In this extraordinary exhibition in the project room of the Berlin association Meinblau eV we can have fun with it and even appreciate it as a propaganda variant of Pop Art or Street Art. The background, however, is bitter political seriousness. They are pictures of the situation in a divided, torn country.

Result #1

In this extraordinary exhibition in the project room of the Berlin association Meinblau eV we can have fun with it and even appreciate it as a propaganda variant of Pop Art or Street Art. The background, however, is bitter political seriousness. They are pictures of the situation in a divided, torn country. The emotions and the political will to hold on to the past are fierce. The political can be seen in the pictures of the protests and in the pictures of the dead. There is no room for humanism. A few men stand on a balcony; they have a placard with the slogan: I, like all of you, am a realist. The dead are all the same. The dead are not dead. There is no dignity in this. This is a very intense emotional response. These are pictures of the dead. It is as if the dead have been thrown into a furnace. The dead are not the dead, they are the dead. The dead are not people; they are ghosts. And the ghosts are not people; they are not people. The ghosts are not people; they are ghosts. And the ghosts are not people; they are ghosts. And the ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts. The ghosts are not people; they are ghosts.

Result #2

In this extraordinary exhibition in the project room of the Berlin association Meinblau eV we can have fun with it and even appreciate it as a propaganda variant of Pop Art or Street Art. The background, however, is bitter political seriousness. They are pictures of the situation in a divided, torn country. That is, the world of the German people. Not only are these works allegorical, but they are also, as the German word for people, die Bau, or good, old. They are the kind of things you would like to be able to have fun with, but you cant. The artist has to put you in the dark. The world is not the fun of the picture, but it is the dark. The dark is the dark. We dont want to be dark, but we want to be dark. The dark is the dark.In the past, the German people were depicted in the most trivial and absurd manner. There was no seriousness to it, only a sense of humor. Nowadays, there is a seriousness to it. It is a serious, serious, serious German people. The German people are the most serious people in the world. The Germans are serious, serious, serious people. They are not laughing at us; they are laughing at us. The German people are the most serious people.The German people are the most serious people in the world. They are not laughing at us; they are laughing at us. The German people are the most serious people. They are not laughing at us; they are laughing at us. The German people are the most serious people. They are not laughing at us; they are laughing at us. The German people are the most serious people. The Germans are serious, serious, serious people. They are not laughing at us; they are laughing at us. The German people are the most serious people. They are not laughing at us; they are laughing at us. The German people are the most serious people. They are not laughing at us; they are laughing at us.The German people are the most serious people. They are not laughing at us; they are laughing at us. The German people are the most serious people. They are not laughing at us; they are laughing at us.

Result #3

It is a time when the Communist Party and the state are one and the same. They are images of the struggle for freedom, and the heroic struggle for national unity. The image of a defiant, defiant party is a message of hope, of freedom, of hope.

Result #4

In this extraordinary exhibition in the project room of the Berlin association Meinblau eV we can have fun with it and even appreciate it as a propaganda variant of Pop Art or Street Art. The background, however, is bitter political seriousness. They are pictures of the situation in a divided, torn country. The expressionist perspective is almost a caricature of the real reality. The political situation is one of protest.The pictures are on a broad, plump, and ragged surface. They are like the porcelain that has been painted over a clay surface. The surface is smooth and white. The paint has a very low, unreflective, and almost transparent transparency. The color is often applied in a warm, sometimes with a very thick and glossy color. The colors are also a bit off-white. They are always in shades of gray, pink, or black. The paint is applied with a very thick, clumsy brushstroke. The paint has a high gloss, but it is not so thick that it almost disappears, and the paint is often rubbed on in a very rough way. The paint is sometimes applied on with a very wet, dry brushstroke. The paint is often applied on in a very dry and heavy manner. The paint is sometimes applied with a very wet, dry, and heavy manner.The surface is very smooth and shiny. The paint is very dense and shiny. The surface is sometimes very dry and shiny. The paint is often applied in a very rough way. The paint is sometimes applied in a very rough manner. The paint is sometimes applied in a very rough manner. The paint is sometimes applied in a very rough manner. The paint is sometimes applied in a very rough manner. The paint is sometimes applied in a very rough manner. The paint is sometimes applied in a very rough manner. The paint is sometimes applied in a very rough manner. The paint is sometimes applied in a very rough manner. The paint is sometimes applied in a very rough manner. The paint is sometimes applied in a very rough manner. The paint is sometimes applied in a very rough manner. The paint is sometimes applied in a very rough manner. The paint is sometimes applied in a very rough manner. The paint is sometimes applied in a very rough manner.

Result #5

In this extraordinary exhibition in the project room of the Berlin association Meinblau eV we can have fun with it and even appreciate it as a propaganda variant of Pop Art or Street Art. The background, however, is bitter political seriousness. They are pictures of the situation in a divided, torn country. Not for nothing is it said that it is the work of the artist that does not belong to the right party, the left, or the center, but rather the artist is the puppet of the power. This is an example of the paradoxical position of the contemporary artist in Germany. It is precisely the artist who has to work in a state that is split between a left and a right that is in crisis. The artist is obliged to project a positive and an anti-negative attitude. But the artist is not free to express his own opinions or to act out his ideas. He is only permitted to adopt the positions of the state, and the state must be either a totalitarian or a democratic state. This is the situation in the present situation in Germany. The current situation in Germany is analogous to the situation in the Soviet Union in the last years of the 20s.The current situation in Germany is similar to the situation in the Soviet Union in the last years of the 20s. The current situation in Germany is analogous to the situation in the Soviet Union in the last years of the 20s. The current situation in Germany is similar to the situation in the Soviet Union in the last years of the 20s. The current situation in Germany is analogous to the situation in the Soviet Union in the last years of the 20s. The current situation in Germany is analogous to the situation in the Soviet Union in the last years of the 20s. The current situation in Germany is analogous to the situation in the Soviet Union in the last years of the 20s. The current situation in Germany is analogous to the situation in the Soviet Union in the last years of the 20s. The current situation in Germany is analogous to the situation in the Soviet Union in the last years of the 20s. The current situation in Germany is analogous to the situation in the Soviet Union in the last years of the 20s.