This latest show of styrofoam animals by the art collective Sublimina is confusing, but still interesting.

Result #1

This latest show of styrofoam animals by the art collective Sublimina is confusing, but still interesting. The animal sculptures are usually made of plastic, and have been shaped to suggest faces. A number of them are erotic, but also resemble people—their lips and noses are enlarged, and their bodies are increasingly distorted. They are often described as having a human presence, but arent exactly real people. Theyre rather frighteningly reminiscent of what we see on the news: people who look like animals are being tortured, and then killed. In the end, the sculptures are just as much about death as they are about life. The viewer is invited to walk around and around them, trying to figure out whether the grotesque aspect of the figures and the erotic aspect of the faces is a coincidence.The sculptures are like computer-generated images of the human face. They are rendered in acrylic, and then painted white so that the body parts—including the eyes, the lips, and the eyebrows—look like the fleshy parts of the face. The sculptures are then cut out and stuffed into cardboard boxes. The boxes are then filled with colored foam, and covered with layers of plastic. The result looks like a stage set, complete with a stage and audience. The sculptures have a photographic quality: the faces are reproduced in white acrylic, and the acrylic is sprayed on.The sculptures look like the faces of photographs, with distorted parts. They are also like the faces of computer-generated images, with distorted parts. The figures are exaggerated, and the forms are distorted. The sculptures are made of styrofoam, and have been shaped to suggest faces. The animals have a grotesque quality, and are distorted. The sculptural element is lost in the foam, and the figures look like disembodied heads. Theyre even more grotesque than the dolls. In the end, these sculptures are more about the grotesque than the human face. The figures are grotesque, but theyre not real. Theyre made out of plastic, and they look like theyre made of Styrofoam.

Result #2

The pieces, which are made of the same material as the animals, are not sculptural, but rather their surfaces are made of polystyrene. These works, which appear to be surprisingly lightweight and robust, are presented as sculptures in the round; they are meant to be seen as two-dimensional objects. In this way, the works, like the animals, are meant to be seen as two-dimensional objects. The forms of the animals are also like those of the sculptures, and they are meant to be seen as such. Sublimina has also made an enormous quantity of styrofoam animals, which they will be able to use for various purposes. One can imagine them as gifts to other artists. This is an interesting but regrettable coincidence. Although there are many interesting things to be said about the work of these two artists, the fact remains that they have not yet been shown in a gallery which can provide a truly international context for the work of this caliber.

Result #3

This latest show of styrofoam animals by the art collective Sublimina is confusing, but still interesting. In her recent solo show, a group of sculptures and paintings, she focused on the female form, depicting the human body as a series of lines, lines, lines. These lines, which seem to have been sculpted, are not necessarily lines of the same dimension as the ones in the sculptures, but they share the same dimensions. Thus, the works on paper have the same shape as the sculptures, and they form part of the same rectangle as the sculptures. But they are more complex than the sculptures. The drawings are clearly traced, but are not part of the sculptures. The artist has made the drawings part of the sculptures, by applying the pigment to the paper in such a way that the line becomes a shape. This process, in turn, creates a line that is not the line of the sculpture but the line of the drawing. The drawing also forms part of the sculpture and is not the sculpture, but the line of the drawing. The process of creation is the same as that of the sculpture, but the sculpture is no longer the sculpture. The lines of the sculptures have become a line of a different dimension, and this dimension is the line of the drawing. The sculpture, in turn, is no longer the sculpture but the line of the drawing. The line is no longer the line of the sculpture but the line of the drawing. The line is the line of the line of the drawing, and it is not the line of the sculpture but the line of the drawing. The lines of the drawings are not lines of the same dimension as the lines of the sculpture, but they are different in dimension and scale. They are no longer the same size, but are much larger and much broader. They form a continuous line, that is, they are not lines in the sense of the line of a straight line, but rather a line of a curved line.

Result #4

This latest show of styrofoam animals by the art collective Sublimina is confusing, but still interesting. There are a few things that shouldnt be overlooked: the fact that these are not toys, but rather the remains of dead animals. The artist has made use of the traditional sculptural vocabulary of the animal, with the exception of one piece, which has been cast in resin and painted a bright green. The animals are rendered in such a way that they appear as if they were made of wood or straw. In addition, the animals are made of Styrofoam, which is a common material in the home, where it is used both for the building material and as a home decor. The Styrofoam is a common material, and its use is linked to the use of Styrofoam as a building material; as a sign of its use-value it is also a symbol of the desire to save the earth.In addition to the Styrofoam, the artist has also used wood, which is a natural material that she has used to make the animals. She has used the wood to make a number of small pieces, which are made of wood and straw. The sculptures are based on the use of the wood, and on it she has used the animals, so that they seem like members of the herd. The sculptures are made of Styrofoam, and are about two feet in height. They are made of Styrofoam, and have a rough, wood-grain texture. They are also about two feet in height and about three feet in diameter. The sculptures are decorated with straw, straw, and Styrofoam. The sculptures are about two feet high and about a foot in diameter, and are decorated with straw and straw. The sculptures are made of Styrofoam and are made of Styrofoam and straw. They are also about two feet high and about a foot in diameter. They are decorated with straw and straw. The sculptures are about two feet high and about a foot in diameter.

Result #5

This latest show of styrofoam animals by the art collective Sublimina is confusing, but still interesting. While the group has had a number of eye-opening shows in Europe (including a retrospective at the Centre Pompidou in Paris in 2008), this show was their first in the US. The group has made several attempts at using the object as a medium, but none so far has worked as well as this one. The group is very much aware of the dangers of this new, all-encompassing approach; they have been working on this project for more than three years and, after several successful public performances, have decided to take it to the stage.The group has been showing their work in public spaces for some time, but this was the first time they have been able to put it on a large scale. The group has made a lot of effort to conceal their work from the audience, and, more than once, they have been asked to remove their performance to other, more appropriate sites. This time, the work was installed in a very traditional gallery space (which had been converted into a kitchen), and the group asked the gallery to provide an appropriate setting for their performances. The gallery was equipped with a large number of chairs and tables, which allowed them to complete their performance without the audience having to sit down. The group asked each artist to make a contribution, and, as the show began, a group of people came together to talk about the piece, which was not only a spontaneous but also highly structured and complex experience. The group also attempted to use the space as a stage and, as a result, they were asked to create a stage set. This was the first time the group was asked to create a stage set, and the resulting work was not a simple presentation of objects and ideas.The group performed several times over the course of two days. They asked each artist to create a new piece, and, in the process, they created a new space that was almost like a stage, where each of the artists could create a new action.