Resena de la obra del artista pereirano Hernando Tejada: Historia de Cali.

Result #1

Sextantia (Texts on the Artist: History of Cali), curated by Paulo Fernando Veloso, consists of more than 150 documents produced since the late 1980s that document the emergence of a new Cali. In this show, the artist was a key figure in the emergence of the city. Tejadas texts, sometimes written on the wall or on the floor, recount the life of a Cali, from the history of the city, its architecture, and its people, to the events of its history. The series of photographs in the exhibition, Tejadas demóstico (Shoe), 1995, is a series of photographs that document the progress of Tejadas work: His first installation, Eu otra otra otra otra otra (To Move on Through the Walls [To Move on Through the Walls]), 1995, created an atmosphere of expectation and anticipation. The photographs were taken in the middle of the city, in a few galleries, and they were not meant to document the city but rather to convey a feeling of the city. Tejada used this as a starting point for his most important work, the Orazco de Cali (Orientals [Orientals]), 1992–93, a series of color photographs that document the movement of the inhabitants of Cali, whose history is woven through the daily lives of the citys inhabitants. The Orazco de Cali is an important element in Tejadas practice: It is an archive of memory, and it is a visual record of the history of a people that is both human and alien.

Result #2

Resena de la obra del artista pereirano Hernando Tejada: Historia de Cali. La obra del artista pereirano Hernando Tejada: Historia de Cali, 1939–1947. Recolectação de Psicología (Psychological Studies) (all works 2018). Recolectação de Psicología (Psychological Studies) (detail), also known as the Perpetual Memory Project, is an ambitious project that aims to trace the history of the artists life through the psychoanalytical and theoretical analysis of his works. The exhibition will include a wide range of works, ranging from Tejadas sculptures of the 1960s to his more recent works on paper, as well as works on canvas, wood, and rubber. The exhibition will be organized according to the chronological order of the artists life, with an emphasis on the creation of the Perpetual Memory Project in the late 1960s and the development of the artists practice thereafter.Tejada: Historia de Cali is a collection of Tejadas works from the mid- to late 60s. The exhibition will span three venues in the city, including the Museu de Arte de São Paulo, where the exhibition will travel to the Museu de Arte de São Paulo, where it will be on view until 2021. The Museu de Arte de São Paulo is the oldest institution in the country dedicated to the study of contemporary Brazilian art. The Museu de Arte de São Paulo is also the only institution dedicated to the study of contemporary art. Tejada: Historia de Cali is the most important collection of his work in the country, as well as the most extensive collection of his work in the world. The exhibition will feature the artists psychoanalytical work, his psychoanalysis, his psychoanalytic art, and his psychoanalytic writing.The exhibition will be divided into three parts.

Result #3

Resena de la obra del artista pereirano Hernando Tejada: Historia de Cali. The show was organized by the Museu de Arte de São Paulo and curated by Marcelo Rama. The artists of the first generation of Brazilian artists of the early twentieth century—those who were influenced by the work of the precursors—are often forgotten, despite their impact on the work of the second generation. The artists who emerged in the late twentieth century were not only the most important but also the most important in their own time. The show, which included works by forty-three artists, was organized by Eduardo Bustamante, curator of the Museu de Arte de São Paulo.The exhibition was divided into three sections: the present (1930s, 1940s and 50s); the past (1960s and 70s); and the future (present and beyond). The present section, which was organized by the Museu de Arte de São Paulo and curated by Marcelo Rama, was devoted to the twentieth century, and included a large number of works by artists who have been forgotten. In the present, we can see a great deal of work by the most important Brazilian artists, from a young artist like Leandro Meireles to a young artist like Paulina Cildo Meireles, from a young artist like Renato Marcos to a young artist like Jorge Luis Borges. The present is a time of tremendous change, and there is no need to forget that time. The future is one of the most important aspects of the exhibition, and this is the time of the artists who are now making a significant contribution to the art world. In the past, there was no such time, and the artists who were making the most important work were those who were not born in the first or second decades of the twentieth century.In the present, we can see a great deal of work by the most important Brazilian artists, from a young artist like Leandro Meireles to a young artist like Renato Marcos.

Result #4

Resena de la obra del artista pereirano Hernando Tejada: Historia de Cali. The first room was devoted to the artist who died of AIDS in 2005, and the second, on the occasion of this exhibition, was devoted to the remarkable life of the poet, writer, and playwright.Tejadas poetry is so strong that it is not hard to imagine him as an original, expressive, and daringly self-consciously queer poet, a revolutionary poet, a queer poet, a queer poet, and a queer poet. In his texts, he describes his own life and his own body as a struggle against the world, a struggle against the excesses of society, and a struggle against the masquerade of death. His poems are about death and dying, about the loss of the soul, and about the passage of time, the passage of time through which one may be reborn, and about the way things are made anew. He describes the path of the soul as a descent from the body, a descent that is determined by the hand of God, and which leads us to the realm of the living, and on to the realm of the dead. His poems are about the importance of the body in the creation of the world, and the importance of the hand in the creation of life. In these terms, Tejada might be thought of as a proto-Queer poet, a queer poet, a revolutionary poet, and a queer poet.In the second room, Tejada presented a selection of his poems, most of them written in the last decade of the 20th century, as a graphic essay for this exhibition. The poems in the exhibition were arranged in a chronological sequence, from the late 80s to the present, with the poems chosen from the collections of the Instituto Nacional de Salón de Arte Contemporánea (Institute of National Art), Brasília, and the Instituto de Salón de Arte Contemporánea (Institute of National Art), São Paulo.

Result #5

Resena de la obra del artista pereirano Hernando Tejada: Historia de Cali. (History of the artist: the artist in the past), a show of more than one hundred works dating from the 1960s, includes nearly all of the artists most significant works, including a dozen untitled abstractions. Some are well known, others are less well known. But the exhibition highlights Tejadas oeuvre, which is characterized by a fascination with the past, a reverence for the past, and a dedication to the present.Tejadas early work is characterized by a strong and emphatic relationship to Cubism. The artist took up the themes of Cubism in a very personal way, but also in a manner that was at once playful and serious. In his work, he often drew on the memory of the late Cubist master, the German architect Felix Gonzalez-Torress. Tejadas early Cubist works are very personal in nature, as well as in their appearance, and his work in the 60s and 70s was characterized by a strong sense of humor, which was reflected in his playful and playful-looking sculptures. Tejada did not work with Cubism in a negative way, but rather with an open-ended and expressive attitude, which gave the impression of being infinitely fresh.In the early 80s, Tejadas started to make abstractions, in which he explored the possibilities of the medium. This is the period of his life when Tejada was developing his own formal vocabulary. He experimented with a variety of materials, including oil paint, acrylic paint, and polyurethane. His abstractions were very personal in nature, and were usually based on his imagination, with the result that they were very expressive. The work of this period is a record of Tejadas creative energy. His works from this period show a strong commitment to the present, as well as a strong sense of the past.Tejadas early abstractions were based on his imagination and on his experience in life.