Five oil paintings arranged vertically. They were dismal.

Result #1

Five oil paintings arranged vertically. They were dismal. A vague mass of grey, brown, and white paint smeared the canvases. The paintings, all from 1998, were built up from two-by-four-foot squares of canvas, which were then stretched over thick wooden frames. The paintings were hung in a narrow, dark corridor. In the middle of the gallery was a small table with a white-painted wood floor, a brightly-lit fixture that served as a backdrop for the paintings. The paintings were arranged in a grid, the same as the paintings in the back gallery. The paintings were displayed on a single, large sheet of Plexiglas. The pieces were then coated in a glossy finish. The paint was applied in a precise, precise pattern that lent the paintings a sense of solidity. In some cases, the paint was applied directly onto the canvas; in others, it was applied to the wall, or, in the case of the wall-mounted paintings, to the wall. The paintings were then mounted on canvas and painted with a gloss of gold, a rich, rich, gold-toned metallic finish that added to the evocative effect.In this show, the paintings were grouped together with a few others that have been previously exhibited, including a series of large-scale, multilayered, and panoramic watercolor-and-pencil drawings that include the word watercolor in their title. The drawings were created by hand and depict what the artist calls the bubbles of water in his paintings, which are made of pigmented, painted, and stained enamel. The bubbles are filled with small, round shapes that resemble small stars or the spirals of a compass. The bubbles in the watercolor drawings are then cut out and glued to the wall, where they are painted in a delicate, soft-hued enamel. The watercolors are drawn on the wall in a grid. The grid is a common element in many of the watercolor-and-pencil drawings.

Result #2

Five oil paintings arranged vertically. They were dismal. The colors were hard, grayish, and faded, and the effect was of a dead, empty space. The paintings were pale, flat, and lifeless, and the light was harsh, blue-gray, and flat. They were too flat, as if they were paintings without any substance. The images seemed to be abstractions of the mind. The idea of an image as a blank field of vision was a fairy-tale notion. It was a good idea, but one that was bound to fail. The image, it seemed, was an expression of the mind, an expression of the mind that is not there.In the past, the artist, as an artist, has been using painting as a way of expressing his feelings about his own body. He has painted an image of himself, and he has painted it in the same way that he paints his paintings. He paints his paintings in the same way that he paints his paintings, so that the image is his mind, and he paints it in the same way that he paints his paintings. In this way, he has managed to give a new form to his body, which was always a physical body, but now becomes an image. He has given his body a new image, and his body is an image. His body has become a body, and his body is an image. The body is an image, and his body is an image. The body is an image, and his body is an image. He has given his body a new image, and his body is an image. The body is an image, and his body is an image. He has given his body a new image, and his body is an image. He has given his body a new image, and his body is an image. He has given his body a new image, and his body is an image. He has given his body a new image, and his body is an image.

Result #3

They were empty. They were like nothing we have ever seen before. The best of these were the most beautiful. The worst were the most depressing. The most beautiful were the most depressing.

Result #4

Five oil paintings arranged vertically. They were dismal. This was one of the few paintings in the show that was not just a plain old one-note color painting, and it was a particularly poor one. But it was a good one, and it was a good one.The paintings were all of a piece with one exception. The work, a series of four separate works, was made from two different types of pigments: acrylic and enamel. The color was applied in a fairly uniform manner, with a few minor variations. The enamel was applied in a rather uniform manner, with a few minor variations. The acrylic was applied in a more uniform manner, with a few minor variations. The paint was applied in a rather uniform manner, with a few minor variations. The paint was applied in a rather uniform manner, with a few minor variations. The paint was applied in a rather uniform manner, with a few minor variations. The paint was applied in a rather uniform manner, with a few minor variations. The paint was applied in a rather uniform manner, with a few minor variations. The paint was applied in a rather uniform manner, with a few minor variations. The paint was applied in a rather uniform manner, with a few minor variations. The paint was applied in a rather uniform manner, with a few minor variations. The paint was applied in a rather uniform manner, with a few minor variations. The paint was applied in a rather uniform manner, with a few minor variations. The paint was applied in a rather uniform manner, with a few minor variations. The paint was applied in a rather uniform manner, with a few minor variations. The paint was applied in a rather uniform manner, with a few minor variations. The paint was applied in a rather uniform manner, with a few minor variations. The paint was applied in a rather uniform manner, with a few minor variations. The paint was applied in a rather uniform manner, with a few minor variations.