An upstate raver regards himself in a true mirror while further back, and mirrored in front, his spouse takes a selfie of them both. A fellow raver in gold lame jacket poses between an illuminated disco ball hung in a tree and a lit tiki torch.

Result #1

An upstate raver regards himself in a true mirror while further back, and mirrored in front, his spouse takes a selfie of them both. A fellow raver in gold lame jacket poses between an illuminated disco ball hung in a tree and a lit tiki torch. The juxtaposition of two men in a tuxedo, one wearing a white shirt, the other a red, polka-dot, button-down shirt, is a simple but profound symbol of the intimacy between two people who remain apart but are always connected. The film was shot in a house that the artist has owned since 1990. The viewer is invited to take a seat in the front seat of the car. A shot of the couple in front of the camera is followed by a shot of the couples rear view mirror. The camera focuses on the mirror and the white shirt, then on the viewer. The mirror has a thick, shiny surface that looks like it has been polished to a mirror-polished finish. The couple in front of the camera looks out of the mirror, and the viewer looks behind the mirror. The two are turned into mirror images. In the middle of the film, the mirror-polished mirror image is flipped back to its original state. The couples rear view mirror is turned on, revealing a woman in a red sweater lying on her stomach on the floor, her legs spread wide apart and her head tilted up. The mirror image is flipped back to its original state, and the two men in the background are revealed to be the same raver. The mirror image is flipped to its original state, and the viewer is revealed to be the mirror image. The camera focuses on the viewer as he or she looks at the mirror image. The viewer looks at the mirror image, and the mirror image is projected onto the wall behind the mirror image. The mirror image is rotated by the mirror, and the mirror image is projected onto the wall behind the mirror image. The mirror image is flipped to its original state, and the viewer is revealed to be the mirror image. The mirror image is rotated by the mirror, and the mirror image is projected onto the wall behind the mirror image.

Result #2

How ironic that the great hero of a show like this should be the ultimate loser.The point of this show is to take the viewer through the entire process of a show that has been constructed for the purpose of making you feel good. The way the work has been built up, the way the work is presented, the way the presentation of the work has been set up, is the main attraction. You are encouraged to become involved in the work, and if you are not, you will never be able to take it seriously. The only thing left to do is to keep your distance and see what you can see.

Result #3

An upstate raver regards himself in a true mirror while further back, and mirrored in front, his spouse takes a selfie of them both. A fellow raver in gold lame jacket poses between an illuminated disco ball hung in a tree and a lit tiki torch. It is the latter, however, that is the only thing in the video that we are not allowed to see. The video is shot on a roof, and the lighting of the scene is artificial, a distraction from the real object. The viewer is not allowed to experience the real world, but is encouraged to experience the virtual world. The illusion is created by the video system, which creates an illusion of the real world in order to create an illusion of the virtual world. In the end, the illusion is not an illusion, but an artificial one created by the video system.The video was shown in the gallery and on a monitor. The installation was divided into two sections. The first was a three-part installation of five monitors. These are arranged in a grid, one on each side of the gallery. One side of each monitor was lit, and the other side was dark. The viewer was asked to look at the first of five small images that were displayed on the screens, which were then taken out of the gallery and exhibited on the wall. This installation was divided into two parts. The first was a video that depicts a view of the same scene on the other side of a large pane of glass. The other side of the glass was lit, and the glass pane was removed. The view on the other side of the glass was taken out of the gallery and displayed on a monitor, and the viewer was asked to look at the second of five monitors. The second of the five monitors was a video that was based on a photograph of the same scene on the other side of the glass pane. The photograph was taken from the same angle, and the glass pane was removed. The view on the other side of the glass was taken out of the gallery and displayed on a monitor, and the viewer was asked to look at the third of five monitors.

Result #4

An upstate raver regards himself in a true mirror while further back, and mirrored in front, his spouse takes a selfie of them both. A fellow raver in gold lame jacket poses between an illuminated disco ball hung in a tree and a lit tiki torch. The performances were a fitting response to the work of artists like Richard Serra and Jason Rhoadess, who are also performers. The ravers are a kind of audience for these artists, and the act of acting out the act of being onstage, of having the viewer see the ravers, is a kind of public performance.The performance included four performers, each one wearing a suit, and two of them in sequined outfits. Two of the suits were made from sequined, looser-than-dribble fabrics, and the third from a more structured fabric. The suits were made in a variety of colors, including black, red, and white. The clothing was arranged in rows, with the fabric sometimes streaked with gold-colored ink. The sets were designed by the artist Arman, and the lighting and sound were provided by the artist John, who also designed the costumes. The show was divided into four distinct sections: a white room with an illuminated disco ball and a few disco lights; a room with disco lights and a small stage; a room with lights and a small stage; and a white room with lights and a small stage. The lighting was as good as that of the dance floor, and the music was as good as that of the dance floor. A small stage was built by the artist John. The lights were on and the music was coming from the lights. The lights were on and the music was coming from the lights.The ravers who danced on the floor were sometimes followed by an audience of people in the audience, and were sometimes led by people who were not ravers. The audience consisted of people who looked like middle-aged men who had attended the performance, people who knew that the ravers had performed the act, and people who knew that they were being led into the dance floor.

Result #5

An upstate raver regards himself in a true mirror while further back, and mirrored in front, his spouse takes a selfie of them both. A fellow raver in gold lame jacket poses between an illuminated disco ball hung in a tree and a lit tiki torch. Why is this mirror glowing? The answer lies in the mirror, which, as the artist notes, is a kind of reflection of the world. If the world is a reflection, then the reflection is the mirror. Theres no reflection. Theres no reflection. Nothing is reflected. So theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection. Theres no reflection.