Nik Kosmas, violence, hentai, sculpture, Shanghai, bodybuilding, irony, post-modern, internet, memes, US, cum

Result #1

vernacular, chronology, politics, in-jokes, post-Modern, the, and, in its totality, a whole lot of weirdness. The vastness of the show seemed to suggest that the artist wants the viewer to feel in-between space, as if he were one of the dozens of workers, artists, and musicians who live in the heart of the city in between the two worlds of Western culture, as if he were a part of the city of New York, one of its museums and museums. It was a labor of love, which one can never really know the whole story, but in the end, the full breadth of the show was possible to see. And if the curators didnt know, or didnt want to, or didnt think it necessary, to see all of it, it was all too much for us to see.

Result #2

Nik Kosmas, violence, hentai, sculpture, Shanghai, bodybuilding, irony, post-modern, internet, memes, US, cum vernacular, the Internet of Things, The Gap, New York, and the World Wide Web, and more. The main room was dominated by two enormous color photographs, each in a separate room, one from a new series titled Bad Business Days, 2007, and the other from a series called Social Platform, 2006–. The first two pictures were taken by military personnel and police officers, who wear gas masks when confronting protesters, the other by a young Chinese artist, Liu Ying, who had created a collection of B-roll, screen-printed portraits, entitled Misshapen children, 2007, based on photographs of her friends, including the artist Liu Xiaodong. A second group of images shows a group of young men and women, mostly male, who use their hands to smother a female protester, known as Fan Lijun, who is making a comment in a crowd of angry bystanders. These photos, like the B-roll and the girls, are dramatic and chaotic, combining the people of the street with the soldiers. The resemblance to the photographers who were probably present is obvious, but it doesnt seem to affect the overall atmosphere of the show. Only the use of violence and the apparent aggressive nature of the photographs seem to work in opposition to the publics interest in the phenomenon of dehumanization.One photograph in the series shows a young woman with her face covered by a white mask. As she turns away from the camera, she appears to be standing. It is hard to tell whether she is playing or making a statement. Her head is half covered with a mask, her face, with its mask, is half covered by a mask. This mask could be an expression of indifference to the protesters, or a demonstration of indifference to the mask. One could interpret the mask as an indication of the mask as an imposition, a mask for the mask. In any case, the mask is covering the face and the body, which suggests a statement.

Result #3

Nik Kosmas, violence, hentai, sculpture, Shanghai, bodybuilding, irony, post-modern, internet, memes, US, cum ix) and it, and its masters. The key motif of a dozen of these works is a body—a figure which, as the title states, is the most orificatory organ in the human body. It is the organ that produces and gives voice to the most complex, subtle, and invisible voices.The exhibition was divided into two parts, which, as the works in this exhibition suggest, were in constant struggle with the other, which was not. The first half of the show was a series of cultural montages, many of which the artist created in collaboration with the Chinese community in New York. The rest of the show, curated by the curator, Hao Wenzhou, was created at the Beijing Exhibition Centre. The first half of the exhibition was devoted to Western art, most of which is of Chinese origin. (Some works were created in China, but no more than one quarter of the exhibitions total space was devoted to Western art.) In a sense, the exhibition represented an attempt to represent China as a whole through the representation of Western art, as a whole as the rejection of Western art.The show itself was quite unsympathetic to the Western art world. In a sense, the show was an attempt to bring together the two cultures of the West and China. The first part was devoted to Western culture, the second to the other culture. The Western side was represented by works in the European tradition, such as Minimalism, which was the most dominant mode in the show. The Chinese side was represented by works that had been produced in China, but not shown in the West: those that had been made in China but not shown in New York.The exhibition also included works from China that were not representative of any Western style.

Result #4

Nik Kosmas, violence, hentai, sculpture, Shanghai, bodybuilding, irony, post-modern, internet, memes, US, cum vernacular. The artist is the agent of resistance to Western culture. What do you need to see? Anybody. But don't be afraid. Im not holding your breath. If you want to follow the line of attack, start at the front of the museum. The line starts at the main entrance. Inside, just as you enter the museum, you see a live video of a dancer dancing to a pop song. Its perfect, the point is already made. The video begins with a close-up of the dancers body, before the camera moves onto the back and forth motion of her body, as well as on the floor. All of this in one seamless, fast-paced shot. After that, the line goes to the back of the museum, where the video again moves to the back of the other dancers body, this time with the same shot. This time, the video moves to the front of the entrance, which is filled with a crowd of people. They have danced on and off for the same song. At the end, the video ends with a slow-motion shot of the dancers back to the crowd, repeating the song as it goes on. The crowd, now a little drunk, is gone, leaving only the sound of someone on the phone.In the first room of the museum, you encounter a number of posters and a picture of the head of the state of Washington, which is also located in Washington, DC. It looks like a window display at a department store. But you immediately realize that this isnt an ordinary window display. The person behind it is a Democratic congresswoman. And when the government finally goes after Washington, DC, the image of the congresswoman with the long black dress and the long black-dot bra becomes a poignant example of the kind of consumerism and political intimidation that exist in the United States today. From the heart of the problem, the country comes.

Result #5

Nik Kosmas, violence, hentai, sculpture, Shanghai, bodybuilding, irony, post-modern, internet, memes, US, cum urn, fecal matter, pop music, party, urns, internet, general knowledge, China, Chinese cultural production, urban art, music, etc.One of the most interesting moments was in the middle of a very crowded exhibition: an installation by Yanzhao Gao and Jiang Wei (both members of the Xiamen group), which was accompanied by a video of a performance by artist and musician Zhang Lijun. Gao and Wei took the opportunity to conduct a philosophical discussion on the relationship between Western culture and its historical background. In the video, the artists critique the Western legacy of colonialism and imperialism, emphasizing the role of art in the struggle against the domination of Western culture. The artists propose that contemporary artists are engaged in a global cultural struggle, using all available media, from video to performance, as well as social media and the internet, to spread awareness about the ecological consequences of the Wests intrusion into Asia. On one hand, the artists speak against the Western art world's efforts to colonize other cultures. On the other, the Western world is represented in the videos through a documentary video by Zhang and an interview with Gao. The two artists' critique of the Western art world is presented as a continuation of the struggle against colonialism, which the video and video, together with Gao and Wei's commentary, express in their own work. They examine the relationship between cultural production, communication, and commerce, and question the idea of culture as a market value, which is also seen in the other Western cultures and practices.The videos and installations that made up this exhibition revealed the artists' understanding of the potential of video to play a role in the struggle against the domination of Western culture. They raise questions about the nature of the media, the media-as-artifice, and the media-as-art-or-art-as-art.