Marianne McGinnis is an American artist working in the expressionist and Fauvist style.

Result #1

Her work has a strong, expressive, and poetic presence. Her paintings are brightly colored and filled with life. She paints in a painterly style similar to that of the 19th century American abstractionists. She has an exquisite sense of color and a vivid, expressive brush. She is an outstanding draftsman. She is a lover of history and of the past. Her works are beautiful and delicate. She is a passionate and poetic painter.

Result #2

Marianne McGinnis is an American artist working in the expressionist and Fauvist style. She is influenced by the early 20th-century artists of the same period. She works in a wide range of media: oil paint, acrylic, and acrylic-based painting on canvas. She has an extensive knowledge of popular culture and a keen eye for detail. Her work is rooted in a certain, vaguely naive approach to the medium. Her paintings are made up of the following elements: heads, legs, and arms, generally in muted colors, usually against a white background; the head is a kind of puckered, or sometimes a mosaic, but on the whole it is a flat, dark field; the legs are often painted black, or with a yellow or red-orange border; and the arms are usually made of canvas. The canvas background is usually a horizontal black stripe, sometimes a white one, but often black with a yellow or red-orange border. These elements are often applied in a broad, almost abstract, brushstroke and often are used to create a kind of in-between look. The colors are usually very muted, and sometimes are used in a very personal way.In the past, McGinnis has made very personal, very abstract paintings which have been shown in San Francisco. In the present show, she is working in a more abstract style, but she is still concerned with the subject matter. She is using a kind of flat, matte black ground. The black ground is painted black, and the colors are usually dark or muted. The black background is usually a horizontal stripe or a mosaic, and on occasion is painted white. The colors are usually muted, and sometimes are used in a very personal way. In the past, McGinnis has made very personal, very abstract paintings which have been shown in San Francisco. In the present show, she is working in a more abstract style, but she is still concerned with the subject matter. She is using a kind of flat, matte black ground.

Result #3

Marianne McGinnis is an American artist working in the expressionist and Fauvist style. Her work is based on a single color, black and white, and is made up of elements of the original image: in one instance she has used a black background to represent a white face and in another, a black surface. She creates her images by drawing on canvas, applying paint and a brush, and then using the paint to produce a work that is as much about the process of making as it is about the image itself. The images are often elaborate and elaborate: they are often full of detail, as if they were made by hand, or, at the very least, by someone who has spent considerable time and effort on the image.The work in this show was mostly made up of a group of eight pieces that were all based on a single image. The pictures were arranged in a grid and hung on the wall in a series of three rows. In one work, a white, square canvas was divided into four squares, each with a black outline. On one side of each square, a rectangle of paint was drawn on and set on the canvas, and on the other side, a red and white rectangle was drawn on and set on the canvas. The red and white rectangle formed a kind of border, and the black background was drawn across the bottom edge of the painting. The black surface and the painted border were arranged in a grid, forming a sort of pattern. A series of smaller, rectangular pieces were arranged in a similar way, but there was no border or pattern. The drawings were done in black and white, and the painted borders were drawn in black and white.The eight pieces in the show were made up of four different images. Each image was a separate composition, each comprised of four distinct parts, each one composed of a single color. The paintings were divided into two groups: one was composed of four rectangular paintings, and the other two were based on four different images.

Result #4

Marianne McGinnis is an American artist working in the expressionist and Fauvist style. She has painted in two different styles in the past, each of which involved an attempt to make a surface of solid color. In one of her earlier paintings, she painted a mostly white ground, the resulting color being based on the colors of the shadows cast by her own eyes. The shadows in these paintings are less than solid, and the surface of the paintings is never solid, although it has been painted with an opaque, transparent, or opaque material.The new works in this exhibition are based on a similar material, but the surface is not as solid as it was before. The colors are also more muted and it is difficult to see them clearly. The surface of the paintings is always a mixture of dark and light colors. The surface of the paintings is also a surface of a single color applied to a single surface. The surface of the paintings is always an object, but the surface is not the same color as the ground. The surface of the paintings is a kind of surface, which has a surface texture. The surface is not a mixture of surface and object, but an object that has a surface texture. The surface of the paintings is not a surface of solid color but a surface of a single color applied to a single surface. The surface is not a surface of solid color but a surface of a single color applied to a single surface. The surface is not a surface of solid color but a surface of a single color applied to a single surface.The surface of the paintings is always a mixture of dark and light colors. The surface is not a mixture of surface and object, but an object that has a surface texture. The surface of the paintings is not a surface of solid color but a surface of a single color applied to a single surface. The surface of the paintings is not a surface of solid color but a surface of a single color applied to a single surface. The surface is not a surface of solid color but a surface of a single color applied to a single surface.

Result #5

Marianne McGinnis is an American artist working in the expressionist and Fauvist style. She is a member of the California Academy of Fine Arts and has taught in several of its courses. She is the author of several books on Modernism, including the classic A Short History of Modern Art, which was published in 1932.She first gained recognition in the early 1950s for her work in the Bauhaus. She had studied with the Bauhaus director, Georges Braque, and later with the French avant-garde group, the Légers. Although the Bauhaus school is usually associated with the artistic and intellectual development of the French avant-garde, McGinnis was involved in the avant-garde of social and economic life. She helped found the Socialist International, the International Socialist Institute, and the International Socialist Institute for Social Art, among other groups. After the war, she continued to be involved in the avant-garde. After a year of working with the avant-garde, she became involved in the avant-garde of art.In 1958, McGinnis began her work in the form of paintings, drawings, and collages. Her work has remained consistent for more than twenty years. The new works are reminiscent of the traditional abstract works of the time. The new paintings are less concerned with the symbolic than with the conceptual. The new drawings are still based on the same concept but are no longer based on the drawing. McGinnis uses the same technique and technique as the previous work, but she has changed her colors and her subjects. Her earlier work involved the use of pencil lines to describe the outlines of forms, but in the new work, the lines are often drawn in a variety of different hues. The colors in these new works are lighter, less saturated, and more reflective. The colors are more varied, and the shapes are more subtle. The new drawings are more complex. They are based on different colors and on different shapes.