The earth is burning as hot as Zozobra. Here are some more sustainable and plastic free things that are nice to use. Bought locally at Soap Supply!

Result #1

By the end of the day, this pile of wood has gone up in the world of reality.Even with its sprinkling of upholstery glues, it still looked out of its box like some film that might have been shot out of a screen. Not really. The video of the craft and the explosion of hot glue sticks isnt in the series, but the same might have been said of the writers intrusion. The print, too, can be considered merely a graphic demonstration of the mechanics of the process of making. In fact, however, the process is as important as the result of the image. And that is to say that these tiny little pieces of wood in a massive boardroom show are only a demonstration of how important the image is, not how revolutionary it is. The image does not determine the outcome of the craft—it is determined by the process of making the image, and it is the process that is revolutionary.

Result #2

Cuts, replaces old combs with wrist straps, and sews new combs in sloppy fabrics.Moons are painted red in the same style as chunky white insulation but without the use of the 3-D-like computer technology of the insulation industry. Moons work with the same stretch but with much less insulation. They look as though they were done up like rags, blown up like wool, and then polished. The stitching looks like fabric thread, or paint on paper, or fabric on metal. The color is a true off-white, not a Navy Blue. And the cloth is in some way unique. Moons work is not too original, and most of the fabric, which is really polyester, looks as though it was cut with straight pins. The fabric colors make it hard to tell. So it is hard to remember what youve seen, what youve seen and what youve seen. The fabrics also tend to blend together. The colors have a sort of apparent value. On the other hand, the stitching is beautiful.It is like these things that Moons work is about being invented.

Result #3

The earth is burning as hot as Zozobra. Here are some more sustainable and plastic free things that are nice to use. Bought locally at Soap Supply! By buying items from Soap Supply, I am allowing my own personal and local flavors to become part of the fabric of this product.In 1990, William Galvin began a trend called Modernism. Within the first few years, he gained a reputation as a trendy young designer who was selling rather than creating. His design firm, Zap, debuted at the 1992 Whitney Biennial, followed by a successful run at the 1993 Montreal Art Gallery. But then came the problem. His firm was too ambitious, too artsy, and too eclectic. He wanted to build things like a nuclear submarine. But not only was he an art enthusiast, he was also a metalworker, a painter, a writer, a musician, and a carpenter. He believed in the idea of metamorphosis. The metamorphosis, of course, was a painful, symbolic, and often miserable process, as he once described it. He painted in the 80s, wrote in the 90s, and began assembling small, awkward, built-from-scraps, free-standing metal objects from found objects. He attempted to finish and repurpose discarded or dilapidated items. His results were often bizarre, large and poorly cared for, and soon he began to lose his nerve. He began to want to sell his wares, or at least to break into the business. But why was he doing it? Was it because he was a failure? Or was he trying to help the cause? I think he was trying to help the cause. But he didnt. He wanted to build himself.He was building an album cover. On October 13, 1991, his first album cover, he published a booklet entitled Let Them Talk About You: What Will Be on Your Mind When You Look at the Grammar of History, titled as a curiosities-market of January 11, 1991. They talked about you when you look at this. Here are the parts and so forth.

Result #4

The earth is burning as hot as Zozobra. Here are some more sustainable and plastic free things that are nice to use. Bought locally at Soap Supply! I thought I was being ironic when I said the names were pretty, but they were also all the same. Krieks 13 Small Styrofoam buckets might not have the fresh-smelling quality of a Goldfish or the smoothness of a litter box, but they do look good. They are filled with the same kind of stuff as the junk you find in a small-town dump. They look clean and recycled. In the beginning of this project Kriek filled the buckets, made them into sculpture and then proceeded to make models. Krieks new sculptures consist of an array of tiny plastic bags, some sporting different colors and shapes, and a secret, hidden compartment. Inside the compartment, a set of acrylic paint and clear plastic pieces made of laminate make up the works.The most successful pieces in the show were those that combined three major elements. First, in the display cases, Kriek separated the collection of objects into boxes. By using large candelabras, he showed the materials arent interchangeable. Second, by using geometric patterns and forming the boxes in a grid, he showed the material isnt stapled to the wall and that it can be bolted or stapled together. Third, by merging the pictures with the painted ones, he showed that the colored patterns are actually tape and colored paint. And finally, by using a green-tinted watercolor ink that can be used as a paint-hardener on the inside of a plastic box, he showed that there are just as many colors and shapes in the box as the painted ones.In the show, Kriek had already taken up the question of the possibility of machine-made plastic. He did all this by using the same basic materials and the same kind of program that makes plastic happen. Kriek showed how machines can be used to make something more like a real plastic bag.

Result #5

The earth is burning as hot as Zozobra. Here are some more sustainable and plastic free things that are nice to use. Bought locally at Soap Supply! Jan. 7, 2003—S/L, No. 1, 2003—is a glass half-paneled door on wheels with two hinges. If you close the door, the metal is torn loose; you can screw your way in and out of it, but the hinges remain closed. It is a home-theater, but one made from recycled materials. This is not a familiar part of modern design, but this is not a design so complex that it can be trivialized in a shopping spree.If youre stuck at home and cant get out, theres no escape. I dont like this kind of design, so why do I like it? For me, its the one that cuts through space, a space of everything. I like it when something gets locked in. I like it when a dead wall looks like a window, a windowpaned cube. Theres a certain airiness about the way I look at these things, like something that belongs here. Theres an eerie sensuality about what we call window dressing. They look like things that have been run through the ringer. We are very close to the edge of the iceberg. We are very close to it. Its a shame.S/L, No. 2, 2003—S/L, No. 3, 2003—looks like an old arcade. Its a pretty good-looking machine, but I cant get over how theyre all matte. I dont like these colors; its almost as though the paint is slowly oozing from the machine. It looks like a dull, old-fashioned machine, like a museum interior. If you go in and out of it, youre going to get burned out, as if the whole thing had been given a good spanking-new coat of paint. Theres not a whole lot of plastic left in these things, which is a pity, because if there were, then it would look like the side of an airplane.