Review | Polarity is an abstr...

Generated on 2022-12-28 09:06:54

Result #1

Polarity is an abstract sculpture by Michael Duncan featuring elements of cubism and angular sculpture art. This work explores themes of duality and the interplay of seeming opposites by harmonizing elements of light and shadow in a unique synthesis. The two-dimensional work is divided into two parts, a single piece which is also a wall piece and two parallel, horizontal pieces which, if seen from a distance, resemble a line of a wave. In the horizontal pieces, the upper part is dominated by a single line of force, the lower part is dominated by a single, parallel line of force. The line of force becomes the upper line of force and is echoed in the lower line of force. The work seems to be about the relationship between the force of gravity and the force of gravitys dependence on gravity. The power of the upper line of force is met by the force of the lower line of force. The relationship is a positive/negative one, a negative/positive one, and a unity/disintegration of opposites. The work seems to be an act of finding the relationship between the two lines of force and the two parallel lines of force. This relationship is one of tension and is expressed through the relationship between the upper and lower lines of force. The work has a sense of dynamism which is expressed through the tension between the two parallel lines of force. The tension is not the only thing that occurs in the work; the work is also about the tension between the two parallel lines of force. The work is an esthetic statement of the tension between opposites. The work is a sculpture, not a construction. The tension is expressed through the tension between the two parallel lines of force. The work is a sculpture and is about sculpture and the tension between opposites. The tension is not the only tension in the work; the tension is the tension between opposites. The work is a sculpture and is about sculpture and the tension between opposites. The tension is not the only tension in the work; the tension is the tension between opposites. The work is a sculpture and is about sculpture and the tension between opposites.

Result #2

Polarity is an abstract sculpture by Michael Duncan featuring elements of cubism and angular sculpture art. This work explores themes of duality and the interplay of seeming opposites by harmonizing elements of light and shadow in a unique synthesis. Duncan is able to combine Cubist structures with the angular forms of geometric abstraction, and the result is a kind of 3-D form-follows-life design that is both playful and poetic. The piece, which is made of wood and mirrors, is positioned on two legs and is oriented so that the viewer faces the piece head-on. Duncan utilizes mirror images to create a tension between the two-dimensional figure and the three-dimensional reflection of the figure. The mirrored figure is seen in relation to the two-dimensional figure, and mirrors act as both elements and opposites, becoming one and the same. The piece is constructed around a central mirror that is also a reflection, and the two-dimensional figure is seen from the rear and the three-dimensional reflection is seen from the front. The viewer is forced to look at the piece from a frontal position, and the two-dimensional figure is seen from the front, which is mirrored in the work. The result is that the piece is a three-dimensional sculpture, and the two-dimensional figure is a three-dimensional reflection of the two-dimensional figure.In this work, Duncan has taken Cubism to a new level by creating a sculptural form that is more akin to a two-dimensional model. The work is constructed around a central mirror that is also a reflection, and the two-dimensional reflection is seen from the rear and the three-dimensional reflection is seen from the front. The work is constructed around a central mirror that is also a reflection, and the two-dimensional reflection is seen from the rear and the three-dimensional reflection is seen from the front. The mirror image becomes a three-dimensional reflection, and the two-dimensional reflection is seen from the front and the three-dimensional reflection is seen from the rear. The result is that the piece is a three-dimensional sculpture, and the two-dimensional reflection is a three-dimensional reflection of the two-dimensional sculpture.

Result #3

Polarity is an abstract sculpture by Michael Duncan featuring elements of cubism and angular sculpture art. This work explores themes of duality and the interplay of seeming opposites by harmonizing elements of light and shadow in a unique synthesis. The work consists of three aluminum pieces, each comprising a central aluminum frame that supports a single rectangular aluminum panel that is itself a cube. The pieces are suspended from the ceiling and are drawn into a system of spiral-like shadows, which intersect at various points and are traced onto the floor. The shadows are accompanied by a single, large, black, and white photograph of the artist. The photograph depicts the artist in various states of undress, including standing on a bed, which is also the ground of the work, and in a pose that emphasizes the pose of the artist. The photograph is then covered over with a single black plastic sheet that is the support for the triangular aluminum frame. The triangular aluminum piece is suspended from the ceiling in a manner similar to a torsion chair, while a black sheet of paper is suspended from the ceiling in a similar manner. The black sheet of paper is covered with a series of ink-black drawings of a figure, including a face and an eye. The drawing of the face is covered with a black plastic sheet, while the eye is sketched out with a pencil. The black paper is then lifted up and down on the black plastic sheet to expose the drawing beneath. The black drawings, which are in fact the drawings of the artists own drawing, are represented by a black, white, and gray grid that is covered with a black and white drawing of a face, which is covered over with a white drawing of an eye. The black and white grid is traced onto the gray paper and is finally covered over by the white drawing of an eye. The black and white drawings of an eye are also covered over by a white drawing of a face, but this time the face is drawn with a white pencil and the drawing is a hand-drawn version of the face. The black drawings are clearly the outlines of the white drawings.

Result #4

Polarity is an abstract sculpture by Michael Duncan featuring elements of cubism and angular sculpture art. This work explores themes of duality and the interplay of seeming opposites by harmonizing elements of light and shadow in a unique synthesis.A few of the works in this show were made of metal-and-wood slats, each of which was cut into a series of thin strips and arranged in a grid-like pattern. The slats were made of wood and painted a rich, luminous green, and were laid out on the floor in a wide, triangular formation, each slit by a single, thin, horizontal cut. This arrangement evoked a number of objects from the past, including a stack of vases, a chair, a rope, and a flashlight. The work is both fragile and sturdy; it seems more like a large piece of wood and a sturdy construction, which in turn evoked a number of objects from the past. These elements form a triad, whose symmetry is reminiscent of Minimalist sculpture.In this installation, the wood strips were cut into an elongated grid, and the slats were arranged in a series of overlapping patterns. The work evoked a number of objects from the past, including a chair, a rope, and a flashlight. The grid pattern evoked a number of geometric objects, including a circle, a cross, and a heart. The grid was a recurring element in the work, suggesting a series of disjunctions, which were interpreted by the viewer as a harmonious whole. The grid was also used as a unit of division, as in the small, white, heartlike piece that hangs on the wall. This heart-shaped piece was covered with a transparent layer of black cloth, and a series of mirrors was placed on top of the cloth, creating an irregular pattern of reflections. The grid of the heart was composed of strips of wood, each of which was cut into a different pattern. The heart, which was decorated with a strip of red cloth, was divided into three parts, which were arranged in three different patterns. The three smaller sections of the heart reflected the patterns of the other two smaller pieces.

Result #5

Polarity is an abstract sculpture by Michael Duncan featuring elements of cubism and angular sculpture art. This work explores themes of duality and the interplay of seeming opposites by harmonizing elements of light and shadow in a unique synthesis. The piece consists of four large light-filled square boxes that are filled with glassy-white orchid leaves. The leaves are arranged in a grid pattern, creating a kind of geometric landscape in which one can read the overlapping shapes as two or three leaves and as a single flower or as an image of a man. The resulting image is a kind of composite landscape, a landscape in which two contradictory qualities are revealed: that of the image and of the landscape itself.The piece is composed of two large, black, aluminum-framed panels that each contain a similar image of a leaf. Each panel is composed of two glass-covered aluminum panels that are joined at the top and bottom. The two sides of each panel are filled with white plaster, and the top and bottom halves of the aluminum panels are covered with a light-blue plaster. The image of the man, seen from the side, appears to be the same as the image of the woman, who is seen from the front. The idea of duality is further explored in the two other large pieces. In one piece, a white plaster sculpture of a womans head floats on a black-painted, Plexiglas-covered background; the female image of the head is reflected in the two black panels. In another work, two aluminum pieces that resemble a collage of collages are placed side by side on a black-painted, Plexiglas-covered background. The collage itself is composed of two similar images of a womans head: one is a collage of collages, the other a collage of collages. The two halves of the collage are covered with the same plaster, and the two images of the womans head appear to be two collages. This duality is further explored in a small work consisting of two aluminum panels that are placed side by side, one on the wall and the other on the floor.