There are too many Santas.

Result #1

The beauty of this exhibition is that it is the most diverse in the history of the show. Most of the Santas are from the west coast, and the works are virtually unknown in the South. It is a shame that this show has not been more widely exhibited. The works are too precious to be exhibited in the public places, and the public must be kept in suspense.

Result #2

There are too many Santas.  In this show there are almost as many Santas as there are people in the world, and even when the art is mediocre, the quality of the art is not.  Santo is not the most spectacular, most complex artist, but he is one of the most interesting, most interesting people to live.Santo: The Art of the Artists, a show of art by artists, historians, critics, and critics, is organized to examine how different the art of the art world is from the art of the real world.  The shows objectives are: to find out how different art is from the art of the art world; to find out how different art is from the art of the real world; to examine how different art is from the art of the real world. The shows purpose is to provide an overview of the art world, to examine how different the art world is from the art of the art world; to examine how different the art world is from the art of the real world; and to examine how different the art world is from the art of the real world. The museums and galleries do not participate in this work; they are not involved in the process. The work is organized according to a series of criteria: its origin and its relation to the art world; its content, its form, its contentness; its function, its functionlessness; and its subjectivity, its subjectivitylessness. This method of organizing the work allows the artist to formulate the problems he or she is faced with, and to identify the essential meaning of each work. In this way the work contains the essence of the artists problem. The artist must choose from among the possible forms of art, and he must choose among the possible meanings of his or her art. The works represent the essence of the art world; they are the products of the art world.

Result #3

There are too many Santas. This is a mistake. The first work of art is a universal language that must be understood. If you dont understand this, you will never understand art. This is true, as will the second work of art. In the second work of art, the message is the message. In the first, it is the message. In the second it is the message. In the first, it is the message; in the second, it is the message. As an artist, I am not trying to communicate anything. The message is the message; the message is the message. The message is the message. I am not trying to communicate anything. The message is the message. In the first, it is the message; in the second, it is the message. In the first, it is the message; in the second, it is the message. In the first, it is the message; in the second, it is the message. As an artist, I am not trying to communicate anything. The message is the message. As an artist, I am not trying to communicate anything. The message is the message; the message is the message. I am not trying to communicate anything. The message is the message. As an artist, I am not trying to communicate anything. I am trying to communicate nothing. As an artist, I am trying to communicate nothing. As an artist, I am trying to communicate nothing. As an artist, I am trying to communicate nothing. As an artist, I am trying to communicate nothing. As an artist, I am trying to communicate nothing. As an artist, I am trying to communicate nothing. As an artist, I am trying to communicate nothing. As an artist, I am trying to communicate nothing. As an artist, I am trying to communicate nothing. As an artist, I am trying to communicate nothing. As an artist, I am trying to communicate nothing. As an artist, I am trying to communicate nothing.

Result #4

There are too many Santas. And there is a lot of Santas—there is a Santa—at the Museum of Contemporary Art in New York. But like all good things, this Santa is an uneven mix, and it is all the more surprising because the museum didn't bother to make a catalogue of these works. There are, instead, four books on Santas by the Chicago Museum of Art, as well as a lot of information on the exhibition. (Two books, a poster, and a press release are included in the exhibition.)There is a lot of information on Santas in these books. A number of Santas from Chicago have been exhibited in the museums collections: W. A. Bachmann, George P. Baumgarten, Jim Nutt, and Frank Stella, among others; most of them are from the 60s, and many of the others are from the 70s. The older works are more art-historical than the newer ones, and tend to be more interesting: for example, the German artist Michael Frieds Silent Film (1947), which shows an effect of distortion in the shadow of the artist, is a pretty good piece of sculpture. (It is not difficult to imagine that Baumgarten may have been the first artist to offer a successful image to his art.) In the 70s, an art-historical parallel can be found in the American work of Carl Andres. Andres was a painter whose art made him an important figure in the art world of the 50s. Andres in his later work paints landscape scenes, sometimes in white, sometimes in dark greens, and sometimes in a lot of white. His early paintings were abstractions of colors, shapes, and structures that have become associated with abstract art. Andres is one of the most important of the abstract artists of the 50s, and his paintings of white and black, which range from simple geometric patterns to beautifully painted abstractions, are among the best of the period.

Result #5

There are too many Santas. . . . But what does a new Santas have to do with contemporary art? The answer to that is that they are not new, they are a curious and ever-varying feature of the art scene. To get from one new Santas to another is like the way an apple falls in three different directions at once, only to come back to the same point after being thrown into three different directions. The art scene is not a collection of familiar elements. Each of the new Santas is unique. This is not to say that there arent many fine Santas; but there are so many Santas, and they dont belong together. There are many beautiful Santas, but not many Santas beautiful.The beauty of the Santas is not only in their uniqueness, but in their unusual combination of elements. Each of the new Santas has a peculiar material. Some of the Santas are elaborately finished, while others are not. Some have a golden or satin finish, while others are finish-finished. Some have long, slender, narrow necks, while others have shorter necks. Some have ornate wooden panels, while others have none. Some have high-gloss wooden panels, while others have very low-gloss panels. Some have exposed-steel panels, while others have steel panels. Some have more ornament than most, while others have nothing ornamentally ornamented. Some have painted-steel panels, while others have painted-wood panels. Some have metal frames, while others have wood panels. Some have large and colorful patterns, while others have no patterns. Some have rectangular or triangular patterns, while others have rectangular patterns. Some have more than one color, while others have only one color. Some have wood-trimmed edges, while others have plain edges. Some have curved sides, while others have flat sides. Some have metal frames, while others have no frames. Some have large, colorful patterns, while others have only one pattern.