MA Polimoda collection, presented by Polina Oleinikova in 2021. The photoshoot designed in the fairy-tale style induces nostalgic feelings and reminds of childhood. The visual characteristics are very impressive due to extensive work on the structure of the fabric, which creates unusual visual effect. The overcoat of the model is made using wet felting technique and was hand made by Polina Oleinikova from vintage table covers.

Result #1

MA Polimoda collection, presented by Polina Oleinikova in 2021. The photoshoot designed in the fairy-tale style induces nostalgic feelings and reminds of childhood. The visual characteristics are very impressive due to extensive work on the structure of the fabric, which creates unusual visual effect. The overcoat of the model is made using wet felting technique and was hand made by Polina Oleinikova from vintage table covers. The garments are dyed white and on the breast the word LOIS (love) is printed. The fabrics are patterned in white, black, and green. The breast is lined with gesso and appliquéd on a black ground. The entire garment is decorated with red gesso and is decorated with tiny red gesso patterns. The breast is printed on a pattern of stars and stripes. The motifs are also written on the gesso and the gesso is printed on the breast. The entire pattern is written on the breast. The artist had used the same technique for several years in previous works. The effect is both charming and melancholy. The gesso and appliquéd patterns are on the breast and the gesso is applied with the help of a needle. The patterns of stars and stripes are applied on the breast and on the gesso. The two layers of appliquéd gesso are applied in different ways and the pattern of stripes is applied to the gesso and the appliquéd gesso. The gesso is the most delicate and is painted on with gesso and embroidery. The embroidery is on the breast and the gesso is on the breast. The technique of appliquéd gesso is not only formal and an indication of craftsmanship but also refers to the women body. The embroidery is on the breast and the gesso is on the breast. The lines of embroidery are on the breast and the gesso is on the breast. The lines of embroidery are not in the same place as the lines of the breast. The embroidery is on the breast and the gesso is on the breast. The embroidery is on the breast and the gesso is on the breast. The embroidery is on the breast and the gesso is on the breast.

Result #2

MA Polimoda collection, presented by Polina Oleinikova in 2021. The photoshoot designed in the fairy-tale style induces nostalgic feelings and reminds of childhood. The visual characteristics are very impressive due to extensive work on the structure of the fabric, which creates unusual visual effect. The overcoat of the model is made using wet felting technique and was hand made by Polina Oleinikova from vintage table covers. The pattern of the overcoat is of a continuous line of the same width that runs from the bottom of the garment to the sides and then to the top. This pattern is repeated in the photoshoot, and is repeated in a second photoshoot. The overcoat is painted in the same way. It is also a fabric, and the image of a table is a fabric, too. The fabric and the fabric are two different fabrics. The fabric is also a color, and the photoshoot shows the process of weaving. The process is not shown, but the process is clearly visible. The fabric is a mirror image of the photoshoot, and the process of weaving is visible.The photoshoot is an imitation of the photoshoot, but without any reference to the original photoshoot. The images that form part of the photoshoot are not based on the original photoshoot, but are based on a photograph. The images are not based on the original photograph, but are based on the photograph. The subject of the original photoshoot is not a photograph; it is the photoshoot itself. The subjects are not real people, but images of objects that are sold to the highest bidder. The objects that appear in the photoshoot are made of fabric that is not real but is dyed and embroidered. The objects are not sold; they are dolls and furniture. The objects are not real, but are embroidered. The objects are not real, but are made of fabric that is real, that is dyed and embroidered. The objects are not real, but are made of fabric that is real, that is dyed and embroidered. The objects are not real, but are embroidered. The objects are not real, but are made of fabric that is real, that is embroidered. The objects are not real, but are made of fabric that is real, that is embroidered.

Result #3

MA Polimoda collection, presented by Polina Oleinikova in 2021. The photoshoot designed in the fairy-tale style induces nostalgic feelings and reminds of childhood. The visual characteristics are very impressive due to extensive work on the structure of the fabric, which creates unusual visual effect. The overcoat of the model is made using wet felting technique and was hand made by Polina Oleinikova from vintage table covers. The clothes are of a human size, but they are not worn; they are transformed into a kind of body armor. They are made of various kinds of linen, including cotton, linen, and silk. They are covered with a paper-thin layer of paper, which is printed with a small photograph of the artist and his mother in their everyday home. This was the first time that the artist had used the photoshoot to record his own identity. The photograph was a description of the image he wanted to capture, but the photo was also a description of the subject that the photographer wanted to capture. The work is a diary of the artist and his family, of memories, of dreams, and of fantasies. It is a visual record of the past, of the past in a contemporary world. The clothing is worn, but the patterns of the patterns are not; they are merely the marks of the artist. The photographs of the artists family are thus also portraits, and they are of the artist and his family as they were in the past. The work is thus a document of the transformation of the present into the past.It is as if the artist had been trapped in a mirror and had lost the power to control his image. The clothes have disappeared and the work has been destroyed. The past is no longer present in these garments; the past is a phantom, a phantom of the past, a phantom of the past. The past is no longer the work of the artist, but rather the past of his family. The family members are the past in their clothing. They are the past in their clothes. The family is the past in the family, in the family in which the artist was born. The family that the artist is now the is the family that the artist was not born into. The family that the artist was not born into is the past of the past, the past of the past. The past is a phantom. The past is a phantom.

Result #4

The fabric is covered with the photoshoot on canvas, which is hung on the wall and has been stained in the same pattern of the dress. The painting is also on the wall, but on a low, light-sensitive wall that extends slightly above the floor. The photoshoot is a closed structure, but one that is visible only from the outside.The idea of the photoshoot is to set up a dialogue between the subjects of the photographs and the artists. The artist takes on the role of the photographer, while the model is identified as the model. In this way, the process of photoshoot becomes a metaphor for a relationship between the artist and his or her subject. The models are seen as a group, and they are caught in the middle of a group of people. The relationship between the photographers and the models becomes a metaphor for a relationship between the subject and the photographer.

Result #5

The fabric was stretched on the floor and the garment was arranged on the floor. The color of the clothing was the same as that of the fabric, but the color of the clothing was a warm red, and the pattern of the pattern was in a different pattern, suggesting the dance of the sun. The clothes were then cut, sewn, sewn, and sewn again. The last piece was the final piece. This piece consisted of a pair of pants with a red one underneath. The pants were made of wool and linen, and the fabric was sewn together in such a way that the wool would hang on the knees. The original pattern was repeated in the fabric, but now the pattern was blurred and the trousers were joined at the hips. The result was a somber, mysterious figure.The exhibition consisted of a large number of drawings and small collages made using a technique similar to photoshopping. The work consisted of a series of three-dimensional collages and the collage had a prominent place in the exhibition. The collage was made using the same process of wet-finish collage on paper. The collage consisted of a grid of collages with a plane cut out of the grid. The cut-out plane formed a pattern of the grid. The cut-out plane was then cut out of the grid and placed in a position of the collage. The cut-out plane was then sewn up and the pattern of the cut-out plane was repeated in the collages. The result was a very dramatic and refined collage.