Review | Monster is an abstra...

Generated on 2022-12-28 11:50:40

Result #1

Monster is an abstract painting by Michael Duncan that fuses elements of lyrical abstraction and dynamic composition to create a unique work of art. This piece focuses on the struggle with one's inner demons and the journey towards self-acceptance. It is a meditation on the loss of the self and on the need for transformation and transformation of ones past. The title of the piece is a phrase taken from the poet John Yau, describing a journey of self-immolation. The transformation of the individual is implied in this painting, which shows the artist as a small, self-effacing, and self-effacing figure, a figure who is at once self-effacing and self-effacing.In the most recent work in this show, The Secret of the Wild, the inner self has been made visible by the creation of a self-portrait. In this painting, the artist appears as a small figure, almost cuboid, with a long, protruding tongue, and a small, protruding tongue. The tongue is articulated in a horizontal format, suggesting a table, a pedestal, and a floor. The figures mouth is a mouth with a curved tongue, and it is filled with an oily, goopy substance that makes it resemble a sticky substance. The substance, a substance of the self, is a part of the self and the self is the substance, and this substance is a symbol of the self. The self is represented in this painting as the substance of self-effacement. The self is broken down into parts, and we see the fragment of self that remains behind. The fragment is a metaphor for the self, for the individual who seeks to dissolve himself, who seeks the unity of self and world, the unity of being. This is the ultimate goal of all self-immolation.The current show is dominated by seven works, two of which are on paper, two of which are on canvas. The drawings are characterized by a heavy, brushy, and almost gritty medium, and a graphic style that is heavy-handed and harsh. The paintings are reminiscent of American figurative painting.

Result #2

Monster is an abstract painting by Michael Duncan that fuses elements of lyrical abstraction and dynamic composition to create a unique work of art. This piece focuses on the struggle with one's inner demons and the journey towards self-acceptance.The work, which is also titled The Serpent, is a large canvas divided into six sections. In each section, the artist has painted a serpent, a serpent with a human face, a serpent with a human face, a snake, a dragon, and a hawk. The artist has also painted a dragon and a hawk, and has used the human face to flesh out the surface of the other parts of the painting. The serpent is a metaphor for the artist himself, the serpent for his own self-image and the self-portrait as a self-portrait. The face of the artist is the only part of the face that is visible. The artist has painted his face with the brush of his hand.The works in this show, all of which were made in the last two years, were made with acrylic on canvas, and the color is very rich. The surface of the paintings is rich and saturated, and the colors are varied, depending on the amount of pigment used and the amount of time the artist has spent on the work. The colors are not in the usual sense of the term, but rather come from the manipulation of the brush, and they are applied with great care and precision. The paintings are not only about the artist as a painter, but also about self-portraiture.The self-portraits are the artists attempt to bring back the lost remnants of self. They are attempts to return to the roots of selfhood, to the roots of the artist as the artist, and to the roots of art as the sign of selfhood. Self-portraiture is a process of making the artist as the artist, and to do so is to return to the roots of selfhood as well as to the roots of art as the sign of selfhood.

Result #3

Monster is an abstract painting by Michael Duncan that fuses elements of lyrical abstraction and dynamic composition to create a unique work of art. This piece focuses on the struggle with one's inner demons and the journey towards self-acceptance. Duncan focuses on the human condition, using the human body as a metaphor for his own life-long struggle with self-doubt and isolation. The body is represented by a naked female torso with a whip-like stick sticking out of it. The stick is a sign of power and dominance, an emblem of the desire to possess another, and it is used to prevent the desire from being fully satisfied.The paintings in this show, all Untitled, are abstractions that focus on the process of painting. The paintings are based on paintings Duncan has painted in the past, and they combine various methods of painting with the same obsessive process of painting. In the paintings, a form of abstraction is combined with a specific painting technique. In one piece, the abstract form is combined with the painted figure of a young woman. In another, a female torso is combined with a brushy, gestural brushstroke. In still another, the figure of a young woman is combined with a brushy brushstroke that forms a brushy mouth. In one painting, the outline of a young woman is combined with a brushy brushstroke that forms a brushy face. In another, the outline of a young womans face is combined with a brushy brushstroke that forms a brushy face. In a third, the outline of a womans face is combined with a brushy brushstroke that forms a brushy face. In a fourth painting, the outline of a womans face is combined with a brushy brushstroke that forms a brushy face. In one painting, a womans face is combined with a brushy brushstroke that forms a brushy face. In another painting, a womans face is combined with a brushy brushstroke that forms a brushy face.In one painting, the outline of a womans face is combined with a brushy brushstroke that forms a brushy face.

Result #4

Monster is an abstract painting by Michael Duncan that fuses elements of lyrical abstraction and dynamic composition to create a unique work of art. This piece focuses on the struggle with one's inner demons and the journey towards self-acceptance. Duncan employs a number of techniques to create a realistic-looking painting in which the inner world is represented as a series of ambiguous, abstracted forms. The canvas is divided into various areas, and these sections are linked to the section corresponding to the inner world. In the first section, the artist paints the outlines of the pentagram of inner darkness. In the second section, the pentagrams are divided into the three-dimensional pentagrams of the outer world. In the third section, the pentagrams are again divided into the three-dimensional pentagrams of the outer world. In the fourth section, the pentagrams are divided into the three-dimensional pentagrams of the inner world. In the fifth section, the pentagrams are again divided into the three-dimensional pentagrams of the outer world. The pentagrams of the outer world are divided into the pentagrams of inner darkness, and the pentagrams of the inner world are divided into the pentagrams of outer darkness, and so on. The inner world is depicted as a series of confused, overlapping lines, and in the final section the pentagrams of the inner world are fully integrated into the lines of the outer world, and the inner world is reduced to a series of lines, each with its own internal symbolism. The inner world is represented as a series of conflicting signs, and the inner world is depicted as a series of conflicting signs. The inner world is represented as a series of ambiguous signs, and the inner world is represented as a series of ambiguous signs. The inner world is depicted as a series of confused, overlapping lines, and in the final section the pentagrams of the inner world are fully integrated into the lines of the outer world, and the inner world is reduced to a series of lines, each with its own internal symbolism. The inner world is represented as a series of ambiguous signs, and the inner world is represented as a series of ambiguous signs.

Result #5

Monster is an abstract painting by Michael Duncan that fuses elements of lyrical abstraction and dynamic composition to create a unique work of art. This piece focuses on the struggle with one's inner demons and the journey towards self-acceptance. In this work, Duncan combines his own fears of the self-destructive tendencies with a celebration of life and the human struggle for self-acceptance. The artist is shown as a sinner, a sinner with inner demons. He is shown to be an artist whose art has a spiritual dimension.Duncan has been praised for his rich and varied palette of black and white, but his work is also concerned with the relationship between the artist and his art-making process. In this piece, Duncan combines his own fears of the self-destructive tendencies with a celebration of life and the human struggle for self-acceptance. The artist is shown to be a sinner, a sinner with inner demons. He is shown to be an artist whose art has a spiritual dimension.Duncan combines his own fears of the self-destructive tendencies with a celebration of life and the human struggle for self-acceptance. The artist is shown to be a sinner, a sinner with inner demons. He is shown to be an artist whose art has a spiritual dimension.Duncan has been praised for his rich and varied palette of black and white, but his work is also concerned with the relationship between the artist and his art-making process. In this piece, Duncan combines his own fears of the self-destructive tendencies with a celebration of life and the human struggle for self-acceptance. The artist is shown to be a sinner, a sinner with inner demons. He is shown to be an artist whose art has a spiritual dimension.Duncan has been praised for his rich and varied palette of black and white, but his work is also concerned with the relationship between the artist and his art-making process. In this piece, Duncan combines his own fears of the self-destructive tendencies with a celebration of life and the human struggle for self-acceptance. The artist is shown to be a sinner, a sinner with inner demons.