An important part of 3d animation software are the different renderers that make 2d pictures out of the virtual 3d scenes, objects and forms. Renderers differ from each other in the way they break light rays and how they calculate diffuse light. A demo pic of a given renderer is usually a still life with a lot of virtual glass, metal and water. Sometimes these pics evoke the photography of the Neue Sachlichkeit. In these photographs there are often inert objects, that get called beautiful because of their clarity, their surfaces, their arrangement and their multiple characters.

Result #1

An important part of 3d animation software are the different renderers that make 2d pictures out of the virtual 3d scenes, objects and forms. Renderers differ from each other in the way they break light rays and how they calculate diffuse light. A demo pic of a given renderer is usually a still life with a lot of virtual glass, metal and water. Sometimes these pics evoke the photography of the Neue Sachlichkeit. In these photographs there are often inert objects, that get called beautiful because of their clarity, their surfaces, their arrangement and their multiple characters. The idea is that the object is a pure digital copy of itself, a generic, essentially plastic, flat image. Theres a sense of this object being a kind of metaphor for the kind of photographic self-sufficiency that creates the illusion of an object. In 3d animation software, this kind of photographic self-sufficiency is often used to make the object look like a plastic copy of itself, and to render the object as a simulacrum of itself. Theres a sense that the object is a simulacrum of itself.A few of the pictures that Ive seen are actual 3d renderers. I like the idea of the renderer as a kind of gestalts of itself. The renderer is a kind of gestalts of itself. The image is the gestalts of itself, and gestalts of itself are the gestalts of the image. The renderer is gestalts of itself. The gestalts of the image are the gestalts of the image. The renderer is gestalts of itself. The gestalts of the image are the gestalts of the image. The renderer is gestalts of itself. The gestalts of the image are the gestalts of the image. The renderer is gestalts of himself. The gestalts of the image are the gestalts of the image. The renderer is gestalts of himself. The gestalts of the image are the gestalts of the image. The renderer is gestalts of himself. The gestalts of the image are the gestalts of the image. The renderer is gestalts of himself. The gestalts of the image are the gestalts of the image. The renderer is gestalts of himself. The gestalts of the image are the gestalts of the image. The renderer is gestalts of himself.

Result #2

An important part of 3d animation software are the different renderers that make 2d pictures out of the virtual 3d scenes, objects and forms. Renderers differ from each other in the way they break light rays and how they calculate diffuse light. A demo pic of a given renderer is usually a still life with a lot of virtual glass, metal and water. Sometimes these pics evoke the photography of the Neue Sachlichkeit. In these photographs there are often inert objects, that get called beautiful because of their clarity, their surfaces, their arrangement and their multiple characters. In one shot a glassy-blue tube of a glass that has just been broken opens like a vase, a glass that is somehow a glass of water. In another shot a glass is broken and water drops out of a vase. In the third shot a glass is broken and water drops out of a glass of water. The break and the drop are the same thing. In the fourth shot a glass is broken and a water jug is on the floor. In the fifth shot a glass is broken and a jug is on the floor. The break is the same as the break and the jug drops out of the jug. In the sixth shot the jug is on the floor and a glass of water is on the floor. In the seventh shot a jug is on the floor and water drops from a glass on the floor. The break is the same as the break and the water drops are the same thing. In the eighth shot a jug is on the floor and water drops from a glass on the floor. The break is the same as the break and the jug drops from the glass. The jug drops water, but the water is coming from the glass. The drop is the same as the drop and the glass is still on the floor. The drop is the same as the drop and the glass is on the floor. The drop is the same as the drop and the glass is on the floor. The drop is the same as the drop and the glass is on the floor. The drop is the same as the drop and the glass is on the floor. The drop is the same as the drop and the glass is on the floor. The drop is the same as the drop and the glass is on the floor. The drop is the same as the drop and the glass is on the floor. The drop is the same as the drop and the glass is on the floor. The drop is the same as the drop and the glass is on the floor.

Result #3

An important part of 3d animation software are the different renderers that make 2d pictures out of the virtual 3d scenes, objects and forms. Renderers differ from each other in the way they break light rays and how they calculate diffuse light. A demo pic of a given renderer is usually a still life with a lot of virtual glass, metal and water. Sometimes these pics evoke the photography of the Neue Sachlichkeit. In these photographs there are often inert objects, that get called beautiful because of their clarity, their surfaces, their arrangement and their multiple characters.Theres a lot of gold in the picture, a lot of gold in the world. Theres a lot of gold in the world, but also a lot of gold in the world, and that has to be the real subject of the picture. Theres a lot of gold in the world, but also a lot of gold in the world, and that has to be the real subject of the picture. Theres a lot of gold in the world, but also a lot of gold in the world, and that has to be the real subject of the picture. Theres a lot of gold in the world, but also a lot of gold in the world, and that has to be the real subject of the picture. Theres a lot of gold in the world, but also a lot of gold in the world, and that has to be the real subject of the picture. Theres a lot of gold in the world, but also a lot of gold in the world, and that has to be the real subject of the picture. Theres a lot of gold in the world, but also a lot of gold in the world, and that has to be the real subject of the picture. Theres a lot of gold in the world, but also a lot of gold in the world, and that has to be the real subject of the picture. Theres a lot of gold in the world, but also a lot of gold in the world, and that has to be the real subject of the picture. Theres a lot of gold in the world, but also a lot of gold in the world, and that has to be the real subject of the picture. Theres a lot of gold in the world, but also a lot of gold in the world, and that has to be the real subject of the picture.

Result #4

An important part of 3d animation software are the different renderers that make 2d pictures out of the virtual 3d scenes, objects and forms. Renderers differ from each other in the way they break light rays and how they calculate diffuse light. A demo pic of a given renderer is usually a still life with a lot of virtual glass, metal and water. Sometimes these pics evoke the photography of the Neue Sachlichkeit. In these photographs there are often inert objects, that get called beautiful because of their clarity, their surfaces, their arrangement and their multiple characters. In the 3d pictures there are no objects, only fragments of a still life. Theres no magic, no magic. Its as if the picture had been cut and pasted onto a screen. Theres no magic.Theres a lot of wood and paint in these pictures, but it looks like so much wood. Theres no magic. Its as if the picture had been cut and pasted onto a screen. Theres no magic.Theres a lot of wood and paint in these pictures, but it looks like so much wood. Theres no magic. Its as if the picture had been cut and pasted onto a screen. Theres no magic. Its as if the picture had been cut and pasted onto a screen.Theres a lot of wood and paint in these pictures, but it looks like so much wood. Theres no magic. Its as if the picture had been cut and pasted onto a screen. Theres no magic.Its as if the picture had been cut and pasted onto a screen. Theres no magic. Its as if the picture had been cut and pasted onto a screen. Theres no magic. Its as if the picture had been cut and pasted onto a screen.Theres a lot of wood and paint in these pictures, but it looks like so much wood. Theres no magic. Its as if the picture had been cut and pasted onto a screen. Theres no magic. Its as if the picture had been cut and pasted onto a screen. Theres no magic. Its as if the picture had been cut and pasted onto a screen.Theres a lot of wood and paint in these pictures, but it looks like so much wood. Theres no magic. Its as if the picture had been cut and pasted onto a screen. Theres no magic. Its as if the picture had been cut and pasted onto a screen.

Result #5

An important part of 3d animation software are the different renderers that make 2d pictures out of the virtual 3d scenes, objects and forms. Renderers differ from each other in the way they break light rays and how they calculate diffuse light. A demo pic of a given renderer is usually a still life with a lot of virtual glass, metal and water. Sometimes these pics evoke the photography of the Neue Sachlichkeit. In these photographs there are often inert objects, that get called beautiful because of their clarity, their surfaces, their arrangement and their multiple characters. Theres a real sense of space here. The space is not a little unrealized, but not a realistic space. The space is the real space of 3d imaging.The real space of 3d imaging is the space of the real world, the real world. There is a great deal of abstraction in these pictures. The abstract objects are often of the form of abstracted objects. The diffuse light is sometimes in the form of a wave of light. Sometimes the objects are like neon signs. The light is a strange color: pink, yellow, green, blue, gray, red. The colors are the colors of the objects. The objects are sometimes made of cardboard and cardboard is a form that is often used in 3d animation. The objects are sometimes made of wood and the wood is sometimes painted with a layer of paint. The objects and the light are both real and abstract, but not in the way the real world is.The real space of 3d imaging is not a real space, but a space of abstractions, of variously spatialized objects, of variously translucent surfaces. In a sense theres a feeling of space here. Its a space of a color, a material. Its a space of the real world. The objects and the light are not represented as real objects, but as abstract objects. The objects are not represented as real objects, but as abstract objects. The objects and the light are both real and abstract, but not in the way the real world is.The real space of 3d imaging is the real space of 3d imaging. The real space of 3d imaging is the real space of the real world. There is a feeling of space here. Its not a space of the real world, but a space of the real world. The objects are not represented as real objects, but as abstract objects. The objects are not represented as real objects, but as abstract objects.

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