Review | It is a poster that ...

Generated on 2023-10-15 04:50:24

It is a poster that related to the STEM STRAND, it's more specify in Biochemistry

Result #1

с rather than Organic chemistry с, but it has the same special quality as the earlier prints. The photos, whose dull, gray, "articulated skin and small pits are enriched by hinting of brown, are in general remarkably accurate, and the lack of light in the photo can be only an epiphenomenal sign of it being retouched. They are exceptionally delicate and beautiful. The works are also very rare—there are only two other works in the show. These three were among the finest in the show.

Result #2

It is a poster that related to the STEM STRAND, it's more specify in Biochemistry (California Science Center, 1975) and less autonomous in its content. It is neither a sequel nor a rehappening, a reexamination, an adjustment. What is it but a set of premonitions?A series of frames for the artists lithographs was on display in the same gallery as the original and were titled, respectively, Ure orte giallo (Unification of two or more parts) or Ure orte giallo da negra da negra (Unification of two or more parts of a single unit). A number of them are large and white and some show multiple processes or have large parts or have parts that are attached together. The vertical piece shows a simplified version of an organ in plastic. In the foreground is a cone, a process that forges in molten metal. The one behind it, a spiral like piece of glass, is composed of many stages of the same chemical process. The ends are superimposed and repeated, a finding that recalls in composition the Oedipian division of the physical world into discrete elements. In some cases the instruments in the works are built in a separate way; there are sections of a globe, or a row of abstracted limbs. In another, a cylinder is surrounded by an image of a globe; and so on, a structure of imponderable proportions.In this show the bulk of the works consist of part-by-part compositions. These come in various sizes, from small ones, made from the same materials as the plastic pieces, to massive ones, assembled of multiple parts in a single context. The typical form is a sphere, a cut-out, bent mass that has been removed from its original place. But the cylinders and their appendages are made up of different shapes, not the same—we see, for instance, the wax-wrapped cylinder of the first work, the lump of metal.

Result #3

It is a poster that related to the STEM STRAND, it's more specify in Biochemistry . Photo: Pete Cavallone. MoMAs director, as he has done in recent years, takes science to its limits. He doesnt just assert that human form is not simply a result of the power of gravity, but that there is no such thing as an alien form; he claims that alien forms are not only impossible but impossible to produce. As for the alien form, his claim might just be that the original shapes and architectures are not up for the task. This is not to deny that human forms and architecture are made of the same material, but to say that the human hand is a copy of the architectonic. The way these sculptures come to be is also analogous to the way the human body itself is a copy of the natural.Like the astronaut, who attempts to fly, MoMAs scientist, perhaps the most devout and devoted supporter of our art, does everything in his power to make human form conform to his design. In this case, his attempt to fly is to make human forms conform to his designs. Sometimes he will sculpt a spacecraft in a particular way; for instance, the space shuttle is equipped with six round fins, which are reinforced by eight panels of steel, and each has a rubber seal on its surface. The biggest structure, the Apollo 17, has six identical panels of steel, but because the seals are not visible on the outside, they cannot be seen. (One of the exposed fins does, in fact, give a good view of the back side of the spacecraft, the other two don't.) The first four pieces are designed to float like paper, and the last two, which are set on three sets of aluminum supports, are designed to stay put.With the exception of the first two pieces, the NASA works are found objects, and each was built by hand in a specific kind of machine.

Result #4

It is a poster that related to the STEM STRAND, it's more specify in Biochemistry ____ (Mesurentine Système). In this case it consists of a line of colored pigment; its surface is impenetrably impenetrable. Yet in a very different way, it is a material that is endowed with all the qualities of the material in the original poster, such as strength, durability, and transparency. This is an image that shows not only how the artist plans out but also how he uses the materials in order to create a form that is far from static, yet it is utterly real, because the paint has not been peeled away, but rather absorbed into the piece. The painter has worked the same process with aluminum as with many other materials, but in the end it is the only one that is real, that is, absolutely real, and that is very much its own entity. With this uncanny realism, Pietras creative process does not simply produce a new kind of substance, but it gives the material the kind of structure and appearance that it already possesses. At the same time, he uses the material to create an impossible object, a material which remains more than just a phantom, because it is precisely the object of an original plan. This process of creation consists in the physicality of the work, in the desire to create something impossible to describe, something that is both mysterious and palpable.Pietra constructs this object through an imaginary but very concrete and very concrete process. He constructs an image that is in fact much bigger than its parts and much more solid than any one part. The artist replaces each part of the image with a different color and a different design, and, in many cases, he enlarges the image by making it bigger and more complex. At the same time, he creates a shadow that is much darker than the image, which illuminates the image from a dark background.

Result #5

It is a poster that related to the STEM STRAND, it's more specify in Biochemistry !" the caption reads, which is a reference to a 1969 science-fiction film that explored the possibilities of using genetic engineering. The illustration is visible in the texts accompanying each panel. The first reads, within the text, A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering. A pattern of genetic engineering.