Searching for Space is a cubist sculpture by Michael Duncan exploring existential themes of meaning and belonging in the multiverse.

Result #1

Searching for Space is a cubist sculpture by Michael Duncan exploring existential themes of meaning and belonging in the multiverse.

Result #2

Searching for Space is a cubist sculpture by Michael Duncan exploring existential themes of meaning and belonging in the multiverse. He also makes works that use metal, glass, and cardboard, creating environments that have a sculptural quality. In these pieces, Duncan creates an environment that is at once architectural and sculptural. The work is built around a series of sets of tables, and the tables are set on concrete pillars that create a kind of terrace for the viewer. The work consists of a series of wooden, wooden-floored boxes which are covered with cardboard and lined up like a set of decks. The boxes are made out of cardboard boxes and cardboard boxes. The cardboard boxes are filled with colored paper, paper, and pencils, and the pencils are arranged on the floor in groups of three. The pencils are drawn in black ink on paper, and the paper is used as a ground for the pencils. The pencils are arranged in groups of three, with a green-gray pencil placed next to a pencil that is shaped like a heart, a circle with a circle inside. The heart is placed next to a pencil that is painted white, with a black heart above it. The white pencil is arranged in a circle with three circles. The circles are formed by the white pencils in a way that suggests a heart, an acrobatic gesture. The white pencil is also placed next to a pencil that is black, with a black heart above it. The black heart is covered with paper, which has been torn out of a blue-colored paper that has been torn out of a blue-colored paper. The paper is folded over the paper, and is now covered with a white paper. The paper that has been torn is the same paper that has been used as a ground for the pencils. The paper is soiled with pencils that the pencils and the paper that has been folded over the paper are visible. The pencils and the paper that has been torn are visible through the paper that has been folded over.

Result #3

The piece consists of a pair of glass-fronted boxes on a pedestal and a wooden table with chairs in the form of tables, with two chairs placed at the top and bottom. Inside one of the boxes is a piece of glass and a white table, the other a black one. Both boxes are covered with a white cloth that has been dyed a bright red and hung on the wall, which is covered with a cloth of the same color. The contents of the box are varied—a small stuffed bird, a small gray bottle, a yellow broom, and a box of matches. The floor of the table is covered with a cloth of the same color, and the works furniture is placed between the two boxes. The viewer is encouraged to identify with the objects and to think about the meanings that can be assigned to their parts, which are of the same kind, and to see their particular meanings as a whole. The piece is a symbolic representation of the human condition, and in this sense it is a gesture of solidarity with the multiverse of people, a gesture that asks us to recognize that all people are in fact one, and that they share in the common world.

Result #4

Searching for Space is a cubist sculpture by Michael Duncan exploring existential themes of meaning and belonging in the multiverse. The sculpture is a cube made up of six cube-shaped sections, each four feet tall and three feet wide. Each section is capped with a single sheet of Plexiglas; the lower section is made up of six Plexiglas cut into a circle. Each of the six cubes faces a mirror, reflecting the six-sided cube back onto itself. This reflection creates a series of sets of relationships between the six-sided cube and the six-sided mirror; the relationship between the two halves of the piece is also reflected in the mirrors. The cube and the mirror are both forms of the same object, but the cube is made up of three different parts, while the mirror is a cube made up of four different parts, the same as the cube itself. The cube is the reflection of the mirror, reflecting the same reflection of itself back onto itself, and the cube is also a reflection of itself reflected, in the form of the cube, onto itself. The reflection is an act of being, the realization of a proposition, and the realization of a proposition is the act of being.Duncan uses materials such as aluminum, stainless steel, copper, and aluminum alloy, as well as glass, wood, and metal, and the artist has used all of these to produce a series of sculptures. The pieces are not only objects, but also mirrors, mirrors that are also sculptures. They are therefore both ancillary and essential elements of the work.

Result #5

He has made a series of paintings using the same cubist motifs, with the same emotional intensity as his sculpture, but with a completely different meaning. The paintings were made by painting over the images from his sculpture, and in some cases, he has added new ones. The works are constructed of three elements, a small wooden frame, a small wooden box, and a large, large wooden platform. Each painting is composed of a grid of 25 small, square, and rectangular panels, with the grid divided into five equal rectangles, each of which is painted in black and white. The boxes and platforms are made of wooden planks and wooden planks, and are covered with a white lacquer and contain small glass containers filled with various materials. The boxes and containers are different from the cubist works, which are cubelike, and are decorated with small wooden pieces of wood. In addition, the cubist works, with their symmetry, are a different type of sculpture. They are not based on a cube, but on a cube, a cube, a cube, a cube, a cube, and so on.Duncan has created a new, almost new form of sculpture, and has created a new kind of work, in which the cubist images have been transformed into a new kind of sculpture. In his previous sculptures, Duncan used cubist elements and Cubist abstract forms. In his new pieces, he has used Cubist elements and the Cubist elements of Cubism, and the Cubist elements and forms of his previous work. These are all new sculptural forms, and in them, the Cubist elements and forms have been transformed into a new kind of sculpture. This new sculpture is not new sculpture; it is a new, new form of sculpture.