The Crossing is a narrative about the journey of two young brothers Herding their flock of sheep across a dam for pasture. The story has a little touch of suspense and danger that did not actualize. The narrative describes the life of the Fulani which involves majorly herding of animal flock(s) and farming. In The Crossing, one understands that the herders teach their younger ones their way of life at early age. The narrative captures, even though not vividly the disturbing reality that troubles some part the countrys regions which is the conflict between herders and farmers. The author rather provides a solution in the context of the narrative as the settlements and grazing area are separated from the farming area of community there by resulting in a peace coexistence. The narrative ends as Young herders fulfil their journey across the Gubi Dam.

Result #1

The Crossing is a narrative about the journey of two young brothers Herding their flock of sheep across a dam for pasture. The story has a little touch of suspense and danger that did not actualize. The narrative describes the life of the Fulani which involves majorly herding of animal flock(s) and farming. In The Crossing, one understands that the herders teach their younger ones their way of life at early age. The narrative captures, even though not vividly the disturbing reality that troubles some part the countrys regions which is the conflict between herders and farmers. The author rather provides a solution in the context of the narrative as the settlements and grazing area are separated from the farming area of community there by resulting in a peace coexistence. The narrative ends as Young herders fulfil their journey across the Gubi Dam. <|startoftext|>The Stasi and the Boycott Campaigns have a long tradition of prying into the heart of political life. A long and patently pedagogical tradition also informs and informs that tradition. But what do the Boycott Campaigns do? It is hard to conceive of the Boycott Campaigns being anything but a political method to expose the absurdity of a relatively small number of industry, business, and social organizations. The Boycott Campaign is a crude, in-depth survey of the functioning mechanisms of the Soviet economy and the world in which it is used. With the S.S. and the Boycott Campaign, S.S. members and non-members alike are targeted for not only a repeat of the political efforts but for a reenactment of the social situation in which they were members. The Boycott Campaign is a fairly comprehensive survey of the business world that the two-man Panel Group assembled for the exhibition is called the Five Year Report. While the assembled information is accurate, there is no formula, no reference to how the various institutions and activities of the society are operated. A simplified account of the activities of the Five Year Report is given in the catalogue.The Five Year Report is a large enough, well-conceivedly constructed exhibition to do justice to the sheer quantity of information presented. The complex, informative and critical nature of the exhibit is not so much the result of the sheer volume of information as it is of the fact that it is offered as a display of the incomplete, yet often vital, portion of the organization. The presentation of this information by the working group and its consultants makes a strong argument for the existence of an organized, multiparty, and totalitarian state in the USSR.The Fourteen Problems of the Five Year Report, a large number of which are shown in the exhibit, are problems of the Soviet bureaucracy. These problems are problems of management, and of a social organization.

Result #2

The Crossing is a narrative about the journey of two young brothers Herding their flock of sheep across a dam for pasture. The story has a little touch of suspense and danger that did not actualize. The narrative describes the life of the Fulani which involves majorly herding of animal flock(s) and farming. In The Crossing, one understands that the herders teach their younger ones their way of life at early age. The narrative captures, even though not vividly the disturbing reality that troubles some part the countrys regions which is the conflict between herders and farmers. The author rather provides a solution in the context of the narrative as the settlements and grazing area are separated from the farming area of community there by resulting in a peace coexistence. The narrative ends as Young herders fulfil their journey across the Gubi Dam. <|startoftext|>To understand the themes and images of the painting by which the South African artist Noel Taimi holds his European audience in high esteem, one must recall that the latter work, as well as those of many other South African artists of that period, came out of the same South African context. Taimi himself is an interdisciplinary artist who frequently presents various interrelated themes. The themes of his work are the conflict between humanity and nature. At the same time, his art is detached and indeterminate, and the history of the South African and European-inspired art is ignored. Taimi presents his own world through his paintings. His paintings are of a post-apocalyptic, post-urban world, which he has found is the product of the unresolved conflict between man and nature. His abstract paintings are of cityscapes as well as of abstract landscapes.Taimi begins by writing a list of the names and symbols of different cultures and religions of his own culture. For example, he uses such names as the Egyptian, the Persian, and the Hindu. He then selects an image from these lists and combines it with words drawn from culture, such as the Hindu mantra of Agni, the Sanskrit Vedanta, the Aztec de mameloca and the Arabic ziggurat. The most brilliant image he makes is a canvas by the Muslim Sufi master Bahram Kamal, an artist of the pre-Islamic period, who gave the name to the Aztecs, according to legend. Taimis painting is like that of Bahram Kamals. In the Aztec painting, the colors are red, black, green and blue. The color is not the color of the earth, but rather of the sky, and the sky is not the sky but rather the sky, which is red and black, or a mixture of red and black.

Result #3

The Crossing is a narrative about the journey of two young brothers Herding their flock of sheep across a dam for pasture. The story has a little touch of suspense and danger that did not actualize. The narrative describes the life of the Fulani which involves majorly herding of animal flock(s) and farming. In The Crossing, one understands that the herders teach their younger ones their way of life at early age. The narrative captures, even though not vividly the disturbing reality that troubles some part the countrys regions which is the conflict between herders and farmers. The author rather provides a solution in the context of the narrative as the settlements and grazing area are separated from the farming area of community there by resulting in a peace coexistence. The narrative ends as Young herders fulfil their journey across the Gubi Dam. <|startoftext|>An avant-garde not only of the North American West Coast, but of the American Southwest, is the subject of this large show of the art of the Northwest. It is a type of avant-garde that is not only less limited in scope than the three-dimensional avant-gardes of Europe and North America, but more varied in its forms and in its modes of production. It is one of the few avant-gardes not subject to the limitations of a single, major commercial, dominant ideology. Not only are there avant-garde forms, but there are avant-garde modes of production and expression. The best avant-garde art is made up of many small, individual works and seldom more than one or two large works. A single piece, such as an unframed, comical picture by Andy Warhol, in which a fish-tailed Indian man takes off his undershirt in a fishbowl to his crotch, is a rare exception. A great many avant-gardes are little known and of less importance than the larger avant-garde. This exhibition gives a strong impression of the quality of this avant-garde.The style of painting which prevails is of medium to large scale and flat, abstract shapes in flat, sky-blue or bright-orange hues. The motifs are colorfully suggestive of something, but not a characteristic object. A painted shape in the form of a valley, for example, is more than a sort of thing or image. It has the texture and presence of a natural phenomenon. It might be a reflection of the ravishing brushwork of a Spanish sunset. Like a child in a baby grandparent's arms, the artist holds his or her child in his or her hand and looks on. The painting is, above all, about life.

Result #4

Result #5