Chinese-Korean musician, performer, and businessman Jason Gao enters the contemporary art world with his exhibition, "Hunter". The exhibition revolves around an ex-lover bearing the same name, and utilizes various forms of media.

Result #1

Chinese-Korean musician, performer, and businessman Jason Gao enters the contemporary art world with his exhibition, "Hunter". The exhibition revolves around an ex-lover bearing the same name, and utilizes various forms of media. The video, a performance, and the installation are all video-based, and all use the same editing. Gao performs in front of a video screen, during which he talks to the camera and talks about his past experiences with Chinese women. The video is a very intimate and private one. He begins by reading a letter he wrote to himself to express his feelings about a Chinese woman. He then presents himself to the camera, talking about his experiences with the woman and expressing his gratitude for her affection. In the performance, the camera is placed on Gaos back and he is placed on a sofa, where he is invited to sit and converse with the camera, as well as with the audience. In the end, he is asked to leave the stage. Gao refuses and the performance continues. During the performance, the camera is moved to his ear and it remains there for the duration of the performance. Gaos voice-over recites his letter to himself and then to the audience, and it is a sincere and profound thank you. In the end, Gao leaves the stage, as if he had given up on the performance and felt that it was not quite necessary. A few minutes later, the camera is moved to the back of the stage and the performance continues. It is a completely different kind of relationship. The two sides of the stage are separated by a large partition and Gao is the only one allowed to enter the other side. He sits on the partition and looks at it from behind it. He is the only one allowed to move between the two sides. He then asks the camera to move on him and it does so. He sits on the partition and looks at it, but then he looks at the camera and it moves on him. The camera is finally placed on the other side and the performance continues. In the end, Gao leaves the stage. The audience applauds him and he walks away.

Result #2

Chinese-Korean musician, performer, and businessman Jason Gao enters the contemporary art world with his exhibition, "Hunter". The exhibition revolves around an ex-lover bearing the same name, and utilizes various forms of media.  The exhibition is divided into three parts, each with its own curator and curator. The first section, titled The Age of the Art World, is dominated by a large number of art-world veterans, including Gao, Jimmie Johnson, and Bruce Nauman. There are also a few artists from outside the art world (Michael Elmgreen, Leon Golub), and a number of artists who have worked in the gallery space for years (Papir Koons, Haim Steinbach, etc.). The final section, The Death of the Art World, consists of a book, an installation, and a performance. The book, titled Age of the Art World, contains interviews with the curators and a chronicle of events. The book is also divided into three sections, each with its own curator and curator. The first section, titled The Age of the Art World, is dominated by a large number of art-world veterans, including Gao, Jimmie Johnson, and Bruce Nauman. There are also a few artists from outside the art world (Michael Elmgreen, Leon Golub), and a number of artists who have worked in the gallery space for years (Papir Koons, Haim Steinbach, etc.). The final section, titled The Death of the Art World, consists of a book, titled Age of the Art World, contains interviews with the curators and a chronicle of events. The book, titled Age of the Art World, contains interviews with the curators and a chronicle of events. The book, titled Age of the Art World, contains interviews with the curators and a chronicle of events. The book, titled Age of the Art World, contains interviews with the curators and a chronicle of events. The book, titled Age of the Art World, contains interviews with the curators and a chronicle of events.

Result #3

Chinese-Korean musician, performer, and businessman Jason Gao enters the contemporary art world with his exhibition, "Hunter". The exhibition revolves around an ex-lover bearing the same name, and utilizes various forms of media. This piece is a dance piece performed by Gao in the gallery space in a variety of different ways. The piece consists of two parts, a dance floor and a stage. On the floor there are six black leather chairs, each with a different chair attached to it. At the center of the chairs is a white leather hand chair. At the end of the chairs is a white leather table with a white leather hand chair. The first part of the piece is a traditional dance floor. The chairs are made of leather, and they are arranged in such a way that the seats are parallel to the floor. In the second part of the piece, Gao has replaced the leather chairs with a wooden one, placed directly next to the leather one. He has also replaced the white leather with a white chair, placed directly next to it. This chairs position is that of the viewer, and it is a neutral position, which is supported by the wooden chair. This position is supported by the white leather hand chair and by the wooden chair.The first part of the piece consists of a black leather chair, but the seat is removed, and the chair is placed on the floor. The first thing that one sees upon entering the gallery is the chair, which is a white leather chair, placed on the floor. The two chairs are connected by the chair and leather, so that the chair and the leather are in a position of opposition. In the first part of the piece, the leather seat is suspended from the chair, and the chair is supported by the seat. The second part of the piece consists of a white leather chair, but the seat is not suspended from the chair and the leather seat is supported by the chair. The second part of the piece consists of a white chair, but the chair is not on the floor and the leather seat is supported by the chair.

Result #4

The exhibition, which was conceived by Gao, includes photographs, drawings, sculptures, video, and installations.Gao has long been interested in the history of art in China, and his approach to the exhibition is part of that. He has a particular fondness for old-master paintings and the paintings of the artists of the past. He also collects old Chinese ink-and-dry pigment reproductions of the past. The majority of the works on display are small paintings in oil and acrylic on paper. They depict contemporary artists, and their subjects often seem to be in the midst of making their way through the streets. One finds familiar faces, from the artists of the past, such as Zhang Huan and Wei Wei, to contemporary artists such as Liu Xing and Yan Xiaojuan. The artists who most closely resemble Gao are Liu and Yan, both of whom are still young. Liu has been exhibiting for several years, and Yan is a graduate student at the academy of art in Beijing.Gao has worked in China for a long time, and he has shown in numerous exhibitions. He has been involved in several collaborative projects with artists, including the Beijing Biennale in 2007. In this context, the exhibition becomes a kind of mini retrospective, as the artist seeks to bring together the past and present with the future, and with the possibility of finding common ground between the two.

Result #5

Chinese-Korean musician, performer, and businessman Jason Gao enters the contemporary art world with his exhibition, "Hunter". The exhibition revolves around an ex-lover bearing the same name, and utilizes various forms of media. The installation consists of a video (all works, 2010), a photograph, and a drawing. The video, titled No need to talk, is a monologue by the artist. It begins with a voice-over in which he questions his own actions and asks himself how to define the relationship between art and life, between art and the audience. He then goes on to describe how he feels living in the world in the middle of a war zone, how he feels that his actions, even the ones that seem ordinary, are proof of his political consciousness. He also feels that his actions are political because they are the direct result of his conversations with his former lover, the artist and musician Jason Gao. The video is divided into three parts: the first part, in which the relationship between the two is shown in a private moment; the second part, in which the video is divided into two separate films; and the third part, in which the video is divided into two separate installations, each a separate room. These latter, in a sense, constitute the three parts of the exhibition, which, in their simultaneous totality, constitute a single work.The video, titled No need to talk, opens with the voice-over of the artists voice as the two are seen speaking, both in the presence of each other and in the privacy of a darkened room. Gao, dressed in a leather jacket and jeans, stands with his hands on his hips. He speaks in a monotone, in a sort of voice-over, and in a monotone, because he is speaking in a monotone. He also speaks, however, in a monotone, which means that his voice is being recorded. He also speaks in a monotone, which means that he is being videotaped. The video begins with the artist, in a sort of impersonal voice, as he speaks to Gao and the other musicians.