create a hero portrait for country Pakistan

Result #1

create a hero portrait for country Pakistanis. A video showed a person, covered in a burkini, who is seen in a brief period of time before he is swallowed up by his surroundings. In a video, a man in a long black coat, a sort of mascot for the country, walks along the banks of the Ganges in his native village of Ganges, Indian. He is seen repeatedly, and, at one point, disappearing into the water. The video ends with the man being swallowed up by the surrounding water. At one point, he becomes completely invisible, only to reappear later as a small water spigot floating on a beach. In the next scene, the man disappears again, only to reappear a second later as a small, floating blue plastic water spigot. Finally, he disappears again, only to reappear a third time, this time as a small, floating blue water spigot. In this sequence, the man becomes a sort of character, a figure of the artist, the artist as figure. In a sense, the artist becomes a figure, as if he were a figure in a mask. The video ends with the man disappearing again, only to reappear a third time, this time as a small, floating blue water spigot. In this sequence, the artist becomes a figure, the artist as a figure, and the artist as a figure.The video was followed by a series of images of people wearing burkini-type garments. These pictures were followed by a brief period of time in which the burkini was visible only on the body, and the images were repeated over and over. The burkini became a visible sign of being present in the world, an act of resistance to the desire for identity. This video is a proof of how illusory identity is. The burkini, in fact, becomes a sign of the phantasmic, a sign of the impossibility of becoming a person.

Result #2

create a hero portrait for country Pakistan—while the other, a portrait of a child. The first is a photograph of a boy wearing a mask, the other a photo of a girl. The latter, a picture of a dog and a boy, are on the wall, as if a shot had been taken. The boy, who is a child, looks at the boy in a mirror, and the boy, who is a dog, looks at the boy. The boy is smiling, and the dog is on his back. The dog, the child, and the boy are all in the same room, facing the wall. The boy looks at the dog, and the dog stares at him. The boy turns to the dog, and the dog turns to him, and they kiss. The dog turns to the boy, and the boy turns to him, and they pull apart the dog and place it on the boy. The dog is a totem, and the boy is a totem. The dog is a totem, and the boy is a totem. The dog is a totem, and the boy is a totem. The dog is a totem, and the boy is a totem. The dog is a totem, and the boy is a totem. The boy is a totem, and the dog is a totem. The dog is a totem, and the boy is a totem. The dog is a totem, and the boy is a totem. The boy is a totem, and the dog is a totem. The boy is a totem, and the dog is a totem. The boy is a totem, and the dog is a totem. The boy is a totem, and the dog is a totem. The boy is a totem, and the dog is a totem. The dog is a totem, and the boy is a totem. The dog is a totem, and the boy is a totem. The boy is a totem, and the dog is a totem. The boy is a totem, and the dog is a totem.

Result #3

create a hero portrait for country Pakistan, which has been plagued by the assassination of its president.The exhibition concluded with the work of a dozen artists from the United States, including Andy Warhol, Paul McCarthy, and John Baldessari. These artists, along with two artists from the UK, had no direct contact with the subjects of the photographs, but were nonetheless captivated by the images. Warhols Self-Portrait as a Photographer, 1954, for example, is a self-portrait in which he stands on a beach, stares at his own reflection, and sits, like his father before him, on the beach. The work captures a moment of reflection that can be understood as a reflection on identity, a reflection on what Warhol calls his father. The work also speaks to the dichotomy of identity, the conflict between the authentic self and the persona that emerges from the artist. McCarthy, with his 1972 Self-Portrait as a Photographer, is also a self-portrait. This image, taken from a photograph he took of himself in his father's clothes, is taken as a self-portrait, and its mirror image in the gallery, too, is a self-portrait. But whereas McCarthy has a sense of the subject as a subject, Baldessari is less self-reflective. In this piece, he uses a collage of photographs taken from his own work to show the mirror image of his father. The collage includes a photograph of himself in his father's clothes, a photograph taken from his own work of the same year, and a collage of photographs taken from Baldessaris father's work.The exhibition is a reflection on the increasingly blurred boundaries between art and life. In the twenty-first century, when the boundaries between art and life have become blurred even further, art and life need not be completely separate, but must remain in dialogue. The art of the future belongs to the artist, and the artist's art will remain as the work of art.

Result #4

create a hero portrait for country Pakistan. In this sense, the show was an allusion to the Taliban suicide bombers, who, in a cartoonish fashion, carry the flag of Pakistan as they do the flag of Afghanistan. The Taliban, however, are not responsible for the suicide bombing; Pakistan, the world's most populous nation, is. To the contrary, the country that has suffered most of the world's terrorism is the most secure, and the world has been the victims of its worst excesses. The country that has led the global battle against terrorism is the one that has been most responsible for bringing down the flag of the Islamic world. The Taliban was founded in 1979, and Osama bin Laden is now believed to be based in Afghanistan.In the midst of the terror crisis, Pakistan was granted a second life, or at least a second chance, as a result of the reconstruction of the countrys capital. The city of Lahore is home to a vast and complex infrastructure that is often in need of repair. The city, built in the 1950s in what was then East Pakistan, was torn down and rebuilt only last year. The reconstruction of the city is now planned to be completed in 2017. In its place, the new national capital will be constructed on the former East Pakistani city council, which was founded in 1971. The building will be made up of many different layers, including the traditional architectural frames and walls that have served as the symbols of national identity. The city council has also been asked to present a new vision of the countrys future, which will be determined by the people. The new capital will be a multi-ethnic city and its inhabitants will be overwhelmingly Muslim.The capital will be built according to a new Islamic architecture, one that is part of the belief that a society is not founded on the ground of a fixed place, but is built from the ground up.

Result #5

, in which the young man is dressed in a blue-and-white striped suit, which suggests the countrys unique tribal culture. The dress, which is a favorite motif of the countrys most famous artist, is also a reference to the traditional garb of the cave dweller. In the image, the artist reflects on the existence of a personal and universal language of communication, which is interwoven with the artist's own particularity, and in which the viewer is encouraged to be an active part of the cultural exchange. The cave dwellers are the artists own people, and they are also the subjects of a natural history museum.The exhibition was inspired by the fact that the artist was traveling through South Asia in the company of a local museum curator, when he first visited the city of Lahore. The curator was interested in the way in which the city is influenced by cultural traditions. He asked the artist to create a series of portraits based on the ideas of the curator. In the end, the artist created nine portraits, each one the artist's own. In these works, the artist's own identity is revealed to be the product of the curator and his or her audience. The artist is an active participant in the cultural exchange, and the work itself becomes the means for it.