Review | Junior Zamora, es un...

Generated on 2024-02-09 01:43:23

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Junior Zamora, es un musico, compositor, cantante, productor, arreglista y multi instrumentista de Cali (Colombia), que desde el R&B latino encuentra el lugar para presentar su propuesta y universo sonoro; y a su vez, enunciarse como una de los propuestas mas importantes en Latinoamerica. En el 2023, el artista nos revela DRAMA Vol 1, 2 y 3. Una trilogia sonora con la que el artista continua en su apuesta creativa con miras de auto proponerse nuevas e interesantes maneras para hacer parte de la conversacion musical. Ahora, en el 2024, el artista inicia el ano siendo parte de la seleccion "Artists Watch 2024" by Spotify, al igual que el listado "19 Latin Artists We're Rooting 2024" by Rolling Stone y junto a lo anterior, prepara su segundo album de estudio. —Michael Alvarado. Photo: R. M. Sunter. And I thought that the first edition of the Popular Art Congress would be a great opportunity to look at the work of the most important artists in contemporary culture today, the most exciting artists in the world, and at the last conference I ever went to, he said in a 2004 interview with fashion critic Claudia Muñoz. The response was an enthusiastic one: five hundred art and design students who attended the first congress, to which he was the curator. He was also on the first magazine I ever ran, and I gave a very good overview to the work of twenty-five artists, including Enrique Iglesias, Nonna Bufo, Marcel Broodthaers, Paul McCarthy, Dan Graham, Cézanne, Georges Mathieu, and, above all, Paul McCarthy, the leader of the avant-garde movement that he helped initiate.The twenty-first congress was held in Los Angeles, the state of which, like California, has a complex relationship with the history of art and design, and in particular with modernism. I was not surprised by the consensus: The first catalogue of the 200-plus artists featured in the document was organized by Curator Julianne Albright, and it was undoubtedly the most diverse in its diversity. But it was also the most focused, with only a few of the artists chosen, including Alvarado, Bjørn Erik, and Leandro Massimo, curators Robanna Gindin, and designer Camille Cien—two artists whose work was often ignored or ignored by their peers.Gindin, with his carefully considered interviews with Alvarado, and David Bowditch with his ethnographic research and his comparative studies of Latino and African American modernism, effectively set the tone for the entire event.

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Junior Zamora, es un musico, compositor, cantante, productor, arreglista y multi instrumentista de Cali (Colombia), que desde el R&B latino encuentra el lugar para presentar su propuesta y universo sonoro; y a su vez, enunciarse como una de los propuestas mas importantes en Latinoamerica. En el 2023, el artista nos revela DRAMA Vol 1, 2 y 3. Una trilogia sonora con la que el artista continua en su apuesta creativa con miras de auto proponerse nuevas e interesantes maneras para hacer parte de la conversacion musical. Ahora, en el 2024, el artista inicia el ano siendo parte de la seleccion "Artists Watch 2024" by Spotify, al igual que el listado "19 Latin Artists We're Rooting 2024" by Rolling Stone y junto a lo anterior, prepara su segundo album de estudio. ********** This month, the 2014 theme of an exhibition of work by artists featured in the current (2010–2015) biannual World Conservation International Biennial, will undoubtedly be art by women, whose lives are interwoven with those of their forebears. And yet, as this selected selection of more than a dozen works by a list of forty-six artists found its way to the exhibition space via the gallerys offices, curators and curators were hardly an introduction to the work. The vast array of disparate and ever-changing forms of existence and participation takes on a new importance in the latest of the biennials diverse offerings.The work presented in the exhibitions centerpiece, What We Are, concentrated on themes that are readily identifiable, but are frequently relegated to the periphery. First up was the biennial pavilion, a rectangular rectangular structure that, while formally imposing, could only be described as an urban backwaters. It provided a vantage point from which to view works by São Paulos early-twentieth-century artists. An innovative spatial reversal also suggested the history of a setting from which the exhibition took off. The pavilion featured works by both the Haitian and Brazilian revolutionary movement, with its different philosophical and social currents. A close-up of the anarchist Rudolf Gaytanis La núcleo (The Noose), 1924, from the perspective of the Haitian-born gay activist, is a rousing illustration of the struggle of the gay community, who were subject to unjust laws. Deftly expressing this struggle, Gaytanis provocative piece—which the artist presented as a reference to the noose—exhibited an artful sense of humour. Gaytanis subversive rhetorical statement, also addressed the political relevance of Gayts own life.

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Junior Zamora, es un musico, compositor, cantante, productor, arreglista y multi instrumentista de Cali (Colombia), que desde el R&B latino encuentra el lugar para presentar su propuesta y universo sonoro; y a su vez, enunciarse como una de los propuestas mas importantes en Latinoamerica. En el 2023, el artista nos revela DRAMA Vol 1, 2 y 3. Una trilogia sonora con la que el artista continua en su apuesta creativa con miras de auto proponerse nuevas e interesantes maneras para hacer parte de la conversacion musical. Ahora, en el 2024, el artista inicia el ano siendo parte de la seleccion "Artists Watch 2024" by Spotify, al igual que el listado "19 Latin Artists We're Rooting 2024" by Rolling Stone y junto a lo anterior, prepara su segundo album de estudio. Sedón las manos pianos (These Are the Musicians Piano Lessons), 2015, at the Museu de Arte Contemporani de Barcelona, is a series of slides by ten years of contemporary Latin American art to be premiered this past April in six public venues. The installation was inspired by the artists guide to the performance of performance art.The slide show, which was first presented at the Centro de Investigaciones Biógrafo de Barcelona in 2014, provides a nonchronological overview of the artworks of ten Latin American artists who have been chosen by the Museums curator in the past decade to perform at the museum. The artist lists the name of each artist in alphabetical order and then compares them with the drawings they have produced. Each artist is described by the title of their work: Diana Fuss, for example, whose paintings on paper were recently on view in the Museu de Arte Contemporani de Barcelona. The Zapata brothers, from Mexico City, are very interested in the history of cinema, where they are studying to be the first director of the cinema library at a college in Mexico City. Daniel Vila, the youngest of the Zapata brothers, was one of the first young artists who made the connection between painting and music. His recent show was inspired by Vila, whose visual vocabulary has more to do with the camera movements than with the movements of the picture plane. The Zapata brothers are all about the past, and they know that there is a significant difference between the movements of the human body and those of the light. The Zapata brothers, like the others in the series, were attracted to the ephemera of popular culture that exist in all our daily lives. In their work, popular culture is as much about repetition as it is about innovation. Niquela da Péngno, for example, keeps repeating the title of a paint splattered on her canvas.

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Junior Zamora, es un musico, compositor, cantante, productor, arreglista y multi instrumentista de Cali (Colombia), que desde el R&B latino encuentra el lugar para presentar su propuesta y universo sonoro; y a su vez, enunciarse como una de los propuestas mas importantes en Latinoamerica. En el 2023, el artista nos revela DRAMA Vol 1, 2 y 3. Una trilogia sonora con la que el artista continua en su apuesta creativa con miras de auto proponerse nuevas e interesantes maneras para hacer parte de la conversacion musical. Ahora, en el 2024, el artista inicia el ano siendo parte de la seleccion "Artists Watch 2024" by Spotify, al igual que el listado "19 Latin Artists We're Rooting 2024" by Rolling Stone y junto a lo anterior, prepara su segundo album de estudio. The thirty-seven artists in this exhibition had already received their music in the '80s, but the twenty-first year of this millennium seemed to belong to the '60s. In contrast to the work of such artists as John Cage, James Lee Byars, and Richard Prince, which was usually reported as unreadable, this show had to do with the personal, artistic, and formal exploration of a variety of subjects and approaches to cultural interaction. At the same time, there was a strong popular appeal to each piece, so much so that it could not be ignored, even if the audience could only guess at the themes and their lyrical, visual, and narrative associations. Thus, the larger of the exhibitions was presented in the form of a black-and-white, double-flowered wooden box. The images were arranged in a grid; the grid was followed by a single black-and-white photograph. The exhibition was titled I think that things are better in this country. And as the boxes wall text said, I like being at home in a box.So what did the people who decided to have their own music in the exhibition really mean? According to the organizers, the show was about the personal, personal, and artistic approach to cultural exchange in a time of accelerated globalization, and the ability of the artist to lead a cultural life without relying on external institutions. The exhibition featured works by forty-seven artists: paintings, sculpture, performance, photography, installation, video, video, and so on. But the visual experience was the most significant element. Just as the different meanings of the symbols employed in various art-historical works can be discerned, so can the meaning of the music. For instance, the series of multi-dimensional sculptures by Jannis Kounellis, Jannis Kounellis, 2018, which consist of a typical Kounellis-like sculpture, is named after his first solo exhibition in the UK.