Review | LOS 60 ANOS DE LA IN...

Generated on 2023-10-23 20:02:39

Result #1

LOS 60 ANOS DE LA INTITUCION EDUCATIVA MADRE DE DIOS EXPOSICIONES SALUDABLES E INTEGRACION DE PERSONEROS ESTUDIANTILES El dia miercoles 27 de septiembre de 2023 en la institucion educativa madre de Dios se realizo una jornada de exposiciones saludables y una integracion con los personeros de diferentes instituciones del municipio de piendamo. <|startoftext|>For the upcoming exhibit, Fonte-Coffee organized an important selection of his drawings with four artists of different generations: Milan Kundera, Berenice Balla, Le Corbusier, and Ernest L. Feigenbaum. Mr. Kundera (1892–1957) and Mr. Balla (1940–1983) were the first artists to use computer printers to produce a drawing of a single object, and then to transfer the results to a large-format paper. They used a technique called off-print to produce a very simple composition and to easily reproduce the image. Mr. Balla made the most beautiful drawings in this exhibition. His strong use of lines, linear to the point of illegibility, had an extraordinary beauty. The drawings, like many other forms of artistic production, had a profound, individual quality, as if they were made by a single mind with a unique vision. They are not just the product of a team, but an artist who did not want to show many proofs of his talent. This exhibition served to show that the people who make art can produce their own things, and not just the product of a scientific system. However, it also proved that the people who make the drawings are not always the most innovative. One can always imagine the difficulties Mr. Kundera and Mr. Balla would have encountered when they tried to make a drawing from a printed image. The drawings in this show reveal the difficulties that Mr. Kundera and Mr. Balla must have experienced when they attempted to make a drawing using computer printing.One of the largest pieces in this show was La Nada (The One), 1925–26, a magnificent black-and-white drawing of a man looking at his watch, which shows a glowing night sky. We see him, gazing into the void of the night, surrounded by mountains and surrounded by flowers.

Result #2

LOS 60 ANOS DE LA INTITUCION EDUCATIVA MADRE DE DIOS EXPOSICIONES SALUDABLES E INTEGRACION DE PERSONEROS ESTUDIANTILES El dia miercoles 27 de septiembre de 2023 en la institucion educativa madre de Dios se realizo una jornada de exposiciones saludables y una integracion con los personeros de diferentes instituciones del municipio de piendamo. <|startoftext|>Armed with a new collection of photographs, Luis Carlos Cedos turned his studio into a cage within a cage, crammed with everything from dazzling, black-and-white subjects to modern-day tragedies, to ghostly images and surreal gestures. In an exhibition entitled La aumentación de la photographia (The Aesthetic of the Photograph) and entitled La photographia (The Photography), the two galleries presented photographic essays on subjects ranging from the extraordinary to the mundane: a magnificently realistic still life of a woman sitting on a bed in a Chinese still life; a scene of a young boy digging for hidden gemstones; an explosive scene of a young girl screaming in terror while a policeman carries her off; a close-up of an explosion; a photograph of an armless human body lying on the ground; an unhesitating image of a tattooed leg; and a photograph of a woman without a back. By focusing on a singular moment in time, the artists attempt to bring to mind a more profound universal experience: the moment of the first glimpse of the human face, of the first glimpse of a face.Cedos idea of a photograph is quite different from that of an autochthonous sketch. He holds the photograph in the palm of his hand and carefully observes it, only to test it by pushing and pulling it in his hand. In one photograph he could not resist the seduction of a black-and-white photograph: a young woman sitting on a bed, her hair pulled back into a ponytail; she is in a state of slumber, as if she were sleeping. In another, her face is covered by a smeared, stained-green layer of sweat. In yet another, she looks like she is dreaming.Sitting at the heart of the show was a series entitled La Photographía, c. 1920–2015.

Result #3

Result #4

LOS 60 ANOS DE LA INTITUCION EDUCATIVA MADRE DE DIOS EXPOSICIONES SALUDABLES E INTEGRACION DE PERSONEROS ESTUDIANTILES El dia miercoles 27 de septiembre de 2023 en la institucion educativa madre de Dios se realizo una jornada de exposiciones saludables y una integracion con los personeros de diferentes instituciones del municipio de piendamo. Nos domes do calles que semos izquierdados, hazes que senos han notizador ogos employando a existir entre conoção que todos o cinco de dibujo en su forma (Things do not exist at the moment that they have no energy, and even if they do, it would be for the benefit of those who have no energy). Juan Grigio Marquezs famous slogan reads: O nihil sego do cinco de dibujo en su forma (Nothing has to be done to make it have no energy, or energy has to be done to make it have something). In El hombre del tema de que no segura cinco de dibujo en su forma (Everything has to be done to make it have some energy, or energy has to be done to make it have a value), Grigio Marquez sits in a white cube on a white pedestal, surrounded by a garish array of silver surfaces. This work from the 2015 show brought to mind one of the greatest abstractions of the twentieth century: the installations by David Bailey and Eddie Cantor. In the middle of the main gallery space, a collection of lamps made of chrome, lead, and zinc, which hung like decorative decorations on the wall, provided a subtle counterpoint to the luminous pastels that hung throughout the space. The low-hanging, chrome-plated lamp installation, the so-called Apollinaire pieces (or Apollinaires)—works that took the form of a collection of seven miniature lamps—reveal a relationship between past and present that extends far beyond the aesthetic boundaries of modernism.

Result #5

LOS 60 ANOS DE LA INTITUCION EDUCATIVA MADRE DE DIOS EXPOSICIONES SALUDABLES E INTEGRACION DE PERSONEROS ESTUDIANTILES El dia miercoles 27 de septiembre de 2023 en la institucion educativa madre de Dios se realizo una jornada de exposiciones saludables y una integracion con los personeros de diferentes instituciones del municipio de piendamo. One of the most interesting sculptures in the show, entitled Dias défutbol (Military Art), is a beautifully crafted prop, like a plaything for soldiers who cannot conceive of a career in the military without a full-time job. Inspired by the desire to become military men, this Art Nouveau-style sculpture stands on a pedestal, supporting a partially raised body on a base supporting a massive cluster of other objects. The whole assembly includes a bomb shelter, a door, a radio, a scuba-diving mask, a birdcage, and a nail.Museum custodians had installed the sculpture in a vacant room, so that the public would be encouraged to step into the room and practice the components. While the sculpture provided the walls and floors with a striking contrast to the cold grayness of the surrounding environment, the installation itself was strangely disorienting. On one wall of the gallery was a working-class one-stool sofa, next to a bomb shelter, a set of boxes containing unidentified materials, and a variety of black and white photographs. On the floor was a small cabinet with a couple of pillows, among them a spray can and a toy pelvis. One could take the pillowcases, spraypaint them, or simply sit on the pillows and look at the toys. The couch was like a battlefield, and the photographs were like that of a schoolhouse scene.A third piece was a giant mirror that reflected the sculptures interior. The mirror could be used to see in, and it did so with a twist, as the viewer was created by the mirror in which the sculptures internal components were revealed. On a screen in the corner of the room, two low-budget photographs of the contents of the same room, from the series MÉDICIA (Mental Maze), 1984, show the optical effect of mirrors being broken open.