This piece explores the theme of grief

Result #1

This piece explores the theme of grief by using a grand piano, which has been transformed into a memorial instrument. The piano is suspended from the ceiling and is painted white. The piano, then, stands as a memorial, a means of expressing the grief of those who have lost a great deal of their own identity. This piece has been made in memory of the artists grandmother, who passed away in 1993. The grand piano is a memorial, and the piano is a monument to a deceased artist. The grand piano is a memorial to the piano, and the piano is a memorial to the artist. The grand piano, then, stands as a memorial, a means of expressing the grief of those who have lost a great deal of their own identity.This piece explores the theme of grief by using a grand piano, which has been transformed into a memorial instrument. The piano is suspended from the ceiling and is painted white. The piano, then, stands as a memorial, a means of expressing the grief of those who have lost a great deal of their own identity. This piece has been made in memory of the artists grandmother, who passed away in 1993. The grand piano is a memorial, and the piano is a memorial to an artist. The grand piano is a memorial to the piano, and the piano is a memorial to an artist. The grand piano, then, stands as a memorial, a means of expressing the grief of those who have lost a great deal of their own identity. This piece explores the theme of grief by using a grand piano, which has been transformed into a memorial instrument. The piano is suspended from the ceiling and is painted white. The piano, then, stands as a memorial, a means of expressing the grief of those who have lost a great deal of their own identity. This piece explores the theme of grief by using a grand piano, which has been transformed into a memorial instrument. The piano is suspended from the ceiling and is painted white.

Result #2

This piece explores the theme of grief by focusing on the body as a potential site of emotion. The four-part, roughly circular sculpture is divided into two parts: a mirror-image portion of a head and a portion of a torso, with the upper part of the head being hung on the wall and the lower half being suspended on a small mirror attached to a large mirror. The mirror is a simple white plastic that reflects and magnifies a large white flower in a small glass holder. The flower is then reflected in the mirror in a mirrored image, thus reflecting the entire body of the sculpture onto the sculpture. The mirroring of the sculpture and the reflection of the sculpture is the emotional equivalent of the mirrors. The mirror is a metaphor for the artists own ego, which is reflected in the mirror and thus all the more real. The mirror is also a metaphor for the mirror-image of the head, which is reflected in the mirror and therefore all the more real. The head is a vessel through which one can express ones innermost desires and desires expressed through the body. The head is also a reflection of the self, which is reflected in the mirror. The mirror is a self-reflexive reflection of the self; the mirror becomes the mirror of the self. The mirror image is a reflection of the self, which is reflected in the mirror.The sculpture consists of four horizontal blocks, each block about four feet high, placed on the floor. The blocks are covered with a transparent white plastic that is apparently transparent, but which is actually opaque. The plastic is a kind of skin; the blocks are actually skin, and they reflect the viewer as if they were skin. The mirror image of the body is reflected in the transparent plastic and the reflection of the body is reflected in the transparent plastic. The mirror image of the body is also reflected in the transparent plastic, and both reflect a reflection of the other body.

Result #3

This piece explores the theme of grief ike a combination of two phenomena. The work consists of a series of four six-foot-high steel sculptures, two of which are white and one of which is black, which are arranged in a pattern of five horizontal lines. The sculpture itself is composed of four sections, a white one and two black ones. The white one is about three-quarters of the way up the wall and is placed in a kind of apertured pedestal. The black one is about four inches away from the white one and is placed at a 45-degree angle to the wall. The black one is nearly the same height as the white one and is placed about three quarters of the way up. The white piece is just about three quarters of the way down and is placed just above the black one. The black piece is about six feet away from the white one and is almost exactly in the middle of the white one. The black piece is about the same height as the white one and is placed about four quarters of the way down. The white piece is about five feet away from the black one and is about the same height as the white one. The black piece is about six inches away from the white one and is almost exactly in the middle of the white one. The white piece is about four inches away from the black one and is about the same height as the white one. The black piece is about four and a half feet away from the white one and is about the same height as the white one. The white piece is about five feet away from the black one and is about the same height as the white one. The black piece is about six and a half feet away from the white one and is about the same height as the white one. The white piece is about five and a half feet away from the black one and is about the same height as the white one.

Result #4

as it is represented by the artist in her work, but it also draws attention to the ways in which the images of the artists inner life are often obscured by the veneer of her professional persona. She is, of course, aware that her work is being used by others, but she doesnt seem to care. What is important is that the images she creates, and the questions they raise, remain embedded in her own psyche.

Result #5

This piece explores the theme of grief by using two pieces of text that have been written in French and Spanish to appear as a translation of each of the two languages spoken by the artist. The first piece consists of a photograph of the artist, who is alone, with her head and hands in her lap, facing the camera, and the second is a letter that she has written in Spanish, in French. The letter is addressed to a friend who is also an artist and asks for his opinion on her work. The photographs of the artist, which depict her naked, are covered by an image of the letters head, and they are accompanied by a picture of the artist, who is seen in a different position. The photographs are arranged in a way that suggests that they were taken during a sleep or dream, and in the photograph, the artist is seen lying on her back and is covered by a blanket. The blanket suggests that this is a sort of bed, and the photographs are of the artists sleeping. The photographs are of a woman who is simply a woman, and they are taken against a background of rich, dark, gray, and black. The photograph of the artist is in the same light as the photograph of the blanket; the two are both dark and gray. The photograph of the blanket is a close-up of the artist, but it is the blanket that is in focus. The blanket is a form of protection against the sun, and it is a protective covering that the artist carries with her. The blanket is also a symbol of the woman as a machine that is always at work, a body that is constantly cutting off her energy, and that is also represented by the blanket.The photographs of the blanket are taken from the artists dreams, and they are similar to the photographs of the blanket. In these images, the artist is seen lying on her back and covered by a blanket, and the photograph of the blanket is of a woman lying on her back.