A TV stand made from cinder blocks and old wooden windows shutters

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A TV stand made from cinder blocks and old wooden windows shutters izont izont dimensionless dimensionless 2 dimensions two dimensions 3 dimensions three dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions dimensions

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alkyron

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étrate the windows, revealing a hidden interior that ran the length of the walls. The framed head of an owls perched on a bottle, the word incantator spellcheck printed in large letters across its cinder blocks, was superimposed over a text describing the sensation of hanging upside down in the dark. The secret is the feeling of hanging upside down.The show closed with a giant pink and yellow-green mosaic, Ugly, the last working work in the show, which ran through the end of the museum. With its palette of dark browns and oranges and its dark-green, bloody, bloodred surfaces, the painting evoked the surface of a gruesome scene. But one could not hurt an image with your eyes, the same way one could not inflict pain on a living thing.Andrea Tanner is a frequent contributor to Artforum.

Result #4

A TV stand made from cinder blocks and old wooden windows shutters (all works 2014) thrust the viewer into a visually jarring and cinematic encounter with the work of the artist Susanne Rosenberg, an international figure in the field of memory art and an accomplished filmmaker. To this, the modernist aesthetic framework that had been introduced to Berlin thirty years earlier by Per Kirke and Wolfgang Laib—a tradition whose roots trace back to the early 90s but whose varieties and styles of media are today a vast and diverse variety—was reintroduced in a new and more organic form, one that is as much a part of the local aesthetic culture as it is a product of it.The show contained six large-scale pieces of memory art that ranged in size from smallish to monumental. One of these, of an early-to-mid-twentieth-century feel, is a pair of granite sarcophagi, a large piece that serves as a poster for a series of fictional documentaries on the elderly populations of the city. The sarcophagus is made of clay and marble, each of which bears a physical signature, while the accompanying text on each sarcophagus refers to a person from the film—in this case, an 80s action-adventure writer. Other pieces from the series are grouped together in a room similar to the one in which they were exhibited. The first of these pieces is a nondescript, brass-plated metal dish. Like the other two, it bears a flickering, diffuse red light and an abstract, frayed-looking interstices of shadows and reflective surfaces.The second work in the show was the largest, the iconic East Village number nine, that Rosenberg found in an antique shop. Constructed of cinder blocks and asbestos-filled aluminum, this simple wooden form looks like an offbeat modernist sculpture with a jazz chord. With its minimalist, polished wooden veneer and polished, white-cobbled surfaces, it recalls the space of a luxury bar.

Result #5

A TV stand made from cinder blocks and old wooden windows shutters ales hiss and coughs. The door is ajar, and the empty gallery feels as if the space has been abandoned to the ghosts of cataclysmic events. Theres a sense of mysticism to the installation that lends its title to this newly installed gallery. The work is an attempt to bring the past to light in a time when the culture of modernism is often in ruins.This piece of highly polished modernist architecture is reminiscent of Gustav Klimts work. It was inspired by the work of the Russian avant-garde in the late 60s and early 70s, specifically the works of Vladimir Tatlin, Vera Chornova, and Gennady Gnomjova. The new gallery is filled with objects that recall various contexts, from the ephemera and ephemera culture of the Soviet state to the vanguard and post-Communist art of the 60s and 70s. The pieces that make up the core of the show are simple and beautiful. Theres no exaggeration of individuality in these small pieces; they all fall under the rubric of an ethos of harmony with nature. The essential element in all of the works, however, is a kind of black humor: What is a map of Siberia now, but a map of your face?An 18th-century plan of Siberia, with its precise outlines of mountains, valleys, and mountains, its little villages and lusciously green meadows? A first-world modernist urban and ecological utopia? A mad scientist? A madman? The sculptures, which range from large, complex, and elaborate to small and delicate, are reminiscent of the work of the Venetian masons. The design of the gallery itself was inspired by the architects plans for the construction of Sevastopol, a city built in 1485.