The combination of contrasts around the swimmer imparts a sense of forward movement. The brightest area is where the swimmer kicks the water. He swims in a straight line through waves powerfully pushing him to shore.
The combination of contrasts around the swimmer imparts a sense of forward movement. The brightest area is where the swimmer kicks the water. He swims in a straight line through waves powerfully pushing him to shore. A man with his back to the viewer watches him from a distance. This action has the feel of a show-and-tell in the form of a dialogue between two characters. The other two are very close to the viewer, like a friend or family member, who has taken notice of the viewer and his actions. They are not involved in any kind of conversation. The viewer, who is not a participant in the interaction, is merely seen watching the viewer, who is not involved in any kind of conversation. The viewer is left to his or her own devices and to the viewers own reactions. The viewer becomes a voyeur in the act of observing and seeing. The viewer is not confronted with the totality of the world, but only the part of it that he or she can see. The viewer is a voyeur in the act of observing and seeing. The viewer is not confronted with the totality of the world, but only the part of it that he or she can see. The viewer is not confronted with the totality of the world, but only the part of it that he or she can see. The viewer is not confronted with the totality of the world, but only the part of it that he or she can see. The viewer is not confronted with the totality of the world, but only the part of it that he or she can see. The viewer is not confronted with the totality of the world, but only the part of it that he or she can see. The viewer is not confronted with the totality of the world, but only the part of it that he or she can see. The viewer is not confronted with the totality of the world, but only the part of it that he or she can see. The viewer is not confronted with the totality of the world, but only the part of it that he or she can see. The viewer is not confronted with the totality of the world, but only the part of it that he or she can see.
The combination of contrasts around the swimmer imparts a sense of forward movement. The brightest area is where the swimmer kicks the water. He swims in a straight line through waves powerfully pushing him to shore. The moves are not always harmonious but they are generally rhythmic. The rhythmic, almost frantic movement of the swimmer is one of the most captivating elements of the piece. The movement is repeated with increasing speed. The rhythm is not unlike the rhythm of the rhythm of a racing motor. The movement is not performed but it is followed by an intense concentration on a single goal. The energy of the movement is clear and immediate. In the works in this show, the energy is not the energy of the movements but rather the energy of the movement itself.The intensity of the energy is not an indication of the intensity of the movements. The intensity of the energy is a result of the energy of the movements. The intensity of the movements is an indication of the energy of the movements. The energy of the movements is an indication of the energy of the movements. The energy of the movements is an indication of the energy of the movements. The energy of the movements is an indication of the energy of the movements. The intensity of the movement is an indication of the energy of the movements. The intensity of the movements is an indication of the energy of the movements. The intensity of the movement is an indication of the energy of the movements. The intensity of the movement is an indication of the energy of the movements. The intensity of the movements is an indication of the energy of the movements. The intensity of the movements is an indication of the energy of the movements. The intensity of the movements is an indication of the energy of the movements. The intensity of the movement is an indication of the energy of the movements. The intensity of the movements is an indication of the energy of the movements. The intensity of the movement is an indication of the energy of the movements. The intensity of the movements is an indication of the energy of the movements. The intensity of the movements is an indication of the energy of the movements. The intensity of the movement is an indication of the energy of the movements.
The combination of contrasts around the swimmer imparts a sense of forward movement. The brightest area is where the swimmer kicks the water. He swims in a straight line through waves powerfully pushing him to shore. His movements are fluid and fluid. The swimmer is the same as the waves. The waves are like waves, waves are like waves. The swimmer is like a wave, but he moves in waves. The waves are like waves, waves are like waves.The water moves, the waves move, the swimmer moves. The swimmer moves in a straight line. The waves are like a straight line, but the straight line is a curve. The curve is like a curve, but the curve is like a straight line. The straight line is like a curve, but the curve is like a straight line. The straight line is like a curve, but the curve is like a straight line. The straight line is like a curve, but the curve is like a straight line. The straight line is like a curve, but the curve is like a straight line. The straight line is like a curve, but the curve is like a straight line. The curve is like a curve, but the curve is like a straight line. The curve is like a curve, but the curve is like a straight line. The curve is like a curve, but the curve is like a straight line. The curve is like a curve, but the curve is like a straight line. The straight line is like a curve, but the curve is like a straight line. The straight line is like a curve, but the curve is like a straight line. The straight line is like a curve, but the curve is like a straight line. The straight line is like a curve, but the curve is like a straight line. The curve is like a curve, but the curve is like a straight line. The straight line is like a curve, but the curve is like a straight line. The curve is like a curve, but the curve is like a straight line. The curve is like a curve, but the curve is like a straight line.
The combination of contrasts around the swimmer imparts a sense of forward movement. The brightest area is where the swimmer kicks the water. He swims in a straight line through waves powerfully pushing him to shore. The background to this image is a band of light around the swimmer that extends toward the viewer. The light is a kind of red, a kind of color that is so intense it seems to be transformed into a kind of spectrum. The contrast between the vivid and the muted is so strong that the swimmer is visible only in the dark. The effect is one of an attack on the body, of a search for the innermost essence. It is a search for the inner man, the inner truth.The image of the swimmer is also the image of the body. The body is a ship that floats on a sea, a body that can be seen only in darkness. The same thing happens in this image of the swimmer. The image of the swimmer is also the image of the body. The image of the body is also the image of the sea. The ocean is a vast expanse of color, a vast expanse of darkness. The image of the sea is also the image of the body. The image of the body is also the image of the sea.The picture of the swimmer is also the image of the body. The body is a ship that floats on a sea, a body that can be seen only in darkness. The same thing happens in this image of the swimmer. The image of the swimmer is also the image of the body. The body is a ship that floats on a sea, a body that can be seen only in darkness. The same thing happens in this image of the swimmer. The image of the body is also the image of the body. The ocean is a vast expanse of color, a vast darkness. The image of the sea is also the image of the body. The ocean is a vast expanse of color, a vast darkness. The image of the body is also the image of the sea. The ocean is a vast expanse of color, a vast darkness.
The combination of contrasts around the swimmer imparts a sense of forward movement. The brightest area is where the swimmer kicks the water. He swims in a straight line through waves powerfully pushing him to shore. The whole surface of the water becomes a surface of energy. The swimmer becomes a massive force that seems to move through the water.The movement of the swimmer is not static. The energy of the swimmer is created by the movements of the water. The energy of the water moves. The swimmer is a living being, a creature that can move, move through the water, and can become a living being. The swimmer is a natural force that can move, and that can become a living being.The swimmer moves through the water in a continuous movement. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water. The swimmer moves in a straight line through the water.
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