515625 ft² (continuous-flow, fixed path) is an installation of kinetic sculpture and video. It consists of six generic worker uniforms that spin endlessly within an industrial pallet racking bay. Each uniform is encrusted with 20-40lbs of concrete rubble that weigh down the garment; stretching, ripping, and pulling at the fabric. A shattered iPad plays an endlessly looping video piece that explores themes of objects and individuals locked into mass industrial processes and systems that shape the reality human experience

Result #1

515625 ft² (continuous-flow, fixed path) is an installation of kinetic sculpture and video. It consists of six generic worker uniforms that spin endlessly within an industrial pallet racking bay. Each uniform is encrusted with 20-40lbs of concrete rubble that weigh down the garment; stretching, ripping, and pulling at the fabric. A shattered iPad plays an endlessly looping video piece that explores themes of objects and individuals locked into mass industrial processes and systems that shape the reality human experience. The video depicts a group of employees who sit around a table and discuss the subject of their work. Their collective voice is that of a collective which has come together in an attempt to articulate the ways in which power, powerlessness, and dehumanization shape our experience of work. As the video progresses, the conversation becomes more and more rambling, and eventually breaks into a cacophony of expletives and insults. One employee seems to be attempting to translate the abstract logic of the video into a direct communication with the viewer, but the conversation is interrupted by a break, which forces the group into a more difficult position. The employees are forced to listen to one another, but this only serves to make their understanding of the video even more limited. The video ends with a call to action, which is unintelligible.The video piece, completed in February and presented in August at the Pauline Arts Center, is called P.T.V. (P.T.V. Construction Site). This piece consists of a five-story, concrete-block building, which is divided into four zones that extend around a central plaza. The plaza is divided into two sections, with the center area occupied by a video monitor and two video projection screens. The video shows the construction of a tunnel, which is divided into two zones, with the tunnel constructed in one zone and the other two being built in the other. The video is projected on the tunnels six video projections. The tunnel is itself divided into three zones, with the tunnel constructed in one and the other two being constructed in the other. The tunnels construction is interrupted by the sound of two trucks passing through the tunnel. The sound is repeated, but the tunnel is not completed, and the video suddenly seems to be a commentary on the construction of the tunnel.

Result #2

515625 ft² (continuous-flow, fixed path) is an installation of kinetic sculpture and video. It consists of six generic worker uniforms that spin endlessly within an industrial pallet racking bay. Each uniform is encrusted with 20-40lbs of concrete rubble that weigh down the garment; stretching, ripping, and pulling at the fabric. A shattered iPad plays an endlessly looping video piece that explores themes of objects and individuals locked into mass industrial processes and systems that shape the reality human experience. The iPad rotates on a rotating table and is fed with a feed from a laptop that records and changes the rotation of the tablet. The iPad is a self-referential device, a tool for recording the passage of time and space. The iPad is a tool for repressing the self-consciousness that is intrinsic to any technological device.The work is not as strong as it could be, but it is an interesting exercise. The work is not strong enough to overcome the nature of the piece. It has been modified and reconfigured to allow the spectator to move between the piece and the spectator. The work has been made more accessible by means of a digital monitor that has been installed in a corner of the gallery. The monitor shows a live video stream of a worker walking across a construction site, his head in the same position every time. The worker appears to be walking with a slight but perceptible gait; the camera pans and zooms as the worker moves from one end of the site to the other. The video is looped, and the work is made visible through the movement of the viewer. The viewer is challenged by the work as a form of surveillance and as a means of knowing the identity of the individual walking across the construction site. The work, like any other, is an instrument of control and control. It is a sign of control and its apparent freedom from control, a sign that allows the viewer to move between the work and the spectator.The work is an interesting metaphor for the relationship between the individual and the work of control. The work is a tool for recording the passage of time and space. The work is also a sign of control and control, and in a sense, an assertion of control. This is one of the works main strengths. In this piece, the individual is not a passive observer, but an active participant in the work. The work is also a sign of control and control.

Result #3

.A series of seven video installations depicting the voices of six fictional workers (including a video of a dead worker) narrate the disappearance of an entire city from a third world nation, and the realization that this city has been lying in ruins for decades. In the first, the voice of a man who was the primary source of information for the narrator is shown walking through a city. In the second, we see him speaking about a lost city in a desert. The third video shows the narrator, now a city worker, walking through an abandoned city. The fourth and final video is of a man who tells us that he was once a city worker and that he was not sure what he was doing. The last video shows him telling us that he is a city worker.The video installations have an air of mystery and mystery, a sense of unease and a feeling of doubt. They are perfectly balanced and balanced on a pedestal of menace. The artist is not afraid of the menace that lurks in the shadows; its a menace that is not supposed to exist, that doesnt belong in our midst. The video installations are not about the possibility of movement and change but about the threat of destruction and its destruction. These works are not about the destruction of the world or of the individual, but about the destruction of human life and the human condition.

Result #4

515625 ft² (continuous-flow, fixed path) is an installation of kinetic sculpture and video. It consists of six generic worker uniforms that spin endlessly within an industrial pallet racking bay. Each uniform is encrusted with 20-40lbs of concrete rubble that weigh down the garment; stretching, ripping, and pulling at the fabric. A shattered iPad plays an endlessly looping video piece that explores themes of objects and individuals locked into mass industrial processes and systems that shape the reality human experience. The video begins with a clip of the worker preparing to leave the factory, but is interrupted by a scuffle between a worker and a supervisor, followed by a shot of a patrol car and the sound of a gunshot. The video continues, and concludes with a video of a female figure being led from the factory by a guard.The installation is a compelling, though not entirely convincing, demonstration of the ways in which labor is always already mediated by technology and that the very act of leaving the factory can be seen as a form of rebellion. The work is also a meditation on the relationship between the individual and the machine. The video is a commentary on the relationship between technology and the body, a commentary that is made even more explicit by the fact that the video is projected onto a wall of the factory. The video is a reflection on the extent to which the body and the body of the machine are interchangeable. The video is also a commentary on the fact that the worker is always already a part of the machine, a product of the machinery of the machine. And the video closes with a shot of the worker slowly leaving the factory. The message is clear: the body is already a part of the machine, and the body of the worker is always already a product of the machinery of the machine.The other piece in the show, 21-15, 2003, was a series of slides of the worker in the same position as that of the projection of the video. The individual photographs are stills from the video, but these are also slides that show the worker taking the time to look at the projection. These photographs show the viewer looking at the projection, which is still on the wall, and then moving in the direction of the slide show. The viewer is invited to move around the projection, and the experience of the slide show is intensified by the presence of the slide projections camera.

Result #5

515625 ft² (continuous-flow, fixed path) is an installation of kinetic sculpture and video. It consists of six generic worker uniforms that spin endlessly within an industrial pallet racking bay. Each uniform is encrusted with 20-40lbs of concrete rubble that weigh down the garment; stretching, ripping, and pulling at the fabric. A shattered iPad plays an endlessly looping video piece that explores themes of objects and individuals locked into mass industrial processes and systems that shape the reality human experience. (This work was done in collaboration with an industrial designer.) The video takes its title from a poem by Michel Houellebecq, who has spoken of the way he sees his work as an attempt to break free from the oppressive, dehumanizing condition of the factory. The video shows a man on a pedestal who is watching his own slow movements while simultaneously monitoring his surroundings. He is watched by a guard who is constantly changing his position as he is watched by the viewer. In the end, he is no more than a receptacle for the surveillance and control of human actions and movements. The guards surveillance and control of the action has been replaced by the control and surveillance of the actions of the guard.The video portion of the installation is represented by a worker who is motionless and motionless. The other worker in the gallery, a man in a suit, is shown walking in a single file. The worker is a man in a suit, and he stands about six feet tall. He is wearing the same uniform as the worker in the video. The man walks through a series of ramp ramps into a waiting room. He sits on a throne that looks like a stack of chairs, and sits on the throne with a pair of binoculars that show him to be the camera. He sits and watches as the worker slowly turns and walks away. The worker appears to be waiting for the worker to come back into the room, or for him to sit down. The video shows a man slowly moving from one side of the room to the other. He becomes aware of his own movement and attempts to identify what is happening, but his identification is confused by the slow, stuttering movement of the worker and his binoculars. The worker walks through the ramps and falls down several steps; he falls into the waiting room and sits on a throne, watching the worker pass him. The video shows the worker slowly turning and walking away, as the worker passes him.