small delusions bring white cloth knuckle tramps
small delusions bring white cloth knuckle tramps to the wall and a purple bangle to the ceiling, and a small red-and-white-clay sculpture, The Shape of Things to Come, 2013, is a bed frame. The collection of furniture, a bottle of water, and a hand-size red plastic doll bear—a doll, perhaps, or a mannequin, but one with a head and an arm, and a headless torso, and a face—suggests a sort of allegory of the body, and its lack of identity and identitylessness. The figure is more than the sum of its parts, however. It is a living, breathing, living-structure-in-a-body. The work is about being alive, and about what makes it that way.The exhibition also included a video, The Shape of Things to Come, 2013, in which a group of people in a hotel room talk about the shape of things to come. They describe the shape of a bottle, a pillow, a sock, and a stuffed animal. The video is looped, so that it continues and changes as the subjects speak. The shape of the bottle is never quite right, but the conversation is so light as to be almost invisible. The person on the video has a rather different idea of what the bottle is, and the shapes of the objects are never exactly right, but they are always a bit off. The bottle is always a bit too big, the pillow too small, and the stuffed animal too small. The video also shows a group of people discussing the shape of a piece of wood, a tree trunk, and a piece of paper. The conversation is a little awkward, as if the person on the video were not conversing with the person on the screen. The shape of the trunk is never right, the paper is always right, and the person on the video is not quite sure what to make of the shape of the trunk.
small delusions bring white cloth knuckle tramps and a white and black sign board to life, in the form of a video of a white-faced, black-haired man in a suit, a black-and-white sign board, and a white-faced sign board. The video is a black-and-white mock-up of a video-game character, and the sign boards are a mock-up of a sign board. The sign boards are a mock-up of the sign boards that the video shows. The video is a black-and-white mockup of a black-and-white sign board. The video is a black-and-white mockup of a black-and-white sign board. The video is a black-and-white mockup of a black-and-white sign board. The video is a black-and-white mockup of a black-and-white sign board. The video is a black-and-white mockup of a black-and-white sign board. The video is a black-and-white mockup of a black-and-white sign board. The video is a black-and-white mockup of a black-and-white sign board. The video is a black-and-white mockup of a black-and-white sign board. The video is a black-and-white mockup of a black-and-white sign board. The video is a black-and-white mockup of a black-and-white sign board. The video is a black-and-white mockup of a black-and-white sign board. The video is a black-and-white mockup of a black-and-white sign board. The video is a black-and-white mockup of a black-and-white sign board. The video is a black-and-white mockup of a black-and-white sign board.
small delusions bring white cloth knuckle tramps to the surface, while a hand-embroidered head and a hand-embroidered hand, both in black and white, are set on a white ground. The artist has painted the crumpled paper on the head of the headless figure. The two figures are framed by a gilded brush. The paint is applied with a brush, and the only gesture is a small tap. The head and hand are empty of their respective contents, but the paper is still there, a reminder of the existence of the body beneath the surface. The hand is a hand, but one that has been turned into a crumpled paper crumpled head. The hand is a crumpled paper hand, but one that has been turned into a crumpled paper crumpled hand. The head is a crumpled paper head, but one that is not a head. The hand is a crumpled paper hand, but one that is not a hand. The head is a crumpled paper head, but one that is not a head. The hand is a crumpled paper hand, but one that is not a hand. The head is a crumpled paper head, but one that is not a head. The hand is a crumpled paper hand, but one that is not a hand. The head is a crumpled paper head, but one that is not a head. The hand is a crumpled paper hand, but one that is not a hand. The head is a crumpled paper head, but one that is not a head. The hand is a crumpled paper hand, but one that is not a hand. The head is a crumpled paper head, but one that is not a head. The hand is a crumpled paper hand, but one that is not a hand. The head is a crumpled paper head, but one that is not a head.
small delusions bring white cloth knuckle tramps, a pockmarked chair, and a pair of stuffed pigs. The works title, The Devil Is a Pocket Watchmaker, is a reference to the works title, The Devil Is a Pocket Watchmaker, 2015, a three-minute video by the artist that was also included in the show.
small delusions bring white cloth knuckle tramps to the surface, and a small white puppet with a head made of a feather. The puppet is a small, black-and-white puppet, and the cloth knuckle tramp is a figure of a woman, a man, and a monkey. The mask is made of a black rubber mask, and the woman is a woman, and the monkey is a monkey. The masks are broken, and the monkey is a black rubber mask with a face. The masks are all painted black, and the monkey is a black rubber mask with a face. The mask is broken, and the monkey is a mask of a woman. The masks are all broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman. The mask is broken, and the woman is a mask of a woman.
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