Kate Smith is an oil painting artist from New Zealand. She creates beautiful paintings of wildlife, animals, people and abstracts that can be purchased online.

Result #1

Kate Smith is an oil painting artist from New Zealand. She creates beautiful paintings of wildlife, animals, people and abstracts that can be purchased online. Her paintings are often full of detail, of animals, people, people, or abstract shapes and figures. One is left to wonder if she is a playful or a serious painter. Although she doesnt always use the best possible technique, she is still a very accomplished painter and has a strong sense of composition. Her works are often very beautiful, with the exception of the works of the five from the series Ranchera (Ranchera, 2002–2005), in which the light and texture of the paint seems to be literally on the canvas. Smiths works are usually small, and they are not terribly visually engaging. Her paintings are not particularly enticing, either. The artists confidence in the power of her medium is perhaps at its best when she works with a limited vocabulary of means. For example, the paintings on paper from the series Astrid, 2003–2005, are beautiful, but not especially challenging. The artist has a knack for finding interesting contrasts between the softer, more delicate handling of her brush and the heavy-handedness of her compositions. In these works, Smith uses a brush that is more subtle, a brush that can be used to convey a sense of light and color. Her brushstrokes are a part of her technique, and they are not used to create an illusion of depth. She also uses a brush that can be used to convey a sense of movement and as if it were a human hand. This is not to imply that Smiths paintings are easy to enjoy. The brushy, finger-like brushstrokes are not.Smiths paintings are not without their difficulties. The surface of each canvas is subject to a layer of white. The result is a surface that is rough, unyielding, and messy. But Smiths work is not without its pleasures. Her surfaces are not just surface, they are also paintings. And that is precisely where the paintings begin.

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Her paintings are generally about her own obsessions, but the sensuous surfaces and subtle gradients of color are very much her own.

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Her subjects are usually birds, but sometimes humans as well. Their heads are often cropped out, and their bodies are often cropped. They are usually shown standing, which makes them seem more human than they are. In Birds in Motion, 2018, the birds are presented in a world of motion, with a variety of objects arranged in a grid pattern, creating a sort of musical score. The grid is an obvious reference to the grid of the Internet, but it also recalls the lines of the sea. The birds seem to be caught in a moment of release, like a bird in flight. The paintings are mostly black, but a few, such as Bay of Birds, 2017, are shown with a few white objects, such as a bird in flight, the wind blowing through its wings. In the works on paper, the animals are mostly shown in silhouette. The result is a kind of abstract version of the classical still life, in which the subjects are presented as they would appear in real life. They are presented as objects in motion, like real birds.The shows title, the first and only time in the show that it was used, was taken from a poem by the artist, and the paintings that followed it. The poems title, Birds in Motion, was taken from the poem of the same title by the German poet Wolfgang Amadeo Lippi, who was born in the 16th century. The two poets used a word that forms part of Lippards famous structure of thought, in which the object of a thought is to be, to be, and to be what the other means to be. The title of the show and the poems, Birds in Motion, as well as the paintings, remind us that we can think about art in a similar way. The paintings, on the other hand, remind us that we can also think about other kinds of things.

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They look like paintings, and the work seems to be inspired by photographs and paintings. The subject matter is rarely explicit, but rather a combination of imagery and style. Her paintings are often based on photographs of animals and people. The paintings have an uncanny quality, as if the painter were showing off his skills as a photographer.

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In the spirit of a post-internet age, she creates paintings in the style of old masters and artists such as René Magritte, Henry Moore, and Edward Hopper. She is also fascinated by the work of the animals and the people who have lived with them. Her paintings are often accompanied by photographs, sometimes of her own family and sometimes of her pets. These are displayed in a frame-like manner, with images of animals and people juxtaposed with ones of her own family. Smiths paintings are frequently accompanied by photographs of the animals she has painted. The paintings can be seen as a reflection on the way we communicate with animals and on the relationship between the artist and her animals. In the work of the artists of the past, the relationship between the artist and her animals has often been considered trivial or artificial, but in Smiths hands it becomes poignant, meaningful, and beautiful.