconventional mediums such as: flower petals, nail polish, sequin, money, coins and more. In her earlier work, she explores intersections between nature and vaginal imagery. In her later work, she explores beauty and perception of self through still life and different approaches to self portraiture. While her focus has changed, juxtaposition between realism and abstraction has always been a primary focus. She draws inspiration from artists such as: Georgia O'Keeffe, Hannah Wilke, Rene Magritte, and Cindy Sherman. The exhibition was divided into two sections: The first section was composed of paintings on paper; the second consisted of photographs and a video. The paintings on paper were done in a variety of media including oil, ink, pastels, pastels, and pastels. In one group of paintings, Ragland used the image of a flower as a ground for pastel drawings of a female figure. In another group of paintings, Ragland used a flower as a ground for pastels of a woman in a bathtub. In a third group of works, she used a flower as a ground for pastels of a woman in a bathtub. The work consisted of a series of pastels of the same subject and the same pose, both in the bathtub and in the bathtub. The images included a woman in a bathtub, a woman in a bathtub, a woman in a bathtub, and a woman in a bathtub. The subject of the pastels was the same as that of the pastels. The pastels were a kind of portrait of the artist. The woman in the bathtub was a self-portrait. The bathtub and the bathtub were self-portraits.The photographs were more abstract. In one series of photographs Ragland used a map of New York as a ground for pastels of her face. The map was a reference to the citys subway system. A series of pastels of a woman in a bathtub included a series of pastels of the same subject and the same pose, both in the bathtub and in the bathtub. In another series of photographs Ragland used a map of New York as a ground for pastels of her head, which were also self-portraits. The map was a reference to the citys subway system. The pastels were a kind of portrait of the artist. The woman in the bathtub was a self-portrait.

Result #4

Riley Ragland is a contemporary artist that creates work with the central themes of femininity, sexuality, and self. Ragland works with diverse and unconventional mediums such as: flower petals, nail polish, sequin, money, coins and more. In her earlier work, she explores intersections between nature and vaginal imagery. In her later work, she explores beauty and perception of self through still life and different approaches to self portraiture. While her focus has changed, juxtaposition between realism and abstraction has always been a primary focus. She draws inspiration from artists such as: Georgia O'Keeffe, Hannah Wilke, Rene Magritte, and Cindy Sherman. She also incorporates art historys manifold influences into her work, particularly in the past decade. Ragland has worked with the work of artists such as: David Salle, Robert Gober, and Gregory Corso. Her recent exhibition was a continuation of her ongoing involvement with the Museum of Contemporary Art in Los Angeles. The show consisted of paintings, drawings, and sculpture.Ragland has always been interested in the relationship between painting and sculpture, and she has always sought to combine the two. Her paintings are made of plaster, which she covers with bits of paper, then cuts into pieces, or lays on top of her paintings, and then stitches them together. The pieces of paper are often cut out and folded into different shapes, as if they were paper cutouts. In a few works, Ragland paints on top of the plaster surface, creating a surface that is both flat and partially drawn. In several works, Ragland paints directly on the plaster, creating an effect of complete abstraction. In one work, a small red-and-blue rectangle overlays a larger rectangle of white paper, creating a sort of abstraction of the paper surface. In another work, Ragland creates a surface by cutting out a portion of the plaster and sewing the two together, creating a sort of abstract painting that is both flat and partially drawn. In a third work, Ragland paints a small rectangle of plaster over a smaller one of paper, creating a painting that is partially drawn. In one piece, the plaster is broken open and the broken part is cut out, revealing the cut paper surface. In another, the plaster is broken open and the broken part is painted over, revealing the broken paper surface. In another work, the plaster is broken open and the broken part is painted over, revealing the broken paper surface. In another, the plaster is broken open and the broken part is painted over, revealing the broken paper surface.

Result #5

Riley Ragland is a contemporary artist that creates work with the central themes of femininity, sexuality, and self. Ragland works with diverse and unconventional mediums such as: flower petals, nail polish, sequin, money, coins and more. In her earlier work, she explores intersections between nature and vaginal imagery. In her later work, she explores beauty and perception of self through still life and different approaches to self portraiture. While her focus has changed, juxtaposition between realism and abstraction has always been a primary focus. She draws inspiration from artists such as: Georgia O'Keeffe, Hannah Wilke, Rene Magritte, and Cindy Sherman. Raglands latest work is the most personal and direct. She has become a more accomplished painter, and her subject matter has grown more abstract. In this show, she combines the flower petals with coins, dollar bills, and sequins. She has also begun to use the dollar bill as a surrogate for her own image. In the past, Ragland has used coins to symbolize her sexuality, and in this show she used the dollar bill to represent her. The coins are not, however, her real currency, but are, in fact, her own money.Raglands recent paintings have a clean, elegant quality that is reminiscent of the work of an earlier generation. In these paintings, she has abandoned the use of the dollar bill as a means of reference and has replaced it with a more abstracted form of representation. In her earlier paintings, Ragland used dollar bills as a means of reference, but the coins represented her own currency. In her current works, she has replaced the dollar bill with coins, but the coins are not her own. She uses these coins to represent herself and her relationship to the world. In the past, Ragland has used coins as a means of reference, but the coins were always symbolic and did not represent the real world. In this show, the coins are not coins, but the real world. They are, however, her own currency.In these paintings, Ragland has also used the dollar bill as a surrogate for her own image. In this show, she has replaced the dollar bill with coins, but the coins are not her own. She uses these coins to represent herself and her relationship to the world. In the past, Ragland has used coins as a means of reference, but the coins were always symbolic and did not represent the real world. In this show, the coins are not coins, but the real world. They are, in fact, her own currency.

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