A king on his throne
Result #1
A king on his throne (The King on the Throne), 2007, in which the artist sits in a chair and holds a gun to his head, is another piece. The subject is a love letter, the text a love poem, and the letter a love poem. Here, as in all the other works, the artist has added his own touch of irony to the love letter, suggesting that it isnt a love letter at all, but a fake love letter. In this work, we see the hand of the artist as the king in the hand of the king, the gesture of an old man, who, in his sad lamentation, is remembering his old self.But the same old self, the same old love, is also a fake love letter. The letters are not real love letters. They are not letters at all, they are computer-generated images of a face. The image of a face is a virtual image. And yet, for the artist, the face is a surrogate, a substitute for the real thing, a kind of representation of the real. The face is a representation of the real, but the real is also an image of the real, and the artist can use that image to depict the real. But the real is also a representation of the virtual, and the virtual is also an image of the real. Thus, the artist is depicting the virtual face of the real, but it is also a representation of the real. The virtual is also an image of the virtual, and the virtual is also an image of the real. The artist presents the image of the virtual, but the image is also the image of the real. Thus, the image of the virtual is also a representation of the image of the real, and the virtual is also an image of the real.The artist, then, is showing us a world where the real is represented as an image of the real, and where the real is also an image of the virtual.
Result #2
A king on his throne has a belly like a duck, a face like a skull, and a neck like a hoof. His right hand is in a hand sign, and the top of his head is a cross with the word fuck written on it. He has a penis, and is holding a glass of wine. The moon behind him is full, and the devil is wearing a crown. He is holding a knife. The devil is holding a knife. The king has a moustache and black sunglasses, and he wears a black-and-white striped shirt with a white collar. He has a handkerchief in his mouth. The king is holding a crucifix. The devil is holding a knife. The sun is full. The devil is holding a knife. The moon is full. The king is holding a crucifix. The devil is holding a knife. The moon is full. The king is holding a knife. The devil is holding a knife. The sun is full. The devil is holding a knife. The moon is full. The devil is holding a knife. The sun is full. The devil is holding a knife. The moon is full. The king is holding a crucifix. The devil is holding a knife. The sun is full. The devil is holding a knife. The moon is full. The devil is holding a knife. The moon is full. The king is holding a crucifix. The devil is holding a knife. The sun is full. The devil is holding a knife. The moon is full. The king is holding a crucifix. The devil is holding a knife. The sun is full. The devil is holding a knife. The moon is full. The devil is holding a knife. The sun is full. The king is holding a crucifix. The devil is holding a knife. The sun is full. The devil is holding a knife. The moon is full. The devil is holding a knife. The moon is full. The king is holding a crucifix.
Result #3
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Result #4
A king on his throne vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vernacular vern
Result #5
A king on his throne - the artwork was an installation of a one-to-ten-inch scale replica of a king on his throne. This piece was placed in the gallery and could be seen from the outside as a series of nine panels, with each panel eight inches square and each panel showing a figure from the artists life. Each panel was made of light-colored aluminum and was painted a glossy black color. The size of each panel was ten feet square. The twelve panels in this installation were arranged on the floor in a pattern of nine and a half inches across, with each panel showing a portrait of a different person. The artist made these portraits using a computer and a computer-generated print of the person. Each portrait was created by taking the portrait of the person he or she most admired and dividing that figure by that of the person he or she most wished to be. The resulting portrait was then compared with the portrait of the person he or she most admires. The artist then divided the resulting portrait by the number of people in the painting. The resulting portrait of the artist was then divided by the number of people in the painting.The artist asked the person he or she most admires to name his or her favorite painter. The person chosen was then divided by that painter into two groups, one showing the most recent painting, the other showing the most recent work. The artist then divided the resulting portrait by the number of paintings shown in the painting in which the person he or she most admires most was shown in the most recent work. The resulting portrait was then divided by the number of paintings shown in the painting in which the person he or she most admires most was shown in the most recent work. The artist then divided the resulting portrait by the number of paintings shown in the painting in which the person he or she most admires most is shown in the most recent work.
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