Interpretation of banksy art work girl catching ashes as a snow

Result #1

Interpretation of banksy art work girl catching ashes as a snow shovel, 2008, Bohns large-scale trompe loeil wall drawing of a series of gaping holes into an inky blue watermelon with a muffled memory of childrens game plays, 2011, included text on a website that informs us that she dug the hole as a joke, then covered the holes with globs of white plaster, spattered with blood, and returned to New York to pick up the bucket. Painted on the wall below the hole were the words, Contaminated. I did not ask for this work to be seen. Disgusted. Now Im leaving. (Forbidden) Had the thought occurred to me that I was putting this onerous writing/making, aching to write it all back, back in the wrong place, but with my little conscience intact. But that was the opposite of bad, and I also realized that this was not my most natural gift. Like David to Harry, I make mistakes. I am no less a fool. (It was easier to write off my own art and the library, he notes, but, as the poet Richard Butler argued, one can never be too careful.) In 2011, Bohn began a series of photography workshops with Laurie Simmons, a former painter, as a way to learn how to read the object as an image. She taught the young artist to read all the way down from the top of the photograph, to listen to all the sounds of the grinder and saw. These two years later, Bohn is back in Los Angeles and again, this time to teach at the university where Simmons teaches, CalArts.Two other galleries were at Los Angeles County Museum of Art (where Simmons teaches) and the Los Angeles County Museum of Art (where Bohn was recently featured in a group show with LACMA).

Result #2

shovel on the ground has gone far beyond the caricature of a cynical retreat to clichés. The effort is more genuine, demonstrating that any initiative is worthwhile and worthy of scrutiny. While many art scenes are still haunted by the evils of currency, here, with the recent oil paintings by Ali Subotnik, the time has come for the resurrection of crude art.

Result #3

Interpretation of banksy art work girl catching ashes as a snowball. The trick has some similarities with the 1958 story The Art of Isidore Ducasse, in which a teenage girl is mistaken for her mother, a member of the Albatross band, by the same artists. In Ducasses tale, the girl throws a snowball at the painter, as if to praise him for his quick wit. She then realizes shes been hosed by the artist, who has cut off her nose to say hi. This is the subject of Patrick Rogersons oeuvre, from the sun to one of the artists favorite motifs, Jesus Christ, who, as the saint, finds himself at the cross of the cross with the woman who picks him up, a flying Madonna. In the epicenter of the sea of love, what used to be a donkey is now a angel. As he sits on the top of a hill, with his hand between his eyes, he is made to seem a good Samaritan by the woman, who knows his betrayal. The object of her love is no longer Christ, but a female angel. The painter, then, is not only making her the innocent of the people, but also he who is, albeit by the hand of fate, destined to suffer a painful resurrection.Heroes and villains, rather than angels and monsters, are a recurrent theme in Rogersons work. In the South Bronx, the painter completed the engagement, or crisis, of his relationship with a woman by delivering her the white guano she was wearing, which he used as an index of the affective bond he felt with her. In today's world, a party is less about socializing and partying than it is about spiritual dissolution. On the surface, Rogersons valorized gift is the princess of the assent of angels. On the other hand, the artist is the man whose red cross was used to locate the cultural rubble and oblivion of the past in the present.

Result #4

shovel in a mall in the winter. Such a notion, however, is juxtaposed with the work of an artist who is also known for his radical conceptualism. This self-reflexivity becomes an important point of reference for the process of assimilation.I cant easily recall a work that so chides art that includes such a complete break with the sense of conventions and codes of behavior. Still, in the end, Im only amazed by what Ive seen and not by how much it might inspire others to work in such a way as its various parts have been identified. The change from one extreme of art to another may be helpful.

Result #5

fall is too sentimental for my taste, but its not too much a stretch to imagine that this kind of fixation can be found at any cultural level. An example of a strange abstraction, the transparent oil on canvas Deviant Practices—most of which was done in low relief and meant to be admired, as if this were an art in itself—was a perfect example of such a view, but that doesnt really make it any less expressive, just a good cartoon.And yet, most of the paintings are pretty good, and even when theres a breakdown, its all right to recognize how effortlessly the artist draws with a brush and uses a broad brush to make even that tough stuff look good—a wonderful and rewarding achievement, and one thats great to behold. And in contrast to all the academics who have been ready to walk you through the action of certain pieces, hes just been there.