Photorealistic painting depicting a surreal scene inside a subway car. A raw woman with pale skin and platinum blonde hair stands confidently, her hand on the shoulder of a tall, older man in a pink . Beside her, a raw with a similar pale complexion and platinum blonde hair stands on a red . She experiences strong emotional arousal, her face is covered with a rush of blood, she has a strong blush on her face. The setting is a dimly lit subway car with metal walls and a tiled floor.

Result #1

Photorealistic painting depicting a surreal scene inside a subway car. A raw woman with pale skin and platinum blonde hair stands confidently, her hand on the shoulder of a tall, older man in a pink . Beside her, a raw with a similar pale complexion and platinum blonde hair stands on a red . She experiences strong emotional arousal, her face is covered with a rush of blood, she has a strong blush on her face. The setting is a dimly lit subway car with metal walls and a tiled floor. The face and the background are stark black, as is the background of the door and the window. The viewer is made to feel trapped in a world of cold, oppressive reality.The red, black, and blue background of the background is a vivid contrast to the black background of the painted picture, which is painted on a matte acrylic ground. The space is filled with shadows, a material that is not a part of the picture. The only thing that is illuminated is the face, a dark, dark, dark face that is not visible. A woman in a red dress stands in front of the picture, her eyes closed, her mouth and tongue slightly open. The colors of her dress are also dark, and the background is a deep, dark, and dark background. The lighting of the background is extremely clear, and the shadows are deep, almost translucent, and the shadows are flat, almost transparent. The person in the background appears to be a shadow, and his or her shadow is a literal dimension of reality. The person in the foreground appears to be a depth, a light-filled space that is not visible. The picture is not a real one, but an illusion. The person in the background appears to be a depth, a light-filled space that is not visible. The person in the foreground appears to be a depth, a light-filled space that is not visible. The person in the background appears to be a depth, a light-filled space that is not visible. The picture is not a real one, but an illusion. The person in the background appears to be a depth, a light-filled space that is not visible. The person in the foreground appears to be a depth, a light-filled space that is not visible. The picture is not a real one, but an illusion. The person in the background appears to be a depth, a light-filled space that is not visible.

Result #2

Photorealistic painting depicting a surreal scene inside a subway car. A raw woman with pale skin and platinum blonde hair stands confidently, her hand on the shoulder of a tall, older man in a pink . Beside her, a raw with a similar pale complexion and platinum blonde hair stands on a red . She experiences strong emotional arousal, her face is covered with a rush of blood, she has a strong blush on her face. The setting is a dimly lit subway car with metal walls and a tiled floor. The woman in the painting is a naked, open-mouthed young woman, and her bare back is covered with a veil of pale yellow paint. The painting is one of three in this show entitled Girls with Wounds. The other two are entitled The Vicious Cycle, and both are in black and white. The girls in the paintings are depicted from the waist up, and are described by their names. The Vicious Cycle is a group of seven nude girls, all of them wearing a long, high-heeled shoe. The girls are all lying on the floor, their backs to us, their knees bent at their knees, their arms outstretched at the sides. A single, dark-blue eye peeks out of the back of each girl. The girls in The Vicious Cycle are all nude except for the one in the middle, who is wearing a white tank top. The Vicious Cycle is the most powerful painting in the show. The imagery is so vivid, so clear, and so clear, so young and beautiful.The Vicious Cycle is a group of seven nude girls, all of them wearing a long, high-heeled shoe. The girls in the paintings are all nude except for the one in the middle, who is wearing a white tank top. The Vicious Cycle is the most powerful painting in the show. The imagery is so vivid, so clear, and so clear, so young and beautiful.The Vicious Cycle is a group of seven nude girls, all of them wearing a long, high-heeled shoe. The girls in the paintings are all nude except for the one in the middle, who is wearing a white tank top. The Vicious Cycle is the most powerful painting in the show. The imagery is so vivid, so clear, and so clear, so young and beautiful.The Vicious Cycle is a group of seven nude girls, all of them wearing a long, high-heeled shoe.

Result #3

Photorealistic painting depicting a surreal scene inside a subway car. A raw woman with pale skin and platinum blonde hair stands confidently, her hand on the shoulder of a tall, older man in a pink . Beside her, a raw with a similar pale complexion and platinum blonde hair stands on a red . She experiences strong emotional arousal, her face is covered with a rush of blood, she has a strong blush on her face. The setting is a dimly lit subway car with metal walls and a tiled floor. The woman in the foreground is covered in blood and has a large, swollen, blue eye. The man in the background, his face revealed, is covered in blood. The scene is repeated and repeated. The viewer is driven into a mental state of frenzy. The artist has taken to the air and the scene is depicted in a single frame. The painting is accompanied by a sound track composed of an electronic keyboard. The artist uses a small, crudely drawn, black-and-white photograph of a corpse. The image is stretched onto canvas and painted. The image is based on a photograph of a body in a hospital bed, an image that is a metaphor for the painters mental state. The result is an evocation of a fragmented and tragic existence. The image is painted over with the same paint used in the drawing of the body, but the result is a scene that is very human. The artist creates a scene of horror and violence that is very real. The painting is composed of images and text in a very personal manner, emphasizing the subjectivity of the image. The text is written in a very personal way. The text is written in a very personal way. The text is written in a very personal way. The text is written in a very personal way. The text is written in a very personal way. The text is written in a very personal way. The text is written in a very personal way. The text is written in a very personal way. The text is written in a very personal way. The text is written in a very personal way. The text is written in a very personal way. The text is written in a very personal way. The text is written in a very personal way. The text is written in a very personal way. The text is written in a very personal way. The text is written in a very personal way. The text is written in a very personal way. The text is written in a very personal way.

Result #4

Photorealistic painting depicting a surreal scene inside a subway car. A raw woman with pale skin and platinum blonde hair stands confidently, her hand on the shoulder of a tall, older man in a pink . Beside her, a raw with a similar pale complexion and platinum blonde hair stands on a red . She experiences strong emotional arousal, her face is covered with a rush of blood, she has a strong blush on her face. The setting is a dimly lit subway car with metal walls and a tiled floor. A large black-and-white photograph of a bare-chested man in a pink shirt sitting on a stool appears to be his reflection. The image, which depicts him lying face down on a bed, is cut out of a photograph of a nude woman lying on her side. The entire photograph is attached to a board, which is attached to the wall. The photograph is then hung on the wall in the same manner as the photograph, except that the photograph is a mirror image. The image of the man lying on his side is mirrored by the image of the woman lying on her side. The woman in the mirror image is a reflection of the man in the mirror image. The other image in the mirror is a photo of the same man lying on his side. A naked, black-and-white photograph of the same man lying on his side is attached to the wall. The mirror image of the man lying on his side is mirrored by the other image in the mirror. The man lying on his side is a reflection of the man in the mirror image. The image of the man lying on his side is mirrored by the other image in the mirror. The other image in the mirror is a photo of the same man lying on his side. A naked, black-and-white photograph of the same man lying on his side is attached to the wall. The mirror image of the man lying on his side is mirrored by the other image in the mirror. The other image in the mirror is a photo of the same man lying on his side. A naked, black-and-white photograph of the same man lying on his side is attached to the wall. The mirror image of the man lying on his side is mirrored by the other image in the mirror. The other image in the mirror is a photo of the same man lying on his side. A naked, black-and-white photograph of the same man lying on his side is attached to the wall.