New sculpture from Ai Wei Wei

Result #1

New sculpture from Ai Wei Wei. But what was especially striking about the Chinese artists recent work was how it engaged with the intersections of the cultural landscape of China and the continent, especially through the example of Ai. As the artist has said, My way of dealing with the environment has always been very specific, very carefully and with a very strict language. What I do is to use a very direct language and to use it as a starting point. Ai, for example, was represented in Berlin by the series of drawings that were exhibited in the gallery. A small glass case housed some of the papers that he made using the same materials that he used in making the works. The glass case also contained a wall plaque, which commemorated Ai as the fourth youngest artist in the world to have made his first museum appearance. This show also brought together works that had been exhibited together. The third room contained some of Wei wis larger pieces, in which he builds sculptures using stone and wood. The sculpture Metal Art, 2006–2008, is a white box, open at the top, that houses the metal parts of his sculptures. He also uses the stones that he uses as raw materials. The result is a scene of passive play, a bit like the building blocks that he uses in his sculptures. Wei also uses a simple, basic geometry to construct his works, using a grid as a base. The grid is the basic unit of his sculpture, and the grid is also the basis of his prints. The grids are often cut into blocks of stone, and stones are used as tools for the sculptural process. Wei uses simple materials to evoke a richly textured, layered, and layered atmosphere.In the end, all of Wei s works are marked by a certain lightness of touch and a strong sense of play. The most obvious, and certainly one of the most successful, of his efforts was the large-scale piece Egg, 2008, which was installed at the Kunsthalle Bern in Switzerland.

Result #2

New sculpture from Ai Wei Wei was presented as the most recent of his collective efforts, and he seems to be working in a very different way. Ai has always been concerned with manipulating meaning, and his earlier works, in particular, dealt with themes such as war and revolution. His most recent works deal with social issues, and the sum of their parts is a way of dealing with the collective collective unconscious. His abstract-formal work, consisting of smooth, rectangular pieces of marble or marble, is visible to both male and female passersby. On one side, the marble is placed against a background of black marble, and on the other, it is against a dark background of gray marble. The effect is an incredibly realistic representation of the social process. In other words, the sculptures are both a reflection on society and an expression of it.In this exhibition, Ai has returned to the smaller, more delicate marble pieces. They are not the same scale as the larger pieces, but they have a slightly smaller, more delicate quality and they can be approached in the same way. The smaller pieces are rather rigid and formal, while the larger pieces are loosely and loosely worked. As a result, the sculptures are seen in a state of minimal tension between two distinct aspects: their formal qualities and their formal qualities.In a sense, the sculptural movement and the formal aspects of Ai is one and the same. His works are not abstract, but, rather, they bring to mind certain classical sculptural principles. In this sense, they are not abstract paintings. They are representations of the body of the human being, of the human body, of the body as an organ, and of the human being as the organ of thought. Ai is interested in the connection between two- and three-dimensional space, between the two- and three-dimensional body, and in the final, and most important, the social dimension of these representations.

Result #3

New sculpture from Ai Wei Wei and Li Yingjian. Two figures from this duo appear in the show, both clad in Chinese clothes: Li in traditional dress (a traditional peasant garment) and Ai in a summery high-tech garment; they are coolly vigilant and are unruffled by the intrusion of visitors. The pair are in a sense the mirror opposite of the sculpture from Ai. They are both sculptural, and sculpture is an obvious point of departure for them, but they are much more than that. In fact, they are almost absurd in their pose, an expression of self-consciousness that is manifest in the manner in which their skin is covered with paint, and which is also visible in the way that their heads seem to be rolled up into a tight circle. But rather than attempting to cast themselves in a role, they are simply standing there in their customary attire, as if bored by the end of their day, in an awkward state of confusion. Their puzzlement is their self-consciousness. Ais pose is reminiscent of Jacques Derrida, and Li, in his role as Chinese ambassador to the United Nations, is a kind of ambassador too. The two are both trying to figure out what to do with their positions, but they are both uncertain of what they should do.Li is a Chinese painter, but his paintings are not landscapes. They are not really landscapes either. In fact, they are not even landscapes at all. The canvases are not monochromatic at all, but rather monochromatic stripes of white and gray. They are both very much the colors of the world of Chinese culture—the kind of canvas that decorates the home. In these works, Li seems to be more of a painter than Ai, who is a sculptor as well.

Result #4

New sculpture from Ai Wei Wei. Ai Wei Weis work combines science, mathematics, and art. He uses science to discover how objects exist, and to record their behavior. He is a gifted and dexterous draftsman, but his work is also an imitation of Chinese literature, and his works, for all their details, are intellectually abstract. Weis work is close to that of the young Zhang Liao, but whereas Zhangs work often seems merely formalist, Weis has transformed it into an art that also fulfills its own theoretical and esthetic intentions. The works in this exhibition have variously been interpreted as abstract and scientific, as well as as as figurative. Zhangs sculptures are playful and playful, but they also convey a very complex idea of the human body. Zhang has always been interested in the world of science, and his works on paper trace the development of his ideas and their development, from his early notebooks, to his drawings, and to the sculptures. Zhangs interest in the body is evident in his works on paper, but it is also evident in his sculptural pieces, which are based on the human body. He has used painters marks and marks made with tweezers and other tools to create these forms. Zhang is more interested in the unknown, in the body as a conceptual and material element. He is not interested in making a mockery of the human body; rather, he uses the body as an extremely mysterious, abstract, and expressive element. His sculptures have a surreal, dreamlike quality; they seem to be illusions. Weis sculptures are made of cardboard and cardboard boxes, which Zhang has used to make them. The cardboard boxes are filled with white paper. The paper is pressed between plastic strips, which form a kind of frame. The cardboard boxes are then filled with colored paper, and the paper is stretched between the plastic strips. It is quite a surprise to see a cardboard box filled with colored paper.

Result #5

New sculpture from Ai Wei Wei, Beijing, 2009, bronze, wood, iron, 19 5/8 x 16 7/8 x 1 3/4". In the wake of the 2008 financial crisis, China is undergoing a massive transformation. The nation is seeking to modernize its outdated social-policy apparatus, which it blames for fueling a rise in inequalities of wealth and power. In the wake of this process, many Chinese artists have taken the opportunity to express their frustration with the Chinese state through an explosion of new media, which is reflected in a broad range of aesthetics that seek to examine the conditions of their own lives, from pop to performance, from conceptual art to the aesthetics of everyday life. This is reflected in many artists international exhibitions, including those of the Berlin-based museum Franca di Belle (a landmark in which curator Alexander Bressani presented an international survey of Chinese art in 2012). The curatorial stance of the French institution, which was established in Beijing in 1997, is echoed by the work of such international artists as Luigi Ontani, Hao Yue, and Qiu Yu. These artists have performed experiments with new media, such as performance, sculpture, and photography, in their performances and writings, often after having been informed by the results of such experiments.The German artist Alexander Angolzke, born in 1961, is among the most prominent Chinese artists working in the international arena. In his work, he investigates the intersections between the personal and the public, but also in his personal life. In his early works, he used a camera to document the various places he visited, and which objects he found there. He documented his travels to Cuba, where he experienced the shock of the American invasion of that country in 1962. He also documented his experiences as a son of a communist father, and as an artist-as-son in a retrospective at the Center for Contemporary Art in Beijing in 2013.