Tales of the algorithm is a series of painting based in a socia complain about how we consume toxic information everyday

Result #1

Tales of the algorithm is a series of painting based in a socia complain about how we consume toxic information everyday without even realizing it. From the start, the idea of a technology to analyze and filter the world was a conceptual one, and the work of the artists of this work is part of the ongoing challenge to the limits of knowledge and the capacity for change.The project has been running since 1995, when the artist Sofia Barcic started to look at the world through the eyes of a computer. The computer, she has said, can see only a few things at a time, and it sees only the world according to the rules of the game, which is the rules of the game of the artist. The work has been called an art of the mind, and the artist has described the algorithms as a kind of mind-game. In the computer-generated world, the artist is merely a window of a mind; the artist can only see the world through his or her eyes.

Result #2

Tales of the algorithm is a series of painting based in a socia complain about how we consume toxic information everyday (like the onus of the consumer), but in the case of this particular work, the problem is the same as in the algorithms. In one of the paintings, for example, a hand-colored dot of red is placed at the center of the canvas, while a black circle with a red and a yellow outline falls just below it. The latter works title might be a reference to the way the paint was applied, as the painting-as-information was the subject of the work. Another painting, titled Honeymoon, also seems to be based on a combed-over pattern of dots. Here, the outlines are more complex, as the painting is composed of several small, overlapping, parallel black and white strokes. This painting is also based on the artists own image, which is based on his drawing of the painting Honeymoon, 1995, and reproduced in the back cover of the book. This work is based on a drawing of a honeymoon photograph taken by the artist and then displayed in a computer, and it is reminiscent of the way the computer generates images, both real and imaginary, on the canvas. The computer is not limited to printing out a picture, but can also generate images, including images based on a photograph, by means of a digital camera. The computer also generates images by applying paint on a computer screen, which creates a unique image. In the case of the two paintings in this show, the computer has the same functionality as the paint on canvas, but the paint is applied in a different way. The two paintings are based on a drawing of a honeymoon photograph taken by the computer and then displayed in a computer. The computer is not limited to printing out a picture, but can also generate images, including images based on a photograph, by means of a digital camera. The computer also generates images by applying paint on a computer screen, which creates a unique image.

Result #3

Tales of the algorithm is a series of painting based in a socia complain about how we consume toxic information everyday (which is ironic, since many of the paintings in the show are based on algorithms). The problem, according to the paintings, is that we all consume it too fast, and the only way to get rid of it is to delay gratification. The paintings are about the ways in which we are able to delay gratification—the way in which we are able to use it to get rid of the toxic information we consume. These paintings are about how we can avoid the toxic information we consume by simply waiting, waiting, waiting.The paintings are also about how we can be seduced into thinking that there is no such thing as too much information. The paintings are about how we can be seduced into thinking that there is no such thing as too much information. The paintings are also about how we can be seduced into thinking that there is no such thing as too much information. The paintings are also about how we can be seduced into thinking that there is no such thing as too much information. The paintings are also about how we can be seduced into thinking that there is no such thing as too much information. The paintings are also about how we can be seduced into thinking that there is no such thing as too much information. The paintings are also about how we can be seduced into thinking that there is no such thing as too much information. The paintings are also about how we can be seduced into thinking that there is no such thing as too much information. The paintings are also about how we can be seduced into thinking that there is no such thing as too much information. The paintings are also about how we can be seduced into thinking that there is no such thing as too much information. The paintings are also about how we can be seduced into thinking that there is no such thing as too much information. The paintings are also about how we can be seduced into thinking that there is no such thing as too much information.

Result #4

Tales of the algorithm is a series of painting based in a socia complain about how we consume toxic information everyday (or at least to the extent that it can be decoded and manipulated). Each of these works consists of a small, transparent acrylic canvas stretched over a large sheet of Plexiglas. The first works in the series, in which the canvas is divided into three horizontal sections, all dated 2012, were created for the show and are on view here. The second works are a series of black-and-white drawings and the third are a series of six-inch-square black-and-white photographs of the same canvases.The paintings are constructed of thin, irregular, irregularly shaped canvases. The artists use a variety of colors: a brown, an orange, a yellow, a purple, a white, a black, and a blue. The colors are often applied in a manner similar to what is found in the paints used to paint the canvases. The result is a series of hues that are similar in color and scale to the color of the paint. This makes it possible to read the paintings as pictorial compositions, but the artist has stated that the colors are meant to be read in relation to the paintings colors and not as pictorial images. He also stated that the colors are meant to be seen in relation to the paint. The paintings are constructed from a variety of materials and that the artists have used them to create the works.The paintings in the series entitled Tales of the algorithm are hung on the wall in the same manner as the paintings in the series entitled Tales of the algorithm . . . but they are more complex, more varied, and more organic. The paintings in these series are divided into three horizontal sections. The first horizontal section is made up of a dense, gray-gray ground, which is painted on with a brush and then painted over with a brush. The painting is then laid over the ground, and the ground is painted with a palette knife.

Result #5

Tales of the algorithm is a series of painting based in a socia complain about how we consume toxic information everyday . . . and how to deal with it. The paintings are painted in black, with the white background of the canvas removed, and the words painted in white. The title of each painting is a word, as in an essay by the artist: I dont know what is going on in the world, its an algorithm. When I try to imagine what it might be like, I dont know if I would be able to imagine, but I know what is happening in the world. The works are about the system that can be used to make us think, and in the process, we end up thinking about our own lives.The paintings on display were all created between 2006 and 2007, and all were on view in a single gallery. In addition to the paintings on display, the show included an installation of seven photographs of the same subject, all from 2006. The photographs were taken by a camera that probed the optical properties of various materials, such as glass and copper, and analyzed them according to their optical properties, with the results appearing on the wall. The photographs were presented in a different manner than the paintings, but they all showed the same optical properties. The optical properties of the glass were, in fact, determined by the optical properties of the glass that the camera had used to create them. The glass was then broken down and broken up again. The resulting glass pieces were then put on display in the gallery, along with the photographs. The photographs were also on display in the exhibition, but the glass pieces were placed on a shelf, along with the photographs. The glass pieces were placed on the shelves, along with the photographs, and the photographs were placed on the wall. The glass pieces were placed on the shelves, along with the photographs, and the photographs were placed on the wall. The glass pieces were placed on the shelves, along with the photographs, and the photographs were placed on the wall.