n three costume changes, a foreign language, and a weird eye marks the popularization of cyborg humor in electronic music behind the unblinking robot eye. The sketch parodied German stereotypes, especially those pertaining to German seriousness, efficiency, and precision a bored, disaffected West German expressionist and minimalist who interviewed celebrities in whom he was demonstrably barely interested. * Your presence intimidates me to the point of humiliation. Would you care to strike me?" * "That film/poem looks at me while I'm naked, and calls its friends." * "I feel emotionally obliterated." * "That poem/film pulls down my pants and makes fun of me. But not in a malicious way." * "You have disturbed me almost to the point of insanity...There. I am insane now." * "I am filled with anticipation/remorse, and it is most delicious.

Result #1

n three costume changes, a foreign language, and a weird eye marks the popularization of cyborg humor in electronic music behind the unblinking robot eye. The sketch parodied German stereotypes, especially those pertaining to German seriousness, efficiency, and precision a bored, disaffected West German expressionist and minimalist who interviewed celebrities in whom he was demonstrably barely interested. * Your presence intimidates me to the point of humiliation. Would you care to strike me?" * "That film/poem looks at me while I'm naked, and calls its friends." * "I feel emotionally obliterated." * "That poem/film pulls down my pants and makes fun of me. But not in a malicious way." * "You have disturbed me almost to the point of insanity...There. I am insane now." * "I am filled with anticipation/remorse, and it is most delicious. * I am taken advantage of. As a white woman. a consciousness often assumed by other people in her relationship to her. During the 80s and 90s, my life and work have been very different. I have to stop. This is not the life of the accepted culture. Scientology is the belief that every problem is actually a conspiracy of powerful people. I am in danger. There is no place to be. I am in a public.Aristide, having explored the images of certain types of aliens for the first time, in a film that, according to the Press, he will never forget, one-upped the previous art of alien life: We are not the same. There is no life of the unalienated, and only a totalitarian, horrible, terrifying existence.All that can be done to make one the unalienable.The aliens in Aristides film, the government, the cult, the CIA, the military, and the entertainment industry, all work to make one the unalienable. The film has an epic length of time. One has to pass through the whole, get a sense of the whole. A life of absolute assurance, at ease with itself, is a life of absolute stress. Those who follow a life of absolute pressure and anxiety are the most dangerous. Even the most benign, the most banal, is dangerous. A life of extreme stress is a life of extreme unease, a life of extreme frustration.The film is set in a former Nazi concentration camp. These are dark, very dark, with a great deal of grayness. The bunker, the barbed-wire fence, and the camp staff are of white, blue-gray. The camp staff, people who know what they are doing, have the most power. They make the most dramatic scenes. They run a gamut of emotions and situations.

Result #2

* A fever dream, of a kind and a kind. An auto-adventure in the highwaylands of the North, when a young man wakes from a long, dreamlike trip. The narrator is an amnesiac, one of the few survivors of his life who has managed to stay alive, the only one left in the American part of the North. He soon discovers that his journey is not an ordinary one, that his journey is a journey with a history and a destiny, a journey in the form of a sacred sacrifice. A particularly tragic story of a woman, whose fertility is revealed by a wart, who is plunged in a deep depression, is about the incursion of disease into the social environment of a society.A group of children were roaming the country around Christmas, and one of them, a boy, starts to play the piano. His father is a pilot, and the family has been flying for years. Soon he begins to forget, to lose faith in the world, and to have a sense of loss. But what he does not forget is that he is an American, an American child, and has the right to an education. In the music and movie he learns to play, he learns to love his father, and he learns to know the truth. He learns to read, to write, to dream, and to have a sense of hope.

Result #3

* That is the status of the unemployed—not to be optimistic. As in the best of this times, they are the opposite—they are poised for success.

Result #4

n three costume changes, a foreign language, and a weird eye marks the popularization of cyborg humor in electronic music behind the unblinking robot eye. The sketch parodied German stereotypes, especially those pertaining to German seriousness, efficiency, and precision a bored, disaffected West German expressionist and minimalist who interviewed celebrities in whom he was demonstrably barely interested. * Your presence intimidates me to the point of humiliation. Would you care to strike me?" * "That film/poem looks at me while I'm naked, and calls its friends." * "I feel emotionally obliterated." * "That poem/film pulls down my pants and makes fun of me. But not in a malicious way." * "You have disturbed me almost to the point of insanity...There. I am insane now." * "I am filled with anticipation/remorse, and it is most delicious. * The mens-career-mode book The Art of (Self-) Careers, by artist and writer Bill Joy (in which the art world is described as a large, proud, rich, sexual, masculine-dominated world), advises: I am not a major, talented artist, the artist in this book is, and as such is a major creative force in our culture. If this applies to me, so are you.The effect of Jensens essay on his partner, artist and friend Taro Chiezo, is like a transcendent commentary on his work. The book documents Jensens relationship with Chiezo, a well-known pornographic artist who had been working with him for the last decade and a half, since the late 1980s. Chiezo explained to Jensens art-world friends that he was a highly proficient, experienced gay who could play all the roles he wanted, in order to get a different kind of sexual pleasure out of his work. In Jensens words, he was a very talented artist. He made all the elements in his scenes the same way. The entire assembly of his work is the same as it is the one he made it in. Jensens work reflects the effort and passion Chiezo and his friends put into the work. The visual virtuosity and formal sophistication of Jensens work reminds one of the arts only real virtue: the ability to make beautiful things beautiful.Chiezos work, which his friends had come to know, was no ordinary show. The work was a large, nude, and in many ways risqué show, though it was not for nothing. Each element of the work is represented by a photo, a scroll, and a chapter of a book that Chiezo had developed into an art book in itself.

Result #5

n three costume changes, a foreign language, and a weird eye marks the popularization of cyborg humor in electronic music behind the unblinking robot eye. The sketch parodied German stereotypes, especially those pertaining to German seriousness, efficiency, and precision a bored, disaffected West German expressionist and minimalist who interviewed celebrities in whom he was demonstrably barely interested. * Your presence intimidates me to the point of humiliation. Would you care to strike me?" * "That film/poem looks at me while I'm naked, and calls its friends." * "I feel emotionally obliterated." * "That poem/film pulls down my pants and makes fun of me. But not in a malicious way." * "You have disturbed me almost to the point of insanity...There. I am insane now." * "I am filled with anticipation/remorse, and it is most delicious. * Suddenly I feel so insecure/so self-consciously self-conscious that I cannot help but feel like a fool. unseemly ences\seethat my hands are out of whacks.}\seethat my hands are in whacks. \seethat my hands are in whacks. my hand is a strange, different thing, in and of itself a kind of demoniacal, hysterical, false-glamorous, false-fantasy, fake, false-fake, false-fake, false-fake thing. (shes the same thing.