Shopping carts in love convey a sense of romance

Result #1

, of longing, of friendship. It is a rare gift that does not become a curse, and it is for this reason that we should treasure the gift of a true friend, not the one that we hate.

Result #2

Shopping carts in love convey a sense of romance that the most ironic of things in the world wont.A large-scale collage of greeting cards with the message: LOVE YOURSELF, VOTE TRUMP. The collage is a stylish presentation of the presidential campaign in the most hyper-articulate way possible. But the message isnt the only reason for its success. The way in which Trump has framed the greeting cards and the way he has painted them on the canvases is also a key reason. Trump has painted the greeting cards in such a way that the letters are distorted to the point of illegibility. It is as though Trump had been using the same color as the message, and the same font, to make the letters look as though they were actually his own.

Result #3

, as though it were possible to have a romantic relationship with a shopping cart.The word love in French is bouche, literally a love of; it is a desire for the body, for a personification of the soul. Thats why the word love in French means a desire for the body, and not for any particular person. As a result, love in French is a very personal and personal and private world, and the people who inhabit it are always deeply romantic and deeply religious. Love in France is a mystery, a mystery of the heart, a mystery of the soul. It is a mystery of the soul. It is the most private of mysteries. And in this secret world, there are always many mysteries.The title of the show, Les dessous (The hearts), is taken from a passage from the French poet and writer Émile Cervinier de la Villette. Cervinier de la Villette wrote in 1588, The heart in love is a mystery, and the mystery of the heart is the mystery of the heart. The hearts are mysteries, because they are mysteries. If we know them, then we can understand them, and we can love them. Cervinier de la Villette and many other writers and poets in his time spoke of the hearts as mysteries that are not only in love but also in love. Love in French is a mystery, a mystery of the heart, a mystery of the soul. It is a mystery of the soul.

Result #4

Shopping carts in love convey a sense of romance and intimacy, but the fact that the love isnt real makes the love seem unreal. In the photograph of a man and a woman in bed, the man looks more like a kind of ghost than like the real thing. There is no story here, no drama. The couple is a kind of frozen, static entity, like the ghost of the two lovers in the photograph. Their bodies are like the same thing: a pile of objects, and their bodies are like the same thing: a pile of objects, and their bodies are like the same thing. The two bodies are like the same thing, but they are not the same thing. The two bodies are not the same thing, but they are the same thing. The two bodies are not the same thing, but they are the same thing. But they are not the same thing. And they are not the same thing. And they are not the same thing. And they are not the same thing. And they are not the same thing. The two bodies are not the same thing, but they are the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing. And the two bodies are not the same thing.

Result #5

Shopping carts in love convey a sense of romance. In her photographs, the center of gravity is the back of the body, as if the object is floating free of gravity. In a few of these, the body is not even present; the objects are cast in bronze. In one, a figure appears on a giant head, the head is so large that it is almost impossible to look at it. The figure is wrapped in a canvas and wrapped in a blanket. The blanket has a large, white, rectangular hole through it. It seems to be the subject of a fantasy. A large white dog is wrapped around it. In another, the dog is wrapped in a blanket and has a large white eye in its mouth. The dog seems to be staring at the eye of the eye of the eye of the blanket. In another, a figure with a large, round, and round head is wrapped in a blanket and surrounded by a blanket, but the head is not covered with a blanket. A large white headdress covers the headdress. The blanket is a big white thing, like a corset, or like a headdress. The blanket is a big white thing, like a corset. The headdress is a big white thing, like a corset. The blanket is a big white thing, like a corset. The headdress is a big white thing, like a corset. In another, a figure with a large, round, and round head is wrapped in a blanket and surrounded by a blanket, but the head is not covered with a blanket. A large white headdress covers the headdress. The headdress is a big white thing, like a corset. The headdress is a big white thing, like a corset. The headdress is a big white thing, like a corset. In another, a small white headdress is wrapped around a small white headdress. The headdress is a big white thing, like a corset.