Her sculptures and installations focus on the subjectivity of time and space. she manipulates common materials like wood, glass, and copper through chemical processes to explore the ephemerality of the physical world.
This process of manipulation is an art of contamination, and, as with much of her previous work, it is a metaphor for the power of the imagination and the power of the imagination itself.
Her sculptures and installations focus on the subjectivity of time and space. she manipulates common materials like wood, glass, and copper through chemical processes to explore the ephemerality of the physical world. She builds her sculptures from materials that are ubiquitous, like cheap wallpaper and carpeting, and she employs the same materials that are seldom used: kitchen cabinets, bedding, and table, and sets of photographs. She uses materials that are often considered self-referential, but also that are more easily accessible. She has used wallpaper and carpeting before, but her recent work also embraces the everyday, the unglamorous, and the obscure.In her recent work, New Horizons, 2003, the artist reenacted the themes of the American landscape, using it as a medium for a series of photographs and a series of sculptures. The images depict a landscape that is both familiar and alien. The subjects of the images are the same ones that were in the artists childhood home in the Bronx, New York, where she lived most of her life, until she moved to New York in 1987. The photographs of the landscape are the same ones that were taken by her parents, but the images are cropped and printed on a large scale; in this way, they become part of the surface of the picture. The landscape itself is used as a point of departure for a series of sculptures, each one a carefully fabricated assemblage of wood, painted aluminum, and wire, and a small flashlight. The flashlight, which is an essential part of the work, is a symbol of personal identification with the place where she finds herself in a moment of crisis. This work is a fragmented self-portrait, an expression of a deep inner longing.The exhibition also included a number of video projections, which show the artist performing activities such as walking, driving, and painting. These works are more intimate than the photographs, but they are also more realistic, and the action they present is more likely to be seen from a distance. In the video projection, the artist, a white woman, is seen walking, but her movements are erratic, and her gestures become more pronounced as they move forward and backward.
Her sculptures and installations focus on the subjectivity of time and space. she manipulates common materials like wood, glass, and copper through chemical processes to explore the ephemerality of the physical world. She explores the power of the individual body, of time, and of the concept of time itself. Her work is rooted in the notion of the human as a creation of nature, as a connection between individuals, as a part of a larger, universal network.In her works, she transforms everyday objects into art objects. For example, she used wood, a common material, to construct a small wooden box, and covered it with glass, a glasslike substance that gives the box a strong physical presence. Inside the box, she placed a sheet of paper, a small piece of paper, and a copper rod. These were arranged on the floor, and two glass orbs rested on the floor. The paper sheets had been folded, and the glass orbs were set on top of the glass sheet. The paper sheets were folded and folded, and the glass sheet was placed on top of the glass sheet, creating an almost transparent surface. The paper sheets were folded and folded, and the glass sheet was placed on top of the glass sheet. The glass sheet, then, became an extension of the paper sheet, and the glass sheet became a kind of counterpoint to it. The glass sheet became a physical extension of the paper sheet, and the glass sheet became an extension of the paper sheet. The glass sheet became an extension of the paper sheet, and the paper sheet became an extension of the glass sheet. The glass sheet became an extension of the paper sheet, and the glass sheet became an extension of the paper sheet. The glass sheet became an extension of the paper sheet, and the paper sheet became an extension of the glass sheet. The glass sheet became an extension of the paper sheet, and the glass sheet became an extension of the paper sheet. The glass sheet became an extension of the paper sheet, and the paper sheet became an extension of the glass sheet. The glass sheet became an extension of the paper sheet, and the glass sheet became an extension of the paper sheet.
Her sculptures and installations focus on the subjectivity of time and space. she manipulates common materials like wood, glass, and copper through chemical processes to explore the ephemerality of the physical world. . . . she destroys her own sense of self by destroying and reconfiguring herself. In her earlier pieces she used glass as a material that could be used to portray herself and her image. In her current work, she uses glass to represent herself and her image. The piece is a glass-fronted cabinet whose glass panel is covered with glass. A glass-fronted cabinet is covered with glass. The glass is painted a color that is symbolic of her own identity and that makes her self-portrait. The glass, the glass-fronted cabinet, and the painting are the same material and it is the painting that is painted on the glass. The painting is a composition of glass-fronted cabinets and glass-fronted cabinets. The cabinet itself is a glass cabinet with a glass panel that is painted on the cabinet. The cabinet is the cabinet, and the painting is a portrait of her. The glass is a glass-fronted cabinet. The cabinet is the cabinet, the painting is a portrait of her.The current work is made of small pots of water. The pots of water are painted black. They are placed in a container with a lid that is made of glass. The pot of water is a self-portrait. The container is a glass container, the lid is a glass one. The pots of water are placed in a glass container. The glass is painted a color that is symbolic of her self-portrait. The container is a glass one. The pots of water are placed in a glass container. The glass is a self-portrait. The pots of water are placed in a glass container. The glass is a self-portrait. The pots of water are placed in a glass container. The glass is a self-portrait. The pots of water are placed in a glass container. The glass is a self-portrait. The pots of water are placed in a glass container.
Her sculptures and installations focus on the subjectivity of time and space. she manipulates common materials like wood, glass, and copper through chemical processes to explore the ephemerality of the physical world. The show included a number of pieces from the series Time Lines, 1992–93, which consisted of a large number of tiny wooden boxes, each marked with a number from one to ten. Inside these boxes, one could watch a video of a woman walking through the streets of New York, accompanied by the sound of the artists voice, which, like a poem, came in a voice-over, creating a sound track that was like a lullaby. In one piece, she walked past an empty subway car, a black hole, and the camera of a passing subway passenger. In another, she appeared on a video in a subway, surrounded by a black-and-white crowd, surrounded by a video of a man walking through the streets of New York, and a video of a woman walking through a subway tunnel. In one work, she walked through a tunnel with a video camera, while another one showed her walking through a tunnel with a video camera, and a third showed her on the other side of the tracks. In another piece, she looked into a tunnel and saw a woman on the other side, who was walking toward her car. In a third, she appeared in a tunnel with a video camera, and the video of her in the tunnel showed her being followed by a man, who seemed to be her own father. She turned around and saw a man in the tunnel who was also her father. The video of her father playing the violin was interrupted by the sound of his own voice, which, like the violin, created a sense of continuity between the two. In this piece, the video image, which had the consistency of a dream, was interrupted by the sounds of the voices of her mother and father. The video of the mother was interrupted by the sound of her own voice, and the video of the father was interrupted by the sound of her own voice.
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