The artwork explores the theme of boundaries and the need for isolation from time to time. The presence of multiple hands or limbs may suggest a lack of respect for personal boundaries, or a sense of being overwhelmed by external pressures. The aesthetic mood of the piece may be intense and chaotic, reflecting the emotional impact of being in a situation where personal space is violated.

Result #1

In that sense, it is both a metaphor and a metaphor for the individual who is the site of threat. The focus of the piece is the viewer, who is made vulnerable by the presence of a body of people, who are about to be trampled by the figures of the artist. This disturbs the individual, who feels that they are trampling on his or her rights, and as a result of which the individual becomes a participant in the action.In the previous work, the artist was confronted by a knife. In this new work, she takes the knife out of her hand and throws it into a stream of water. This act is a gesture of defiance, which, according to the laws of the work, constitutes a gesture of liberation. The viewer, who is already a participant in the work, is made to feel more than a passive observer. He or she is asked to make an autonomous decision regarding the action. In this way the work is a metaphor for the individual who has the authority to impose his or her will on the work, as the artist has done in this case.This question arises in relation to the work as art. Is it an action, an object, a threat? To what degree does the action itself constitute an object? The artist does not show us the object of the action, but rather, by means of the work, she establishes a new object of desire. The knife in the stream of water is a thing that is in the past, and the works title, Cut out of my hand, is a threat of destruction. The works use of paint on canvas, and the painting of the knife, confirm the historical fact of a subjection to art, which is the language of social discourse. Cutting, which is the attempt to cut, and freedom, are considered by the artist to be complementary; they both demand the other.

Result #2

In this case, the real problem is with the manipulation of a simple graphic element and its use as a stand-in for the artist as a blackboard.Burdens drawings are not paintings, they are not always beautiful, and they do not express emotion. But they do convey a message that is persuasive and relevant.

Result #3

For example, one may feel a choking sensation as one wanders through the works structure. The exhibition was set in an environment in which sound was used to transmit the feeling of danger and disquietude, as well as of a dangerous and tragic situation. The work was covered with a floor of sand and covered in tape that evoked a whole neighborhood, an image of which was transmitted through a continuous sound-wave. The deafness of the place and the deafness of the viewer were combined, making the situation a metaphor for the fractured boundaries between our physical selves and the rest of the world.In this installation, the hand-witness role was also played by the artists, who participated in the creation of the works. Like an eyewitness, they witnessed the construction of the environment and provided an actual perspective on the situation. They are, however, not always able to reconstruct what took place. The artist shows them both as in a gallery and as in a film. In one of the videotapes, the hands of the artist and his assistants are shown in an attempt to reconstruct the event. But the voices of the tape-makers seem to be hearing what the hands can no longer hear.The work, however, was not about documenting a movement or a moment in time, but about the conflict between the senses and their limits. The artist wanted to create a state of paranoia that could offer a realistic representation of the state of being human.

Result #4

The sound of the violins construction echoes the individual gestures that produced it; the pieces seem fragile and without structural integrity. However, the violins impact is immediate and profound, and, like the victims heartrending speed, the tears are streaming fast and hard.

Result #5

The artwork explores the theme of boundaries and the need for isolation from time to time. The presence of multiple hands or limbs may suggest a lack of respect for personal boundaries, or a sense of being overwhelmed by external pressures. The aesthetic mood of the piece may be intense and chaotic, reflecting the emotional impact of being in a situation where personal space is violated. The hands represent the artists own inability to respect personal boundaries and boundaries, and their inability to establish a relationship with the viewer. These hands are linked to the symbolic figure of the storm in The Wind (all works, 1989), a faceless female figure with one leg extended horizontally, the other linked to a pole on which the two are set. The storms motif recurs in a large drawing, Tree, which is made up of lines of a single hand on a black background, the upper and lower sections of which are colored different colors. A hand holds the bottom part of the drawing while a hand holds the top section. The black and white hand and pole are juxtaposed to create a representation of the imbalance of power and responsibility that results from the destruction of boundaries. In another drawing, a hand, its hand also black, bends over a black pole, which is a play on the metaphor of the headless woman. In both pieces, the hands suggest the unconscious, and the figures themselves, which may represent those who have yet to emerge from the unconscious.In one of the most arresting pieces, The Shape, the viewer is made into an intruder in a private space. Two circles appear on the wall, which is covered with a green plastic. On the left is a black circle with a black cross on it; on the right is a white circle with a hand held in a black pose. The circles represent the ground and the hands, and the black and white hands, like the black and white circle, are in conflict, as the circles represent the power of the male and the white hand. The black and white hands are also representing the hands of the male, who is represented by the white circle, the black circle, and the black hand. The black circle, with its black hand, is used as a symbol of power and blackness, and signifies the black hand of the woman.

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