Write a review of the project "Taking Care" by photographer Marin Driguez Project Description: Taking care is a documentary work in progress focusing on the Belgian public hospital. In immersion since 2018, I try to give a voice to caregivers and patients, by sharing their daily lives, by questioning the notion of caring and by evoking the richness of a hospital, a place that I feel like a window on our world. Entering a hospital is like taking a journey into the human condition Anne Levy Morelle
Write a review of the project "Taking Care" by photographer Marin Driguez Project Description: Taking care is a documentary work in progress focusing on the Belgian public hospital. In immersion since 2018, I try to give a voice to caregivers and patients, by sharing their daily lives, by questioning the notion of caring and by evoking the richness of a hospital, a place that I feel like a window on our world. Entering a hospital is like taking a journey into the human condition Anne Levy Morelle, a doctor who now lives in New York, has said. She does not see the same world in the same way that we do, she has said, and in this, she seems to be saying, it is possible to be in a hospital and not have to care for the people who come in. Moreless work, however, is not an attempt to construct a new world but to examine the conditions that define the world. The first room of the hospital, for example, was dedicated to the families of those who died of AIDS in the past decade. There, the patients, many of them gay, were grouped according to their sexual orientation, and, in some cases, in order to give the impression that they are all in the same boat, they are placed in a long line that ends in a pool. This room is where Moreless experiments with the different kinds of body parts—surgical, medical, and otherwise—are shown. Moreless body parts are cut into strips, which she places on stretchers and then places in various configurations on the floor. The strips are then covered with wax, and the wax is then mixed with acrylic paint, creating a rough, organic, and sometimes colorful surface. In one of these works, the strips are painted black, and the paint is applied to the waxed strips. The wax is then set on top of the wax, creating a kind of mummified skin. The result is a kind of magical waxing, a layer of artificial skin that is more like a skin than an actual body.In another room, Moreless work is shown in a larger room. The work is shown in a more modernist setting than the hospital, and the room itself is more organized. The chairs, tables, and chairs, all of which are painted white, are arranged in rows, one above the other, as if the hospital were a museum.
Write a review of the project "Taking Care" by photographer Marin Driguez Project Description: Taking care is a documentary work in progress focusing on the Belgian public hospital. In immersion since 2018, I try to give a voice to caregivers and patients, by sharing their daily lives, by questioning the notion of caring and by evoking the richness of a hospital, a place that I feel like a window on our world. Entering a hospital is like taking a journey into the human condition Anne Levy Morelle has said. But what does it mean to be on a journey into the human condition, to be on a journey into the human condition? This is what the artist and activist Morelle, who is also a writer, is trying to do with her work, which is based on a highly personal and self-consciously conceptual approach. Her work, which takes the form of photographs, text, and collage, is based on the idea of the hospital as an archive of memories. Her work also attempts to address the relationship between the human and the inhuman: The human condition is the same as the inhuman condition, which is the same as the human condition. This is why the human condition is the same as the inhuman condition, and the human condition is the same as the inhuman condition. The human condition is the same as the inhuman condition, and the human condition is the same as the inhuman condition. This is why the human condition is the same as the inhuman condition, and the human condition is the same as the inhuman condition. This is why the human condition is the same as the inhuman condition, and the human condition is the same as the inhuman condition. This is why the human condition is the same as the inhuman condition, and the human condition is the same as the inhuman condition. This is why the human condition is the same as the inhuman condition, and the human condition is the same as the inhuman condition. This is why the human condition is the same as the inhuman condition, and the human condition is the same as the inhuman condition. This is why the human condition is the same as the inhuman condition, and the human condition is the same as the inhuman condition. This is why the human condition is the same as the inhuman condition, and the human condition is the same as the inhuman condition. This is why the human condition is the same as the inhuman condition, and the human condition is the same as the inhuman condition.
Write a review of the project "Taking Care" by photographer Marin Driguez Project Description: Taking care is a documentary work in progress focusing on the Belgian public hospital. In immersion since 2018, I try to give a voice to caregivers and patients, by sharing their daily lives, by questioning the notion of caring and by evoking the richness of a hospital, a place that I feel like a window on our world. Entering a hospital is like taking a journey into the human condition Anne Levy Morelle has written. The artist and writer, who was born in London in 1963 and currently resides in New York, has spent a lot of time thinking about the human condition and about how to make it a reality. For her recent exhibition, she put on a show of works in progress. In the past, she has presented work in various media, including sculpture, painting, video, and performance, but here, she chose to work in her studio. Her previous work has often been about the construction of a space or a building, and the space and building of the hospital. This time, she added a second dimension to the works, as if she were working on a third, a kind of architectural model. The work was titled Architektur (Architectural) (all works 2018), and it consisted of three floors, each one designed by Morelle, the same as the hospital in which it was created. The first floor was dedicated to the hospital; the second floor was the hospital grounds; and the third floor was a laboratory.The three-dimensional works were installed in the same order as the hospital floor plans, with the same number of floor pieces. On the same floor, the building called Architektur, the most basic building block of the human body, was placed. The buildings main building, with its rooms, barracks, and hospital courtyard, is called Architektur, and it is a building that Morelle has designed, and it is also a building that the hospital was built from. The building is composed of three parts: the hospital floor, the hospital roof, and the hospital laboratory. These three buildings are made of wood, wood, and concrete. The hospital floor is made of wood, concrete, and wood. The hospital roof is made of concrete and wood. The building was also a laboratory. The buildings and grounds were built with concrete and wood.
Write a review of the project "Taking Care" by photographer Marin Driguez Project Description: Taking care is a documentary work in progress focusing on the Belgian public hospital. In immersion since 2018, I try to give a voice to caregivers and patients, by sharing their daily lives, by questioning the notion of caring and by evoking the richness of a hospital, a place that I feel like a window on our world. Entering a hospital is like taking a journey into the human condition Anne Levy Morelle, the artist, writer, and educator, has written in her catalogue essay for the 2013 exhibition at the Galerie Nationale du Beaubourg, which was titled Mémoires dArt Contemporain. It was an apt description of the series of conversations that led to the exhibition, which, in its broadest sense, is a kind of history of the people who make up the hospital.The exhibition, which was organized by the Galerie Nationale du Beaubourg and the Galerie Lumières, brings together more than one hundred works from the past two decades. The core of the show is a group of photographs from the series Mémoires dArt Contemporain (Meadows), 2011–, in which the artist stands in the midst of the collection, moving among the objects and images of the collection in an attempt to retrieve something lost in the process of collecting. In this way, the photographer questions the nature of the collection, and, in the process, he or she re-creates the impact of the objects and images on the physical world. Morelesses photograph is a good example of the series' title: The first time the work was shown in a gallery, the exhibition was called Mémoires dArt Contemporain. The second time, the series was shown in the hospital, and it was called Mémoires dArt Contemporain. The third time, the work was shown at the Galerie Lumières and it was called Mémoires dArt Contemporain. The fourth time, the work was exhibited in the museum and it was called Mémoires dArt Contemporain. The fifth time, the work was exhibited in a museum and it was called Mémoires dArt Contemporain. The sixth time, the work was exhibited in a gallery, and it was called Mémoires dArt Contemporain.
Write a review of the project "Taking Care" by photographer Marin Driguez Project Description: Taking care is a documentary work in progress focusing on the Belgian public hospital. In immersion since 2018, I try to give a voice to caregivers and patients, by sharing their daily lives, by questioning the notion of caring and by evoking the richness of a hospital, a place that I feel like a window on our world. Entering a hospital is like taking a journey into the human condition Anne Levy Morelle has written in her book, The Way Things End, 2017. The book documents her attempts to document the lives of people who, when confronted with the way things end, are compelled to live in the present. The way things end is not a foregone conclusion, but rather a condition that is continually being worked out and renegotiated. This is the way we are all going to end, Levy Morel explains in the book. The way things end is the way we live. Morelles work is based on the idea that life ends in death and that the world can be lived in, and that the individual may have a greater impact on the world than the collective.The Belgian artist has been living in the city of Brussels since 2016, but her work was not produced in Brussels as a whole. Instead, it was produced in the different locales of the city, most of them in the suburbs of Brussels. The artists use of a camera to document the lives of her subjects, many of them elderly women, is a way of playing with the idea of the individual as the most powerful force in the world. Morelles subject is the everyday, the everyday, and the invisible. The women in the series Life and Death, both 2016–17, are very much part of the everyday: They are all the same age, all of the same social class, all of the same profession, all of the same age. In the series, as in many of the other works in the exhibition, Morelle showed the result of her experiments with photography, as well as of her own experimentation with life, and with death.In one of the most striking images in the show, Life and Death #1, 2016, Morelle showed a woman lying on a bed with her head propped up against the wall, her legs spread wide apart, her head on her chest.
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