Take a closer look, there is a well, lemon trees, a person drowning in the well and it says "I told you to cover it." (This is a reference to the phrase my grandmother used to say about the danger of my mother falling into the well). The work is about my desires to die mixed with the magic and beauty of the fantasy with which to build my childhood.

Result #1

Take a closer look, there is a well, lemon trees, a person drowning in the well and it says "I told you to cover it." (This is a reference to the phrase my grandmother used to say about the danger of my mother falling into the well). The work is about my desires to die mixed with the magic and beauty of the fantasy with which to build my childhood. This show was about the joys and pains of life.Joan Bolanoss installation is a collaboration between an army of experts, of painters and scientists, of writers and artists, of those who make art and others who make the world. Bolanos has assembled a fabulous group of articles on the theme of the body and its movements, the body and movement. The body is always in a state of flux, always in a state of confusion. The body is a place of eternal disarray. Every time someone moves or breathes, the body creates an electric current. This current is a succession of chemical reactions that creates a confusing mess. The body is a vehicle for things that are not there. It is a place of infinite possibility, a place that exists to be filled with delight and pain. The body is an object of dream, a place where the body is filled with joy and pain. In the heart of the body, as in the heart of the world, there is a person who is bursting with joy and suffering from pain. The body is the place where dreams come true, and the heart of the body is a place of eternal despair.The heart of the body is a place of endless wonder. The body is a vessel for the soul. The body is a vessel for the spirit. The body is a vessel for the mind. The heart of the body is a place of eternal distress. The body is a vessel for the spirit. The heart of the body is a place of everlasting life. The heart of the body is a place of eternal pain. The heart of the body is a place of eternal ecstasy. The heart of the body is a place of eternal torment. The heart of the body is a place of eternal bliss.In Bolanoss installation, it is the body that is in a state of flux, that it is a place of endless joy, a place of eternal sorrow.

Result #2

But, as with many of the works in this show, the illusion of freedom is a false one and is more the result of the fact that I want to live in a fantasy than an actual one. As we grow older, our desires will become the ultimate reality. Like children, who are constantly reminded that the world is still unreal, we must constantly try to find a way to keep our spirits alive. This is an essential element of all life. In contrast, the fantasy that gives meaning to life is one that cannot be fully realized. Not only is the fantasy a way to keep ones spirit alive, but it is also a way to create an environment for life that is not based on the fear and death that we all experience.In a section entitled Life in the Garden, the artist presents a number of drawings that document the various stages in the creation of his or her own fantasy world. The drawings are meant to reveal the process of creation and to show how the world is connected to our own imagination, and how, despite all the painters illusions, we can still make the most imaginative world possible.

Result #3

The artist, however, does not attempt to achieve the dream of having the well covered. He only wants to look at it.

Result #4

Take a closer look, there is a well, lemon trees, a person drowning in the well and it says "I told you to cover it." (This is a reference to the phrase my grandmother used to say about the danger of my mother falling into the well). The work is about my desires to die mixed with the magic and beauty of the fantasy with which to build my childhood. In this case, its a fantasy of a beautiful childhood, of a childhood in which I could fall in love with a child and my grandmother. We were all born into a family of love, a love that lasted only in our imagination. I could spend my childhood with my grandmother. We would become very young and the memories would run wild. My grandmother would wake me up with a dream that would last for many years and then pass away. I would remember it all. After all, she was my grandmother.For several years, I would dream of her all the time. Every morning I would wake up with a dream. It was a dream of a life of joy, of a childhood filled with love and happiness. But the memories were not imaginary; they were real. My grandmother would wake me up and take me to her. I had to live with them. One day she took me to a piano. My grandmother had arranged for me to play with her. She gave me a piano to play with. At first I was too scared to play with it. Then, as I got closer to the piano, I began to play with it. She could not stop me. I had to play with her to make her happy. I couldnt stop her. So I did. My grandmother loved me. She always loved me. And so did shes grandson. And so did shes mother. And so did shes father. And so did I. My grandmother loved me. She always loved me. And so did I. I am very proud of you. When you are young and you fall in love with your grandmother, you have to be proud of yourself. When you get older and you think, Im in love with my grandmother, you dont have to be proud of yourself. You cant be proud of yourself if you are ashamed of your grandmother. There is no way to be proud of a woman who loves you. You are made to feel ashamed of your grandmother.

Result #5

Take a closer look, there is a well, lemon trees, a person drowning in the well and it says "I told you to cover it." (This is a reference to the phrase my grandmother used to say about the danger of my mother falling into the well). The work is about my desires to die mixed with the magic and beauty of the fantasy with which to build my childhood. The title of one of the paintings, I Love the Things Ive Made, 1974, might also be a reference to my obsession with beauty. The figure in this work is a woman who stands in the middle of the painting, her head shaved bald, her body filled with objects and flowers, objects and flowers. Her white dress and white hair are reminiscent of a traditional Chinese wedding dress. She looks very pretty in her white dress, but her face is covered by a veil. The picture itself is about a female figure who is very beautiful, yet who is not beautiful. The dress is covered with flowers and a veil, but the veil is also covered with a white powder on top of the dress. The white powder looks like it had been poured on the white dress, making it look like a fake flower. A second layer of white powder covers the veil in the middle of the painting. The white veil is also the mask of the woman in the painting. The white veil is also a mask of the woman who is in the painting. All of the details of the paintings are decorated with white powder, and there are white flowers around the edges of the paintings. A white veil with a flower on top of it looks like the white dress. The flowers are also arranged like a Chinese wedding dress, but they are made of white powder and are covered with white powder. These details are really flowers, in fact, but the white powder, as a substitute for the flowers, gives the flowers a kind of symbolic power. The white powder is also the color of the wedding dress. White powder is also the color of the veil.The last painting in the show, Art and Death, 1974, is also a continuation of the white powder painting. The white veil is also the mask of the woman in the painting. The veil is also a mask of the woman who is in the painting. The white veil is also a mask of the woman who is in the painting.