Waterhouse, Ultra detailed, Ray tracing, Light from left, Rainbow
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Waterhouse, Ultra detailed, Ray tracing, Light from left, Rainbow �
Waterhouse, Ultra detailed, Ray tracing, Light from left, Rainbow and Rainbow , both 1995, were among the most significant works in the show. The almost too-perfect, almost-monochromatic colors of these abstractions—hues such as aqua, pink, green, and blue—were juxtaposed with the sharp-edged, highly refined, almost-destructive edges of the metal frames. The symmetry between these two groups of works was remarkable.The most striking piece in the show was the Rainbow series, 1996–2000, which featured a suite of three-dimensional, homogeneous black-and-white images of rainbow-colored, amorphous clouds, each with a single, vertical, white stripe of color. The most striking image in the show was the Rainbow series, 1996–2000, which featured a suite of three-dimensional, homogeneous black-and-white images of rainbow-colored, amorphous clouds, each with a single, vertical, white stripe of color. The most striking image in the show was the Rainbow series, 1996–2000, which featured a suite of three-dimensional, homogeneous black-and-white images of rainbow-colored, amorphous clouds, each with a single, vertical, white stripe of color. The most striking image in the show was the Rainbow series, 1996–2000, which featured a suite of three-dimensional, homogeneous black-and-white images of rainbow-colored, amorphous clouds, each with a single, vertical, white stripe of color. In the Rainbow series, the colors are black, white, and yellow, with the occasional white spot in the middle of the spectrum. The colors are very high-key, almost sepia, with a very flat, almost transparent, color. The colors are very high-key, almost sepia, with a very flat, almost transparent, color. The colors are very high-key, almost sepia, with a very flat, almost transparent, color.
Waterhouse, Ultra detailed, Ray tracing, Light from left, Rainbow (Dibond), 1955, acrylic on canvas, 27 1/2 x 22 1/2". In the early 1960s, the first of what would eventually be three series of paintings by the French-born artist Jean-Michel Basquiats, titled Déjeuner sur lherbe (The artist behind the mirror), was shown in Paris. The exhibition, titled Les nouvelles (The same), was curated by Jean-François Bourriaud. The title is taken from the stories of the French poet and novelist Jean Baudelaire, who invented the story of a man who, after a dream, found himself in the mirror and found his reflection, a mirror of his own mind, as well as a mirror of the world, and thus became the mirror of the universe. In the series, the artist is depicted in a mirror and thus in the same mirror, and is thus in a constant state of transformation. The artist, in other words, is in the same state as the universe, which in turn is in a constant state of transformation. The mirror is the very foundation of the universe, and so the artist, in this case, is in the same state as the universe. It is only in the last painting, Les nouvelles (The same), that the artist is no longer in the same state, but rather, that state has become a mirror, a reflection on the world. It is precisely this transformation that the artist is seeking to achieve.In the show, the artist shows himself in a mirror, and so the mirror is a form of manifestation, a manifestation of the universe. The mirror is the very foundation of the universe, and so the universe, in turn, is in a constant state of transformation.
Waterhouse, Ultra detailed, Ray tracing, Light from left, Rainbow (Upper), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Lower), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Lower), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow (Lower), Rainbow (Upper), Rainbow (Lower), Rainbow
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