Sebastian Lendenmann made a 3D Rendered Video about Waiting. The Video shows a distorted rendering generated from a single static image. The video is the result of putting the image of a train station into neural radiance field. The camera motion is a rigged path navigating the generated three dimensional model. The Topic of wanting is portrayed through the subject of a train station platform. In the background of the video there is static interference reminiscent of bored or interrupted trains of thought.
Sebastian Lendenmann made a 3D Rendered Video about Waiting. The Video shows a distorted rendering generated from a single static image. The video is the result of putting the image of a train station into neural radiance field. The camera motion is a rigged path navigating the generated three dimensional model. The Topic of wanting is portrayed through the subject of a train station platform. In the background of the video there is static interference reminiscent of bored or interrupted trains of thought. withdra A linear sequence of three segments. Each segment contains the same combination of information: a radio transmission, a television broadcast, a video, and a set of instructions. This is the case with the video segment, but the audio portion is different. The video shows a group of men walking along the street. The men have their backs to us and their hands on their hips. The video is repeated until the group of men stops to look at the viewer. The video is shown in a loop until all the segments are completed. This repetitive action is a very simple way to create a story, as it is not visually convincing, but it is a very personal, subjective, and symbolic way to tell a story. In the video segment, the group of men walk in a circle. The group of men walk on a narrow, narrow, straight, straight line. The line is divided into two parts: the beginning and the end. The beginning of the line is a flat, empty, dark-blue street. The middle portion is a dark-blue sky. The end of the line is a dark-blue sky. The men walk on the street for a few minutes. The sound of the tape is the same as the sound of the video segment, but it is replaced by a pulsing, metallic sound. The tone of the pulsing is a kind of primal, primitive, but not primitive, primal sound.
Sebastian Lendenmann made a 3D Rendered Video about Waiting. The Video shows a distorted rendering generated from a single static image. The video is the result of putting the image of a train station into neural radiance field. The camera motion is a rigged path navigating the generated three dimensional model. The Topic of wanting is portrayed through the subject of a train station platform. In the background of the video there is static interference reminiscent of bored or interrupted trains of thought. ˜ The video is projected in a room illuminated by a natural light. The image is not only a representation of the rail station, but also a series of details of the building itself. The lighting is chosen so that the walls and the floor of the room are white, and the walls are black. The light source is a low-voltage fluorescent tube which seems to be shining out of a small window at the end of the room. The video is projected on a monitor on the wall, but it is not displayed in the usual way. The video is a series of visual stimuli which is experienced in a continuous sequence. The continuous repetition of the same image is repeated in the same manner. The object of desire is the same object which is presented as a continuous series of images. It is the same object which is presented in different formats. It is a space which is continuously illuminated by the same fluorescent light source. The viewer is not required to pay any special attention to the visible object. The only thing to be noted is the repetition of the same image. The visual perception is a continuous process.The subject of the video is a single object, a building, which is illuminated by a single source of light. The object of desire is the same object which is presented as a continuous series of images. It is the same object which is presented in different formats. It is a space which is continuously illuminated by the same fluorescent light source. The viewer is not required to pay any special attention to the visible object. The only thing to be noted is the repetition of the same image. The visual perception is a continuous process.The subject of the video is a single object, a building, which is illuminated by a single source of light. The object of desire is the same object which is presented as a continuous series of images. It is the same object which is presented in different formats. It is a space which is continuously illuminated by the same fluorescent light source.
Sebastian Lendenmann made a 3D Rendered Video about Waiting. The Video shows a distorted rendering generated from a single static image. The video is the result of putting the image of a train station into neural radiance field. The camera motion is a rigged path navigating the generated three dimensional model. The Topic of wanting is portrayed through the subject of a train station platform. In the background of the video there is static interference reminiscent of bored or interrupted trains of thought.
Sebastian Lendenmann made a 3D Rendered Video about Waiting. The Video shows a distorted rendering generated from a single static image. The video is the result of putting the image of a train station into neural radiance field. The camera motion is a rigged path navigating the generated three dimensional model. The Topic of wanting is portrayed through the subject of a train station platform. In the background of the video there is static interference reminiscent of bored or interrupted trains of thought. withdub The theme of wanting is depicted through the subject of a train station platform. In the background of the video there is static interference reminiscent of bored or interrupted trains of thought. withdub The video is about a single moment of time, a single action. The video is about the ideal of time as a continuous process of understanding and becoming. The video is about the objectivity of the human mind. The video is about the nonchalance of time and the absence of any time. The video is about the perfect moment. The video is about the perfect moment of realization. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being. The video is about the perfect moment of being.
Sebastian Lendenmann made a 3D Rendered Video about Waiting. The Video shows a distorted rendering generated from a single static image. The video is the result of putting the image of a train station into neural radiance field. The camera motion is a rigged path navigating the generated three dimensional model. The Topic of wanting is portrayed through the subject of a train station platform. In the background of the video there is static interference reminiscent of bored or interrupted trains of thought. izre The video is a mixture of the two main subjects of the video: the train and the viewer. The train is the subject of the video and the viewer is the subject of the video. This is not only an illustration of the central idea of the video, but also an important proof of the video as a medium. The video is a static medium and the viewer is a living thing. The video is the object that the artist uses to make a work of art.The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art. The video is an object that the artist uses to make a work of art.
©2024 Lucidbeaming