"They say progress is a grinding heel on the face of mankind. I intend to be wearing the boot."- "A wise sys-op must be like water. wanting to let flash, scatter in the everyday landscape what “was so closed, flat, peculiar”; wanting to see the thing convulse in the body of the other: summons him to see/feel for himself another time, prolonged, plunging into the dark, at the limit of the sensitive, where things vibrate micro, infra Shifting, flowing, adapting. Be the docile stream when your enemy sees you first, then when his eyes turn elsewhere, become the raging tsunami. 'Let's do it. What's the worst that culd happen?' - Ji "Noise" Reilly. Multitasking and, no questions asked. 10 office computers and 100,000 creds later, I'm out through the 103rd floor window. Some might call it the score of a lifetime, I call it a normal Saturday night."

Result #1

"They say progress is a grinding heel on the face of mankind. I intend to be wearing the boot."- "A wise sys-op must be like water. wanting to let flash, scatter in the everyday landscape what “was so closed, flat, peculiar”; wanting to see the thing convulse in the body of the other: summons him to see/feel for himself another time, prolonged, plunging into the dark, at the limit of the sensitive, where things vibrate micro, infra Shifting, flowing, adapting. Be the docile stream when your enemy sees you first, then when his eyes turn elsewhere, become the raging tsunami. 'Let's do it. What's the worst that culd happen?' - Ji "Noise" Reilly. Multitasking and, no questions asked. 10 office computers and 100,000 creds later, I'm out through the 103rd floor window. Some might call it the score of a lifetime, I call it a normal Saturday night."—Kathy Gartin.In the past ten years, the number of her studio, which is in a strip of empty wall space on the West Side Picket Street, has doubled, doubled, tripled. In the past year, the artist has traveled in Europe, and the work she did in Paris is in progress. The project is to move to New York, where she will spend the summer of 1998. Gartin, who was born in New York in 1941, has worked in Paris and Paris and in Los Angeles, and now in New York. The video work, which she calls art, is a collaborative process. The artist has asked several different people to participate, and they have been very receptive. The question is, What do you want? The answer is, I want to work in a gallery, and I want to do something with the space. I want to do something with the space, and to do something with the space. I want to have an environment that is inviting.In the video, the artist is the one who is asking questions. She speaks with the gallery staff, and they respond with, I want to do this. I want to do this. The artist is the one who is asking questions, who is trying to determine what is important, what is important. She is the one who is asking questions and making decisions. In the video, she asks the gallery staff what kind of space she can put her work in; they say, Its a little too big, too big, too many people, too many people, and they say, Well, you can put something in there. She says, Well, I have no idea what that would be. I went to the house, and the owner said, Well, I guess its too big. I went upstairs and looked at the calendar and the calendar said, Well, I have no idea what that would be either.

Result #2

"They say progress is a grinding heel on the face of mankind. I intend to be wearing the boot."- "A wise sys-op must be like water. wanting to let flash, scatter in the everyday landscape what “was so closed, flat, peculiar”; wanting to see the thing convulse in the body of the other: summons him to see/feel for himself another time, prolonged, plunging into the dark, at the limit of the sensitive, where things vibrate micro, infra Shifting, flowing, adapting. Be the docile stream when your enemy sees you first, then when his eyes turn elsewhere, become the raging tsunami. 'Let's do it. What's the worst that culd happen?' - Ji "Noise" Reilly. Multitasking and, no questions asked. 10 office computers and 100,000 creds later, I'm out through the 103rd floor window. Some might call it the score of a lifetime, I call it a normal Saturday night."—Joel Fisher-Parrutey, editor of Artforum (January, 1979) and coeditor of the exhibition The Multimedia Sign: Contemporary Art in America (November, 1979). The avant-garde artist, musician, and radio personality Joel Fisher-Parrutey was found dead at the age of 90 in a wood-paneled home on the outskirts of San Francisco, his body hanging from a noose. His final work, The Multimedia Sign, 1979–90, was performed by the San Francisco Symphony Orchestra on January 4, 1990, and the San Francisco Opera Theater on January 16, 1990, and will be performed by the San Francisco Symphony Orchestra in May.

Result #3

"They say progress is a grinding heel on the face of mankind. I intend to be wearing the boot."- "A wise sys-op must be like water. wanting to let flash, scatter in the everyday landscape what “was so closed, flat, peculiar”; wanting to see the thing convulse in the body of the other: summons him to see/feel for himself another time, prolonged, plunging into the dark, at the limit of the sensitive, where things vibrate micro, infra Shifting, flowing, adapting. Be the docile stream when your enemy sees you first, then when his eyes turn elsewhere, become the raging tsunami. 'Let's do it. What's the worst that culd happen?' - Ji "Noise" Reilly. Multitasking and, no questions asked. 10 office computers and 100,000 creds later, I'm out through the 103rd floor window. Some might call it the score of a lifetime, I call it a normal Saturday night." The answer is yes, and it was the score of a record. The space was the office and it was full, and it was the space for a record. The rhythm was the music and the machines were the scores and the score was the music. A lot of people were on the floor, looking out at the score and the score and the music. The space was also a real space, a real room, and the music was coming through and the noise was coming through, and it was a cacophony of sounds. It was the sound of the machine that had been built into the machine, the sound of the computer that had been programmed to play the music, and the sound of the sound that was coming through.The music was coming through through an office monitor, a CRT monitor with a sound track of audio, a C-print screen showing a page of text, and a picture of a naked woman. A woman is in the midst of a performance, and shes going to perform a repetitive act. She is nude, but shes not going to lie down and be comfortable with that. She has a microphone and a speaker on the desk, and shes going to repeat the words on the screen, and the music is coming through. She has her hands in the air, her legs extended, her feet pointed to the microphone, and shes going to say it. Shes going to sing along to the music. Shes going to sing along to the music. Shes also going to walk around the desk, around the desk and around the music, and then shes going to walk around the desk again and sing along.She has her hands in the air, her legs extended, her feet pointed to the microphone. She has her hands in the air, her legs extended.The music is coming through and the music is coming through through the office. Shes going to sit on a chair and sing along to the music.

Result #4

"They say progress is a grinding heel on the face of mankind. I intend to be wearing the boot."- "A wise sys-op must be like water. wanting to let flash, scatter in the everyday landscape what “was so closed, flat, peculiar”; wanting to see the thing convulse in the body of the other: summons him to see/feel for himself another time, prolonged, plunging into the dark, at the limit of the sensitive, where things vibrate micro, infra Shifting, flowing, adapting. Be the docile stream when your enemy sees you first, then when his eyes turn elsewhere, become the raging tsunami. 'Let's do it. What's the worst that culd happen?' - Ji "Noise" Reilly. Multitasking and, no questions asked. 10 office computers and 100,000 creds later, I'm out through the 103rd floor window. Some might call it the score of a lifetime, I call it a normal Saturday night." I have a few favorite moments in this story, and one of the most memorable is when the artist and her husband are suddenly transformed into a rock band. They perform, on the spot, their live performance of the song I Want To Be Loved. Then the wife of the band members, Mela, takes over. They both play in front of the TV. The musicians are off on the road. The couple sits in the living room, each looking out at the world. Mela is looking at the artist, who is staring at her in the same way she stared at her husband. Mela is also looking at the computer, which is turning up on the floor, down the stairs, and all around the room. As the band starts to play, Mela steps out of the office, the man in the suit looking at her. They kiss, and the band begins to play again. The couple watches the band as it comes on and off the stage, and the band goes on to the next song, which they both love as much as the last. The band begins to play again. Mela and the artist walk off. The band begins to play again. The computer on the roof turns up, too, and the couple is back on the couch, and the band goes on to another song. The computer on the roof turns up, too. The couple watches as the band goes on to another song, and the computer turns up again. The band goes on to the next song, which they both love as much as the last. The computer on the roof turns up, too. The couple watches as the band goes on to another song, and the computer turns up again. The band goes on to the next song, which they both love as much as the last. The computer turns up, too. The couple watches as the band goes on to another song, and the computer turns up again.

Result #5

"They say progress is a grinding heel on the face of mankind. I intend to be wearing the boot."- "A wise sys-op must be like water. wanting to let flash, scatter in the everyday landscape what “was so closed, flat, peculiar”; wanting to see the thing convulse in the body of the other: summons him to see/feel for himself another time, prolonged, plunging into the dark, at the limit of the sensitive, where things vibrate micro, infra Shifting, flowing, adapting. Be the docile stream when your enemy sees you first, then when his eyes turn elsewhere, become the raging tsunami. 'Let's do it. What's the worst that culd happen?' - Ji "Noise" Reilly. Multitasking and, no questions asked. 10 office computers and 100,000 creds later, I'm out through the 103rd floor window. Some might call it the score of a lifetime, I call it a normal Saturday night." What's the worst that can happen? The person who knows this best will be John Wilsons mother.Wilsons mother is the artist herself. The artist, who is thirty-three years old, has a reputation for the pratfalls and the weirdly embarrassing moments that happen when she walks into a gallery, the way she does at the airport or at the hotel. It's a rare thing to find someone who, in her own art, can match that rare quality, but when she does it's a joy to see.In her last solo exhibition, she made a life-size cardboard dummy of herself as a guy named John. I wanted to make a game of it. The studio, in the course of an hour-long conversation, became a game of John and his mother. Their conversation, recorded, was edited into an animated video. The conversation is a sound-track to the video, but the video is silent. The camera is static. The conversation is all about the camera, the camera, and the art, about art and life. The video shows the artists mother talking about her sons life as a man. The conversation is interrupted by the mother, who again talks about John and his mother, but she makes no comment. The video is silent.John is a friend of a friend of Johns. He has a gallery in New York. He invites her to the studio to meet with him. She is at the same time his daughter, his lover, and his artist. The conversation is tense, but not very long. She is a little hesitant to tell John about her boyfriends girlfriend. She has a feeling they are going to be in the future. John is not very interested. He is still interested in the gallery. He is asking her questions about her boyfriend. She knows he is still interested in her. She asks him if he has any ideas about her boyfriend. He says he hasnt mentioned to her anything about a girlfriend.

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