Wu Haizhou was born in Anyang, Henan in 1978. Wu Haizhou's works focus on describing scenes and states of daily life by collecting some insightful image materials. This work is called Anxiety Complex Green, created in 2016. It's a bit like a stage scene, with the bright focus on two figures embracing each other, the background is black, and the ground is bright green. Under the moonlight. The faces are blurred, the color blocks are delicate and accurate, the objects around the people are abstracted, the colors have become more subjective and intense, but "cold" is still the main tone. In those scenes, even if two people embrace each other, it does not add the slightest warmth, even if a large area is painted with bright green. Edward Hopper's sense of loneliness

Result #1

Wu Haizhou was born in Anyang, Henan in 1978. Wu Haizhou's works focus on describing scenes and states of daily life by collecting some insightful image materials. This work is called Anxiety Complex Green, created in 2016. It's a bit like a stage scene, with the bright focus on two figures embracing each other, the background is black, and the ground is bright green. Under the moonlight. The faces are blurred, the color blocks are delicate and accurate, the objects around the people are abstracted, the colors have become more subjective and intense, but "cold" is still the main tone. In those scenes, even if two people embrace each other, it does not add the slightest warmth, even if a large area is painted with bright green. Edward Hopper's sense of loneliness is also present in this work, but it is also an extreme manifestation of the same. The painting is composed of three parts: the foreground, the background, and the background. The background is composed of two colors, the foreground is composed of three colors, and the background is composed of three colors. In this way, the painting is an amalgam of three levels of abstraction. The foreground is made up of three colors; the background of three colors; and the background of three colors. This is the basis of the painting as a whole. The foreground, the background, and the background are the same.The painting is not an image of a single moment, but a continuous, moving process of transformation. The painting is an ongoing process of perception and of process. The paintings are not abstractions, but rather the result of the reflection of time on the surface of a painting. The painting is a reflection of the painting, and the painting is a reflection of the reflection of time on the surface of a painting. The painting is not a painting that is finished, but rather a reflection of the reflection of time on the surface of a painting.The expression of the heart is a powerful symbol in this work, as the title of the painting suggests. The heart is a living thing, a thing that has a memory of its past. But how does one remember a past? How can one forget? In this work, the heart is a living thing, a thing that has a memory of its past, but it cannot forget. The heart is a living thing, a thing that has a memory of its past, but it cannot forget. The painting is a reflection of the painting, and the painting is a reflection of the reflection of time on the surface of a painting. The painting is a reflection of the painting, and the painting is a reflection of the reflection of time on the surface of a painting.

Result #2

and isolation is present in the title. In the paintings, the color and the forms of the figures are more abstract, more abstract, and more personal. The colors are even more personal than the forms, so they all have a personal, personal, and personal-looking quality. The form of the figure is more personal than the color, and the color is more personal than the form. The subjects are not only abstract but also personal, but they are not only abstract, but also personal.

Result #3

Wu Haizhou was born in Anyang, Henan in 1978. Wu Haizhou's works focus on describing scenes and states of daily life by collecting some insightful image materials. This work is called Anxiety Complex Green, created in 2016. It's a bit like a stage scene, with the bright focus on two figures embracing each other, the background is black, and the ground is bright green. Under the moonlight. The faces are blurred, the color blocks are delicate and accurate, the objects around the people are abstracted, the colors have become more subjective and intense, but "cold" is still the main tone. In those scenes, even if two people embrace each other, it does not add the slightest warmth, even if a large area is painted with bright green. Edward Hopper's sense of loneliness is unmistakable. The paintings are dark and gloomy, and the colors are inky. In this painting, the colors are all black. In a way, the colors are like black, because the painting is framed by a dark background. The black is like the background of the painting, but it is also the background of the paintings. The black is like the background of the painting, but it is also the background of the painting. The black is like the background of the painting, but it is also the background of the paintings. The black is like the background of the painting, but it is also the background of the painting. The black is like the background of the painting, but it is also the background of the painting. The black is like the background of the painting, but it is also the background of the painting. The black is like the background of the painting, but it is also the background of the painting. The black is like the background of the painting, but it is also the background of the painting. The black is like the background of the painting, but it is also the background of the painting. The black is like the background of the painting, but it is also the background of the painting. The black is like the background of the painting, but it is also the background of the painting. The black is like the background of the painting, but it is also the background of the painting. The black is like the background of the painting, but it is also the background of the painting. The black is like the background of the painting, but it is also the background of the painting. The black is like the background of the painting, but it is also the background of the painting. The black is like the background of the painting, but it is also the background of the painting. The black is like the background of the painting, but it is also the background of the painting.

Result #4

is also present, but it is not the kind of loneliness that invites the viewer to be intimate. The loneliness in Wu Haizhou's work is one of extreme concentration, a kind of concentration that is not conducive to the quality of the images. A concentrated energy is generated by a single object, the artifice of the painting, and the people who have made it. The artist does not try to be sentimental, but to display the intensity of concentration that he feels in each work.The subjects of Wu Haizhou's paintings are the same as those of Edward Hopper's—the same people, but different. For example, the title of the work, Anxiety Complex Green, refers to a group of people who are obsessed with the same problem: to understand the essence of the world. The title is also a reference to the three-dimensional space in which they live, and to their constant struggle to understand the world. The artist, like Hopper, is obsessed with understanding the world, but he does not try to understand the world; he only tries to understand himself.

Result #5

is here. The sky is dark, and the people in the background are not. The colors are muted, the ground is dark, and the atmosphere is cold. The faces are lost in a dark space, with no light. The world is dark, but it is alive. In the dark, there is nothing to look at, nothing to look at, nothing to look at. Wu Haizhou's painting is full of life, but not in the way one might expect. The painting is not a perfect representation of the world, but rather, a small part of a world that is missing.