The artist created an etched and aquatint work that consists of a canopy of Japanese persimmon tree. The piece includes a black background that includes a white moon. The leaves of the tree are only outlined, so it remained white. The circular fruit are then painted with bright golden yellow color to create distinct contrast in colors.

Result #1

The artist created an etched and aquatint work that consists of a canopy of Japanese persimmon tree. The piece includes a black background that includes a white moon. The leaves of the tree are only outlined, so it remained white. The circular fruit are then painted with bright golden yellow color to create distinct contrast in colors. In the middle of the piece, a hidden image of a Chinese person with a red face appears. This image is a drawing from the book on which the artist studied. A black hand crisscrossing the bottom of the piece, like the tip of a remote camera, allows us to see the white background of the black background, which becomes an active part of the work.In this show, one of the most dramatic of the shows, the artist presented a series of small sculptures. In each of the works, the artist creates a world filled with grotesque creatures, including a large, nearly human-sized figure and an insect. A surrealistic image of a Japanese village comes into view. In the background, a completely nude woman with large breasts stands with a large head, her chest open. At her feet hangs a large dragon, which is represented by a mushroom cloud. The dragon is bathed in a red light that is reflected in the surrounding mountains. In the middle of the distance, a mushroom cloud spreads over a distant horizon, which is enveloped by a bright, multicolored sky. The series of images is a kind of musical composition, a kind of filmic composition that aims at creating a mood, a feeling, and a synthesis of the different elements in a scene. The artist uses his instruments and technique in a spirit that is mesmerizing. In the foreground, a strange, three-dimensional shape forms itself, like a picture of an apocalyptic apocalypse. Above this shape, a group of human figures—a young girl, an older man, a young woman—stand in front of a large mountain range. In front of the center, a forest, which is a dark, ominous atmosphere, appears, a forest of trees. These trees are like dead trees with branches. The size and shape of the trees suggest that they might be the remnants of a forest that is being destroyed by an earthquake.

Result #2

The artist gave the piece a scene-specific, flat surface. The only thing left to the viewer was the outline of the tree itself, which is painted in a similar manner. The result is a highly complex and complexly layered picture that is mesmerizing in its complexity. The artist paints on the same canvas but uses different colored paint. The results are beautiful in their complexity.

Result #3

In a different, more elaborate work, titled I am a great believer in self-confidence, the artist decorated the tree with a number of beads. The beads are made of tin, resin, and gold leaf. The light and dark colors in this piece echo the inner workings of the tree. The effect is like being transformed into a tree and seeing the sky, the mountains, and the sea all at once.

Result #4

The artist created an etched and aquatint work that consists of a canopy of Japanese persimmon tree. The piece includes a black background that includes a white moon. The leaves of the tree are only outlined, so it remained white. The circular fruit are then painted with bright golden yellow color to create distinct contrast in colors. The white background also appears as a silhouette of a pair of goggles. In the latter work, the white background is inverted, so the viewer cannot distinguish the colored flowers from the dark-blue background. The incised lines are the same size as the white background, but they reach far beyond the confines of the transparent backing. For this reason, the work is an opaque body that creates the illusion of depth, while the outline is the more solid one. The cloud that appears behind the image is quite solid and appears as a solid base on which to build.This simple but powerful work places the viewer in an extremely intimate relationship to the viewer. The viewer is able to move between two spatial worlds that can be experienced in many different ways. The viewer has the same possibility of moving between the two worlds as the artist has between the two frames of a film. The two worlds are more like a double mirror, so that the viewer can look at the painting without losing the illusion of depth and distance. The painting is a two-dimensional image, but in fact, it is a three-dimensional image that is constantly being transformed. The nature of the painting is a reflection of the nature of the world. The viewer sees the world through the eyes of the artist, who transforms it. In this way, the painting expresses a concept of time and dimension. As the viewer is constantly looking at it, time is always passing, and the world moves forward and backward, parallel to the viewer. One cannot put one foot in front of the other and in the same way in the same space, and the world itself moves with the viewer. As the viewer is constantly looking at it, time is never passing. The world is eternal, and the world is not a fragment but a unity. The world is never lost, nor is it lost in time. One never leaves the world and is never in the past; the world is always in the future. This is what the painting communicates.

Result #5

The artist created an etched and aquatint work that consists of a canopy of Japanese persimmon tree. The piece includes a black background that includes a white moon. The leaves of the tree are only outlined, so it remained white. The circular fruit are then painted with bright golden yellow color to create distinct contrast in colors. The palette is painted to match the hues of the background. The result is a highly polished, highly polished surface. This is a very personal work, a work that is made to be seen. The artist has clearly invested the space with a particular effect. The sole exception to this is the flat patterned floor. The work is actually an addition to the wall; it adds to the original area of polished surface and is an extension of it. In this way, it is an extension of the wall, an extension of the floor, an extension of the ceiling, and an extension of the floor. The floor is a decorative pattern of white and gold; the ceiling is a polyhedron, and the ceiling is a semi-precious stone. The floor is a ceramic tile pattern; the ceiling is a ceramic tile pattern; the ceiling is an aluminum pattern. The floor is a unique ceramic pattern; the ceiling is a unique ceramic pattern. The floor is an aquatint; the ceiling is a ceramic tile pattern; the floor is an aquatint; and the floor and ceiling are ceramic patterns.In addition to the three works that are comprised of an embedded mosaic-like surface, there are also three other works that are composed of a single ceramic tile pattern and a single bronze. These works are too numerous to be described in any detail; they are too diverse in appearance to be catalogued. A single ceramic tile pattern is covered with many small flat patterns; a single bronze is covered with many small flat patterns. In the end, the pieces are not nearly as diverse in appearance as the mosaic-like pieces. One ceramic tile pattern is covered with many small flat patterns; a single bronze is covered with many small flat patterns. A single mosaic-like pattern is covered with many small flat patterns; a single bronze is covered with many small flat patterns. In the end, the pieces are not nearly as diverse in appearance as the mosaic-like pieces.