The works appear in a law library and they are supposed to break the reticulum. The artist is unknown and used to practice law. they had a severe schizoid break and then found their way back through the help of a mushroom shaman and through extreme breath work.

Result #1

They are not just curiosities of course, as the Mushroom Peoples pamphlet presents. These mushrooms have both an affinity with the madness of existence and a natural ability to regenerate itself. However, their ability to repopulate the planet was an illusion.The mushroom masters supply their sacred fruit as magic mushroom centers to restore the earth, creating new bodies and new animals. The mushroom leaders tell us that they need more creative assistants. They dont want to be responsible for anything. They are starting to believe in an Edenic paradise. These animals are regarded as huts, wild animals, but are considered sacred by many in the Southwest. In ancient cultures these were a people of use, but in recent times they have become endangered. As it is here, the shaman helps to find new parts and new species of animals in order to rebuild his land. His work is a study of the nature of culture, of the choices we make. There is a vague prophecy that the earth will be made anew in the future. In the show the mushroom masters told of the animals they had created that had been eaten by man, and then the mushroom leaders had to rebuild the earth in order to keep it from becoming a new Eden.

Result #2

The works appear in a law library and they are supposed to break the reticulum. The artist is unknown and used to practice law. they had a severe schizoid break and then found their way back through the help of a mushroom shaman and through extreme breath work. This is all in the process of collecting. The mushroom shaman, a mythological hero, provides them with the mushrooms.In one of these work they carefully made the mushrooms, which was the case with the help of a mushroom shaman, an extraordinarily wonderful art. The artist, after much difficulty, managed to build up their shape and color and their visual qualities. The mushroom artist, an exceptionally skilled craftsman, allowed them to grow into powerful and beautiful, even ornamental, sculptures. In other words, the art is of great importance to its artists. The mushroom shaman provides them with the whole story of the mushroom way of life. In fact, his sculptures have been reassembled as they are shown at the San Francisco Museum of Art. They are not only plants but also man-made objects and a kind of research laboratory. They seem to be natural proofs of the mushrooms basic principle of life.The exhibition was shown in San Francisco. The mushroom artist can be found at the Museum of Natural History in New York, where they were shown last year. These are the largest and most significant sculptures of the show, but their scope is simply the most interesting, and their range of colors and forms is the most unusual. The show is made up of eleven sculptures, all of which have tremendous color and are quite distinctive. The art itself is unusual in the fact that the artist and artist helpers are friends of the artist.The artist, although he may not like it, never gets tired of it. He may even love it. The mushroom artists in the exhibit are not so much of what one would call the mushroom people, but are really typical mushroom artists. The problem is that the art itself is extraordinarily important to them.The mushrooms in the show are individually wrapped in burlap and placed together in a neat collection. The mushroom artist has a wonderful ability to fabricate such a nice patterned design as the show offers.

Result #3

Which brings us to the next question: The intent is to get this stuff to look good—the works all look like theyre made of mold. Thats where the flaws come in. The majority of the artists now work in the medium of sculpture and so they seem to be caught up in the same old talk about uniqueness. The avant-garde can be stored in the form of the homogeneous, accessible object, the homogenous and accessible object, and the object itself. So the only similarity between the art and the product is the shape and the material. Theyre still trying to get it all out of the mold. This is a shame because the lack of consistency of the work seems to make it appear to be an attempt to force itself into the mold. In fact, the works couldnt possibly be molded. Its too big, too complicated.The stories of these work are instructive. It suggests that some people are born wrong and it is their folly that they should try to correct their errors. In fact, they are trying to adjust to the reality of the situation in the world. They want to become straight in what they think about the world and to think they are normal and normal means that they think they should be accepted and only slightly perturbed by the things they find so normal. What they dont understand is that by just believing that they are normal, they can get around in the world and so keep their individuality. As a result they dont need to change much in their beliefs. The art is so simple as to be amusing.

Result #4

They were required to undergo the radical retreat of all that must be seen as dogmatic in order to be seen as life-affirming.The energy body on display is one of the most magnificent on the planet. As it is transformed from a finite material to the most extraordinary, it can only be seen and felt in terms of the crossroads of consciousness, the sacred and forbidden, the dangerous and the sublime. The spiritual and the unnatural are also linked. A work of the same size as the organic and the natural, of the same scale as the great beasts, shows us the maximum of the natural and of the divine. It is a masterpiece of true organic symbology.

Result #5

The works appear in a law library and they are supposed to break the reticulum. The artist is unknown and used to practice law. they had a severe schizoid break and then found their way back through the help of a mushroom shaman and through extreme breath work. The title of the show is Seeya, and the exhibition is called Tao Tao. The mushroom shaman, a mushroom, says: Seeya, you know that these things exist in the body. You know what that body is, what it is, what it is made of, what it is made of. The body has no dreams. No false perceptions. No hallucinations. No fantasies. Just as the body is meant to be broken down and reconstructed. Therefore, the body has to exist. The body, when broken down, cannot be reconstructed. So the body must be treated, an effect of each person's daily life. The mushrooms that the mushroom shaman supplied were shaped like concentric rings and on display at the center of the gallery. A glass plate covered in mineral crystals from the hinomoto region of Japan, with the volcanic ash of the far eastern town of Mifune, was placed next to them.On the floor, on two chairs, were paper, paper to the surface of the glass plate, and a tape recording what the mushroom shaman was saying. On the wall opposite the glass plate was a photograph of a group of male corpses, some of them squatting on the floor, some standing, some lying on the floor. The group of dead was called Nippon (Everyone), and the photograph included two monks with the same headdress as the Nippon people. The pictures title, I wanted to be reborn, shows a cross in the shape of a mushroom. And it is a symbol of rebirth.The exhibition is titled Haiku Dai (Children), as well. One is a girl, from Japan, and the other a boy, from Japan. On the opposite wall of the gallery was a miniature replica of the Buddhas image, a colorful fresco of delicate flowers. From this miniature we can create a form.