In this extraordinary exhibition in the project room of the Berlin association Meinblau eV we can have fun with it and even appreciate it as a propaganda variant of Pop Art or Street Art. The background, however, is bitter political seriousness. They are pictures of the situation in a divided, torn country. North Korea - South Korea . And we sense an even more stark parallel to the 40-year division of Germany that was overcome 33 years ago.

Result #1

In this extraordinary exhibition in the project room of the Berlin association Meinblau eV we can have fun with it and even appreciate it as a propaganda variant of Pop Art or Street Art. The background, however, is bitter political seriousness. They are pictures of the situation in a divided, torn country. North Korea - South Korea . And we sense an even more stark parallel to the 40-year division of Germany that was overcome 33 years ago.The exhibition is divided into three parts. First, there are the works of the artists of the East German Academy of Fine Arts, which, like many of the East German art schools, were established during the Nazi period. The East German art schools have been the major source for the East German art world. They are the most important link in the East German art world, and their artistic output has been central to the development of German art. The artists of the East German art schools have a deep sense of the historical situation and a strong sense of the moral position of the German people. The East German art world, like the German art world, has been based on the idea that the German people have a moral obligation to protect the German nation. The East German art world has been committed to the idea that Germany must remain the strongest nation in Europe. The East German art world, like the German art world, has been convinced that the German people are incapable of protecting their country. The East German art world has been convinced that the German people have no moral obligation to protect their country. The East German art world, like the German art world, has been convinced that the German people cannot protect their country. The East German art world, like the German art world, has been convinced that Germany is a country that cannot be protected from outside forces. The East German art world, like the German art world, has been convinced that the German people cannot protect their country. The East German art world, like the German art world, has been convinced that the German people cannot protect their country. The East German art world, like the German art world, has been convinced that the German people cannot protect their country. The East German art world, like the German art world, has been convinced that the German people cannot protect their country. The East German art world, like the German art world, has been convinced that the German people cannot protect their country.

Result #2

In this extraordinary exhibition in the project room of the Berlin association Meinblau eV we can have fun with it and even appreciate it as a propaganda variant of Pop Art or Street Art. The background, however, is bitter political seriousness. They are pictures of the situation in a divided, torn country. North Korea - South Korea . And we sense an even more stark parallel to the 40-year division of Germany that was overcome 33 years ago.The exhibit consists of two rooms divided into two groups of work. In the first room, a large number of large, expressive, well-crafted, colorful, and colorful abstract images, each in its own way, give the impression of a military and political situation. The images are based on military and political photographs, showing the various military and political situations and the political leaders of Germany. These pictures are hung in a grid format in the middle of the room, just behind the door. In the second room, the scale and scale of the military situation is brought to a new level. The large numbers of pictures and the huge size of the military situation are combined with a sophisticated use of color and a small, often concealed, but clearly recognizable, image of a soldier. In this way, the abstract imagery is combined with the image of the military situation. The colors, the colors, the scale are all part of the same picture, all painted in black and white. The colors, the scale and the colors are all part of the same picture. In this way, the abstract imagery is combined with the image of the military situation. The colors, the colors, the scale and the scales are all part of the same picture, all painted in black and white.The colors, the colors, the scale and the scales are all part of the same picture, all painted in black and white. The colors, the colors, the scale and the scales are all part of the same picture, all painted in black and white. In this way, the abstract imagery is combined with the image of the military situation. The colors, the colors, the scales and the scales are all part of the same picture, all painted in black and white. The colors, the colors, the scales and the scales are all part of the same picture, all painted in black and white. The abstract imagery is combined with the image of the military situation.

Result #3

In this extraordinary exhibition in the project room of the Berlin association Meinblau eV we can have fun with it and even appreciate it as a propaganda variant of Pop Art or Street Art. The background, however, is bitter political seriousness. They are pictures of the situation in a divided, torn country. North Korea - South Korea . And we sense an even more stark parallel to the 40-year division of Germany that was overcome 33 years ago. They are pictures of the wounds in a broken body, the wounds of a nation torn by internal conflict. They are pictures of the wounds of a nation that has lost its moral center, but is still not at peace.In the show, the paintings are divided into three groups: portraits of North Korean leaders; portraits of North Korean students; portraits of North Koreans; and portraits of soldiers. The portraits of the leaders are either portraits of the leaders or of their wives and children. In the portraits of the students, the portraits are of the students in their classroom or in their homes. The portraits of the soldiers are of soldiers in battle, and the portraits of the students are of students in their classrooms. The students portraits are of the students who were killed in the Korean War. The portraits of the teachers are of those who have been killed in the Korean War. The portraits of the students are of those who have survived the Korean War. The portraits of the teachers are of those who have been killed in the Korean War. The portraits of the students are of those who have survived the Korean War. The portraits of the teachers are of those who have survived the Korean War.The portraits of the leaders are of those who have been killed in the Korean War. They are pictures of the leaders who are not at home and in North Korea, who are not at home. The portraits of the students are of those who have been killed in the Korean War. The portraits of the students are of those who have survived the Korean War. The portraits of the teachers are of those who have survived the Korean War. The portraits of the students are of those who have survived the Korean War. The portraits of the teachers are of those who have survived the Korean War. The portraits of the students are of those who have survived the Korean War. The portraits of the teachers are of those who have survived the Korean War. The portraits of the students are of those who have survived the Korean War.

Result #4

In this extraordinary exhibition in the project room of the Berlin association Meinblau eV we can have fun with it and even appreciate it as a propaganda variant of Pop Art or Street Art. The background, however, is bitter political seriousness. They are pictures of the situation in a divided, torn country. North Korea - South Korea . And we sense an even more stark parallel to the 40-year division of Germany that was overcome 33 years ago.The artists, who are members of the German branch of the group, create the picture by placing a single object on a large, round canvas, and then photographing it. The color is usually dark and rich in color. The canvases are often black, white, or gray, and the surface is often rough. The surface is often painted over, sometimes black and white, sometimes with black-and-white and colored stamps. The color is often richly applied and applied in a wide range of hues, from pink to yellow. The surface is often painted in bright colors, sometimes in a monochrome. The result is a colorful, colorful, and colorful-looking environment. There is no clear distinction between the picture and the surface. It is all a matter of personal taste. The pictures are frequently enlarged, moved around, and photographed in a variety of ways. The pictures often have a simple, easy, and unpretentious look.The picture is not a photojournalistic document of the scene, but a representation of the feeling of the situation. The picture is not a photograph of a situation, but an expression of the situation. The situation is not the result of the government or of the people, but of the feelings. The situation is an expression of the mind, and the mind is the emotional center. The feelings are the emotional center.The pictures are usually exhibited in a group. The paintings are usually displayed in a single or two at a time. The paintings are usually exhibited on large canvases. The pictures have been photographed on canvas and are usually placed on large canvases. The color is often rich and saturated, and the surface is often painted in bright colors. The color is often applied in a wide range of hues, from pink to yellow. The surface is often painted in bright colors. The surface is often painted in bright colors. The color is often applied in a wide range of hues, from pink to yellow.

Result #5

In this extraordinary exhibition in the project room of the Berlin association Meinblau eV we can have fun with it and even appreciate it as a propaganda variant of Pop Art or Street Art. The background, however, is bitter political seriousness. They are pictures of the situation in a divided, torn country. North Korea - South Korea . And we sense an even more stark parallel to the 40-year division of Germany that was overcome 33 years ago. The paintings are by no means hard-edged but rather deliberately ambiguous, their colors and textures revealing a deep sense of emotional intensity. They are, in fact, about the tensions that are being created between the two sides. The effect is one of harshness and betrayal. In the same way, the works are utterly convincing in the way they give the impression that they are made with the same meticulous care as paintings by masters. The whole thing is at once surreal and familiar. We have seen the art of the masters in Berlin and of the masters in London. The result is that these works are very convincing in their own way.The paintings are based on a single, simple set of principles, which are not new in the history of painting. The basic idea is the same: the drawing of the human figure in space. The drawing is always done in oil, and the space is always filled with a single line of black paint. The space is usually set off from the background by a line of white paint that fills the space, creating a clear and recognizable surface. The lines are used to represent the outline of the body, and they are applied in a variety of ways. Some are thin, as in the case of the one in the middle of this show, which consists of a line of white paint over a space of black and a line of black paint over the outline of a body. The outline is usually of a single head, and sometimes a single body. The surfaces are painted in bright, bright colors, and the artist usually uses a series of vertical strokes to indicate the outline of the body. The strokes are followed by the outline of the outline of the body. This is the most important aspect of the drawings in this exhibition. The outline of the outline of the body, the outline of the outline of the outline of the body, is a fundamental aspect of every image in the exhibition.