POPPURRY is a 3d art collection of cube cats with various styles and characters.

Result #1

POPPURRY is a 3d art collection of cube cats with various styles and characters. The series is composed of objects made by and from the artist. From this they are arranged according to a pattern. The collection is a personal, semi-mythical, but sometimes witty collection of stuff. It is the work of a mad, creative mind.In the spirit of Art-for-arts-sake, two pieces, both entitled Gold Standard, have been made by using old vacuum cleaners as pliers. The models are very small, almost the size of a kitchen cup; the objects are perfectly round. The Vorticist type of vacuum was used to completely annihilate all existence in the universe, making its inhabitants incorporeal and silent. In this piece, the vacuum cleaners are heads. They are voraciously turned and bent, broken in places, and a little broken. The vacuum cleaners are heads also, with a cup which stands for the artist. The vacuum cleaners are heads also, with a cup which stands for the artist. The vacuum cleaners are heads also, with a cup which stands for the artist. The vacuum cleaners are heads, with a cup which stands for the artist. The vacuum cleaners are heads also, with a cup which stands for the artist. The vacuum cleaners are heads also, with a cup which stands for the artist. The vacuum cleaners are heads also, with a cup which stands for the artist. The vacuum cleaners are heads also, with a cup which stands for the artist. The vacuum cleaners are heads also, with a cup which stands for the artist. The vacuum cleaners are heads also, with a cup which stands for the artist. The vacuum cleaners are heads also, with a cup which stands for the artist. The vacuum cleaners are heads also, with a cup which stands for the artist. The vacuum cleaners are heads also, with a cup which stands for the artist. The vacuum cleaners are heads also, with a cup which stands for the artist.

Result #2

POPPURRY is a 3d art collection of cube cats with various styles and characters.POPPURRY is also an installation and is covered in a jolly white head covering, however this is not part of its overall color scheme. The building has a smart, shiny surface and is surrounded by a chain-link fence and a kitty-corner fence. The body of the work, a large open suitcase filled with clothing, furniture, a radio, and some junk—including two large feet, a stack of sleeping bags, and a sleeping pad—is covered with a layer of clear plastic. The interior of the suitcase is covered in orange plastic; the clothes are lined with bright-orange carpeting; the furniture is a little worn and torn. The furniture is a dinky style with a round and flat top, and the clothes are strewn about on the floor. The suitcase is large enough to fit into and is just large enough to be carried. The clothes and furniture are all thrown together and are scattered around, suggesting that these are not like normal clothes.The kind of display of junk is in fact the same junk one might find in a sporting-goods store—the kind that ends up as the back of a football helmet or a vintage watch. In this case, however, the junk has been put together with something like elegance and craftsmanship and is as much the object of enjoyment as it is of critique. The toys and other objects are piled one upon another, and have a little something in common with the fragile, unglamorous, and almost ordinary found objects that are the mainstays of any recreational activity.The toys are displayed as if they were in a fashion show, and the pieces of furniture are covered in red plastic with a small pile of newspapers. The newspapers have been printed in a variety of styles and designs, some of which are rather conservative, some of which are rather sophisticated. The toys are arranged in patterns of white or black and blue, and covered with a carpet of green, pink, and white.

Result #3

No doubt there will be some spectacularly subhuman creatures lurking in these otherworldly avatars. But for the moment, their presence is merely an epiphanic footnote, a series of living pictures of a few cubes on a wall.

Result #4

POPPURRY is a 3d art collection of cube cats with various styles and characters.The popularity of Pop tends to correlate with the revival of the Dadaist excesses of the 60s. This exhibition demonstrates that the rise of Pop art is due to the combination of influences, often close to the same, that have been shown to be incompatible in other artistic fields. This is not only a matter of formal incompatibility but of the integration of art with popular culture. One can think of Hans Hartungs symbolic watercolors, which are satirical and ironic reflections on Pop. Similarly, the works of Robert Gober seem to be a reaction to the heavy-handed mannerisms of Pop, particularly the way it has imposed a visual paradigm on the emotions. Gober has a well-known, almost Romantic, style. He has used black-and-white to present a luminous and moody situation of stillness and motion; and he has painted a representation of the streets in such a way as to show the dense, compacted masses of the urban world. This work has often been interpreted as a critique of Pop art, as if to say that Pop art is merely a commentary on pop. But the notion that Pop is a critique of Pop is misleading, for Pop art is a representation of popular culture. It is not an attack on Pop, for Pop is an elitist technique. Moreover, Pop is a particular kind of consumer culture, and the works of these artists show that Pop, like the consumer society it conjoins with, is a product of this culture.Pop art is a representation of popular culture. It is not an attack on Pop, for Pop is a representation of popular culture. And the works of these artists show that Pop is only a representation of popular culture. This is not merely a matter of formal incompatibility. It is also a matter of cultural interconnection. The public sphere, as we know from Pop art, is at the service of the publics appetite.

Result #5

POPPURRY is a 3d art collection of cube cats with various styles and characters. Its a room of nonconformity. I doubt that the most sophisticated viewer will be able to make sense of it all; its too much information for him. The point is that we dont like to be challenged and do not want to be told how to think. We want to be entertained and not challenged. Theres something very seditious about this room.It is not unusual, of course, for a museum to be able to stage a room as big as this. I dont know whether they do so often, but they are always doing it. And theres no reason why they wont do it again. I think that theres a lot of good art being done in America right now. Its not just that we feel that we dont like it, but that we feel it does not belong in a museum. (I wonder whether it would be seditious to say that.) I have seen a lot of art done in museums, and Ive seen a lot of bad art done in museums. In fact, this is what it feels like to be seduced by bad art. Its bad enough to have a gallery do it for you, but it feels so much better than the best museum does. No one has ever convinced me that it is better than the best, but thats the point. It doesnt matter what you think; I think its good enough itself.It is not seditious to say that we dont like it. Its just that we dont like to be challenged and do not want to be told how to think. Theres nothing seditious about this room.And its not just bad art; its good art. Good art, of course, is not simply bad art, but it is an art about which we are not sufficiently informed. Theres nothing seditious about this room, and thats good. Good art is not the kind of art that is available to the uninitiated.