Kyla wrote some thoughts around language, loneliness, the online generation, true creativity, AI, and envy and the ways they shape how we interact with our world.

Result #1

Kyla wrote some thoughts around language, loneliness, the online generation, true creativity, AI, and envy and the ways they shape how we interact with our world. . . .

Result #2

—Johanna Burton

Result #3

. . . We are at the edge of a tipping point, she wrote in the third sentence of her essay The End of a Generation, 2014–15, which was also included in the exhibition. We are at a moment of transition, and the last decade of our collective time is defined by a certain uncertainty and uncertainty. The world is being made by us, and we are the ones who will have to live with it.

Result #4

. . . When I was twelve years old, I remember being shocked to discover that I could read the entirety of the internet, and I know that I could do whatever I wanted to do. I was young, and my parents were both older. In retrospect, I wonder whether they should have been more open about the possibility of their own control over their childrens private lives. Perhaps their openness is the difference between an open and informed society, or between a generation that sees itself as an informed and informed and one that has no intention of letting us control our own lives.Kyla is a journalist based in Barcelona.Translated from Spanish by Francesca Lozano.

Result #5

Kyla wrote some thoughts around language, loneliness, the online generation, true creativity, AI, and envy and the ways they shape how we interact with our world. The exhibition, curated by Beth Van Daereen, was divided into two parts: a room of paintings on paper and a room of prints that the artist made with a laser printer. The paintings on paper, made between 2007 and 2009, were hung on the wall with metal strips. In some cases, the strips were folded over to reveal the inner workings of the machines, while in others, the strips were folded over to reveal the insides of the machines. The paintings on paper are depictions of things that would be familiar to the viewer: a black rectangle, a circle, a triangle, a bar, a number. The black rectangle has a black background, but it is painted a transparent pinkish purple, and the circle is painted a transparent blue. In a few cases, the circle is a perfect circle, and the pink background is painted a dark blue. The paintings were executed with a laser printer, and the prints are made with a computer.The paintings and prints were arranged in a three-dimensional grid, as if the artist had made them by laying down a grid of black, white, and gray lines. They are also rendered in a series of ten large-format, black-and-white photographs of the artist. These images are overlaid with a white background, and the images are printed on the paper in a single color. The paintings are rendered in a variety of ways, with a variety of layers and various scrawls and marks. The prints, which are made of paper, are formed by a process similar to that of the paintings, with the artist printing the drawings in various ways. The images are printed in a variety of formats, including monotype, acrylic, acrylic on canvas, and collage. The prints are a combination of monotype and oil painting, and the work is divided into sections and then arranged on the wall in a row.