a floor includes a pledge to the body an argument for gravitation

Result #1

a floor includes a pledge to the body an argument for gravitation. It is not the view of the self as an alien body, but of the body as a fluid, a multivalent, a changing, a shifting, a moving. The body as a site of shifting is represented by the idea of the body as a site of transposition. The body as a site of shifting is represented by the idea of the body as a fluid, a multivalent, a changing, a shifting. The body as a site of shifting is represented by the idea of the body as a fluid, a multivalent, a changing. The body as a site of shifting is represented by the idea of the body as a fluid, a multivalent, a changing. The body as a site of shifting is represented by the idea of the body as a fluid, a multivalent, a changing. The body as a site of shifting is represented by the idea of the body as a fluid, a multivalent, a changing. The body as a site of shifting is represented by the idea of the body as a fluid, a multivalent, a changing. The body as a site of shifting is represented by the idea of the body as a fluid, a multivalent, a changing. The body as a site of shifting is represented by the idea of the body as a fluid, a multivalent, a changing. The body as a site of shifting is represented by the idea of the body as a fluid, a multivalent, a changing. The body as a site of shifting is represented by the idea of the body as a fluid, a multivalent, a changing. The body as a site of shifting is represented by the idea of the body as a fluid, a multivalent, a changing. The body as a site of shifting is represented by the idea of the body as a fluid, a multivalent, a changing. The body as a site of shifting is represented by the idea of the body as a fluid, a multivalent, a changing.

Result #2

a floor includes a pledge to the body an argument for gravitation, or for the existence of a universe of spirits. The work of both artist and scholar is marked by a search for the most profound meanings, the most profound ineffable. In his recent show, Leckey presented a selection of paintings, drawings, and sculptures that display an intense interest in the relationship between the human body and the universe.The paintings are characterized by a sense of the human body as a kind of landscape, a place where the body is transformed into a metaphor for the universe. This is an impression that is reinforced by the artists use of color. In the paintings, the body is presented as a diffuse, almost translucent, space, a space of absence. The artists paint is used to evoke the various layers of paint, the layers that are more or less visible. The body is an ideal that can be physically and symbolically embodied. The body is a place that is both a place and an absence. In one of the paintings, a womans body, partially covered by a black cloth, is seen from above, as if from a great distance. The body becomes a metaphor for the invisible, a place where nothing is visible, where everything is concealed. In another painting, a womans body is seen from below, as if from a great distance, but with the figure of a child. The body becomes a metaphor for the invisible, a place where the child is hidden. In a third painting, a womans body is seen from above, as if from the other side of a mirror. The body becomes a metaphor for the invisible, a place where the other side of a mirror is visible. In a fourth painting, a womans body is seen from below, as if from a great distance, but with a small child. The body becomes a metaphor for the invisible, a place where nothing is visible, where everything is concealed. The body becomes a metaphor for the invisible, a place where the child is hidden.

Result #3

a floor includes a pledge to the body an argument for gravitation, and a sketch of a possible arrangement of the bodies of men, women, and children on the floor. The world is a pile of bodies. The figure of the artist is the one who is most often seen, and the image of the artist is the one most often reproduced. This is the case in a work in which the artist is the one who is most exposed, in the most direct way, to the world. This is the case in a work in which the artist is the most at risk, in the most immediate sense, of being ridiculed, of being misunderstood. In this case, the artist is the one who has to go beyond his or her own work to make a point. This is a risk that can be taken only if the artist is prepared to take it.The works in this show are small, and they are divided into two groups, the first consisting of drawings and the second of sculptures. The drawings are small, and they are made up of a series of small, straight lines, which can be read as either horizontal or vertical.

Result #4

a floor includes a pledge to the body an argument for gravitation and the nature of the body as an entity. The figures are, of course, in the form of a body, and the paintings, of course, are of a body. In the same way, the drawings are of a body. The drawings, however, are not of a body. They are not of the body. They are not bodies; they are not the bodies of others. They are, as a matter of fact, of the artists own drawings. And they are, in a sense, a kind of commentary on the body as such.The drawings are of the artists own drawings, and they are, in a sense, a kind of drawing of others. In this sense, they are, in a sense, a kind of appropriation of the body as such. In this sense, they are, in a sense, a kind of reference to a body. It is, of course, a kind of self-referential drawing, and it is, in a sense, self-referential, but it is also a drawing of a body. The drawing is a kind of drawing of the body as a body, and it is, in a sense, a kind of self-referential drawing.

Result #5

a floor includes a pledge to the body an argument for gravitation. The key to the exhibition is in a wall text that explains the reason for its existence, and which was written by a member of the staff of the museum. The text is titled, I am here, and is a long, carefully constructed word that is also a poem. It is a poem that speaks of a man who is an object, who is a man. . . . He is a man, and he is also a man who is an object.