A blue fat banana is walking across the street in a shirt and sunglasses.

Result #1

A blue fat banana is walking across the street in a shirt and sunglasses. A man in a suit walks past. A woman in a wheelchair has taken a bite out of a red-gloved banana. The banana has been replaced by a large black one. The two are replaced by two white ones. The two women are replaced by a pair of black-gloved hands, one of them is black, the other white. The hands are repeated in a series of six, each time a different color. The woman is in a white dress, with a long black skirt. Her partner, a man in a suit, walks past. The man is wearing a tie. The woman is shown with her hands behind her head, in a pose reminiscent of Marcel Duchamp. The man is wearing a tie. The woman is shown holding a black-gloved hand. A white-gloved hand reaches out to her, and the two are joined at the wrist. The hand holds the tie. The two women are shown in a pose similar to that of Duchamp, except that one is black and the other white. The ties are held together with twine. The hand of the woman holding the tie is the same as the one that holds the twine. The tie is black. The hand holding the tie is the same as the one that holds the twine. The woman holding the tie holds the twine. The tie is black. The tie is held together with a string. The woman holding the tie holds the string. The woman holding the tie holds the string. The tie is white. The tie is held in a loop. The woman holding the tie holds the string. The woman holding the tie holds the string. The string is black. The tie is held in a rope. The woman holding the tie holds the rope. The rope is white. The woman holding the rope holds the rope. The rope is black. The woman holding the rope holds the rope. The rope is white. The woman holding the rope holds the rope.

Result #2

A blue fat banana is walking across the street in a shirt and sunglasses. He is wearing a matching pair of red sneakers and a brown one-button blouse. The pair have been cut down to the neck and the left leg is absent. A large, orange umbrella covers the bare stump of the left ankle, which has been cut in half and left bare. The umbrella is covered in a red wax-paper dust that looks like a skin infection. The last part of the figure, the only part visible, is covered with the same wax paper dust and the body is a skeleton.The nudity in these photographs is so off-the-wall that it becomes a commentary on the lack of space in the world. The body is exposed, exposed to the world. The body is a corpse, and the body is not a corpse, but a mark of death. The body is a dead man with a body. The body is a corpse, but the body is not dead, and the body is not dead. The body is a corpse, but the body is not a corpse, and the body is not dead. The body is a corpse, but the body is not a corpse. The body is a corpse, but the body is not a corpse, and the body is not dead. The body is a corpse, but the body is not a corpse, and the body is not dead. The body is a corpse, but the body is not a corpse, and the body is not dead. The body is a corpse, but the body is not a corpse, and the body is not dead. The body is a corpse, but the body is not a corpse, and the body is not dead. The body is a corpse, but the body is not a corpse, and the body is not dead. The body is a corpse, but the body is not a corpse, and the body is not dead.The body is not a corpse, and the body is not a corpse.

Result #3

A blue fat banana is walking across the street in a shirt and sunglasses. A woman in a red dress walks down a dark street. Her legs are sagging as she walks. She is wearing nothing but the black boots of the banana. The banana is almost a metaphor for the viewer. It seems to be a little of both, a tiny thing that is both large and small. The image of the banana is transformed into a still image, a strangely distorted photograph.The artist, who is known for her use of photography, has, in her work, taken on a number of other subjects, including the beach, the street, and, most recently, the showroom. In her recent show, she took up a subject that is often used by the artist: the still life. For the exhibition, she made the still-life subjects, which she had photographed in her studio, the focus of the show. This was an elegant and subtle move, as the still-life subjects were not only the artists own objects but also the subjects of the photographs. The still-life objects, the objects of the photographs, were transformed into the subject matter of the photographs. The still-life subjects were made the objects of the still-life photographs, and the still-life objects were transformed into the subject matter of the still-life photographs.The still-life objects were arranged in a way that suggested a line of sight, a line of vision. The objects were arranged in such a way that they were visible from all sides. In the photographs, the objects were seen from all directions, and they appeared as if they were just visible from the same point of view. The objects were thus made visible by being photographed. The objects, however, were not made visible from any point of view, but they were made visible only from the same point of view. This was a straightforward reversal of the role of photography, which is to produce a result that is both an object and an object of the camera.

Result #4

A blue fat banana is walking across the street in a shirt and sunglasses. Her right hand is in a handkerchief. A red cone with a swollen form appears to be lodged in her forehead. The fruit is twisted into a knot. Her right hand is in a handkerchief. A red cone with a swollen form appears to be lodged in her forehead. Her right hand is in a handkerchief. A red cone with a swollen form appears to be lodged in her forehead. Her right hand is in a handkerchief. A red cone with a swollen form appears to be lodged in her forehead. Her right hand is in a handkerchief. A red cone with a swollen form appears to be lodged in her forehead. Her right hand is in a handkerchief. A red cone with a swollen form appears to be lodged in her forehead. Her right hand is in a handkerchief. A red cone with a swollen form appears to be lodged in her forehead. Her right hand is in a handkerchief. A red cone with a swollen form appears to be lodged in her forehead. Her right hand is in a handkerchief. A red cone with a swollen form appears to be lodged in her forehead. Her right hand is in a handkerchief. A red cone with a swollen form appears to be lodged in her forehead. Her right hand is in a handkerchief. A red cone with a swollen form appears to be lodged in her forehead. Her right hand is in a handkerchief. A red cone with a swollen form appears to be lodged in her forehead. Her right hand is in a handkerchief. A red cone with a swollen form appears to be lodged in her forehead. Her right hand is in a handkerchief. A red cone with a swollen form appears to be lodged in her forehead. Her right hand is in a handkerchief. A red cone with a swollen form appears to be lodged in her forehead. Her right hand is in a handkerchief.

Result #5

A blue fat banana is walking across the street in a shirt and sunglasses. The banana, however, isnt wearing a coat, but rather a pair of jeans. The image is taken from the movie Space Jam, in which a fat banana is a recurring motif. The combination of the movie poster and the two-dimensional figure of the artist walking across a street suggest that the artist is walking on two levels, on two levels of existence, an intimacy of body and identity.The implication is that the artist is walking on two levels of existence, a state of being that is simultaneously the public and the private, the public and the private. The banana, however, isnt wearing a coat; its just a pair of jeans. The image is taken from the movie Space Jam, in which the banana is a character in a movie whose identity is ambiguous. The public and the private, they are one, and they exist in the same space, in the same space as the public and the private. The banana is also a metaphor for the artist and the public, both subject to the pressure of their own selfhood and the pressures of the other. The artist walks a thin line between being an individual and being a part of the public. The work creates a state of mind in which the artist becomes a part of the public.The artist becomes a part of the public through the public image of the artist walking across the street. In this work, the artist walks through a landscape of images, of people, of city streets, and of himself. The public becomes the other through the private image of the artist. The artist, who is the other, walks through a landscape of signs, of signs, of signs, of signs. He becomes the other through the public image, as well as through his own image, as he walks through a landscape of signs. The public becomes the other through the artist, as well as through his own image, as he walks through the signs.